Liu Yifei's first move was "King Fried". Will "Chinese Dream" be the explosion of costume drama in June?

There is no doubt that Liu Yifei's first move is "Fried King", and "Flower Dream Road" has become the explosion of costume drama in June.

The play is mainly directed by Yang Yang, starring Liu Yifei, Chen Xiao, Ada, and adapted from Guan Hanqing's Yuan Zaju "Zhao's Romantic Salvation". It tells the story of three women who went through thousands of difficulties and dangers and joined hands to bravely break into Bianjing. With the help of Gu, the commander of Huangcheng Company, their sister Qi Xin finally turned Yongan Building into the largest restaurant in Bianjing through her own efforts.

There are not many inspirational dramas about women's clothes, and Liu Yifei's works returned to the screen after 16. At first, I watched the drama. However, to my surprise, the play is actually quite good. I thought it was a slow-paced sermon, but the rhythm was just right for me (smooth and fast), and the plot was unconventional and interesting.

The hostess is affectionate, courageous and resourceful, smart and worldly, lively and grounded, resilient, gorgeous and true, and can support men by herself (there is no need to haha, men are not worth it). She is cute, persistent and lovable. Of course, beauty is self-evident. I love supporting girls (especially girls 2) with my sisters.

What's more, the updated Dream of China has made me feel like chasing costume dramas when I was a child. The face value and acting skills of all the staff are not lame, and the plot rhythm and photography are quite good. The original sound of all the staff is really commendable!

And Liu Yifei is still very aura, not to mention the face value, or very good at playing. And lines and performances are also visible to the naked eye. In addition, Chen Xiao is really suitable for ancient costume, and Liu Yifei has a strong sense of cp. There are also Ada, Jelly Lin and several outstanding performances in supporting roles, which add a lot of color to the surge.

The female creative team has brought a brand-new female narrative perspective. The heroine Zhao is a rare real woman in recent years, and her beauty and wisdom do not yield to her identity.

Furthermore, Yang Yang's lens texture is antique, and Liu Yifei, with its beautiful national colors, is like a classical beauty in Song paintings. She is looking forward to her appearance, her eyes are looking around, and she is holding a round fan in her hand, telling you an ancient Bianjing dream.