What is the difference between the director's conception and the director's elaboration?

The director's idea is more about the preparation that the director should do before rehearsal, while the director's elaboration refers to how to make the staff of various departments (including dance, composition, clothing, makeup, actors, etc.). ) Know what kind of presentation the director finally wants, and finally achieve the goal of working together for the same goal.

The general director's exposition mostly includes the following basic contents: understanding the ideological and practical significance of literary scripts and films; Requirements and ideas on the tone, structure, style and artistic treatment of the film; Requirements for the analysis and image-building of the main characters; The handling and design of major contradictions and important scenes in the film; Basic and special requirements for film creation departments, including photography, recording, art, music and editing. Writing a director's exposition is not a necessary working procedure for a director.

The director's idea is "battle plan, construction blueprint". The director's idea is to turn the writer's literary book into a stage book for the director's second creation. It is the director's ideological interpretation of the script and the overall conception of the stage form that embodies this "interpretation". It includes the director's idea of future performance, the overall image reflecting this idea and the basic principles of handling performance.

The director's ideas include:

(1) Determine the idea of the performance and its practical significance;

② Determine the image seed of the performance (or "the overall image of the performance");

(3) Determine the overall handling principle of the whole drama;

(4) The description and treatment of the images and relationships of the main characters and the actors who play the main roles;

⑤ Determine the principles of handling stage scenery and other stage art factors (lighting, clothing, makeup, props) and determine the design candidates;

⑥ Determine the handling principles of the language, music, aria and sound effects of the whole drama;

⑦ Determine the principles of body movements, stage scheduling and dancing in the play;

⑧ The overall rhythm and atmosphere of the whole drama;

Pet-name ruby to clarify the principle of deleting scripts;

Attending the prediction of key events.