What are some impressive domestic films in recent years? What do you think of them?

"Old Paoer"

Most of my impressions of old Beijing come from Liu Xinwu's "The Bell and Drum Tower" and the TV series of the same name. I have to mention that many seven- or eight-episode TV series of that era were really good, such as "Fortress Besieged", "Enjoyed" and "The Bell and Drum Tower". "The Bell and Drum Tower" begins with the Yinding Bridge Beizi Mansion incident more than 100 years ago. Although it has nothing to do with the main story line, the whole sense of time comes out at once, especially from the mouths of the elderly people about what happened to Yinding Bridge in those days. , not to mention the vicissitudes of life.

Old Beijing has such a style. It was not there originally. Two generations of the imperial city have created such a temperament. Beijing movies, bragging, old Beijing men, there are so many hooligans. . I have said before that the specialties of old Beijing are not roast duck, fried noodles and Red Star Erguotou. They are hooligans, those engaged in literature, arts, crafts, and business. It seems that everyone has a gangster spirit in their body. "Old Paoer" is about such a ruffian. ?

I have to mention Director Feng’s appeal in the film industry. Even the actors in the film are capable of acting independently. Guo Jing flew out of a scene and asked a question while riding a bicycle. On the way, I got a box lunch. Zhang Yi appeared in a scene once, where he transformed into an urban police officer and trampled on people but was fucked instead. There was no trace of him. And who else, Zhang Yishan, was the Liu Xing in "Family with Children". Now that he has grown up, he is also a good actor in Beijing movies. Appeared once and nothing happened again. As for the leading actors, there are many old, middle-aged, young and powerful idols, old uncles and young ones. This guarantees to a certain extent that the movie is good-looking. Even if the movie is not good-looking, the faces are still good-looking. Except Feng Xiaogang.

The film begins with a panoramic view of the retired life of an old Beijing gangster, who is nothing more than a yo-yo bird, thinking about his son, and flirting with his old lover again when he is able. The most common ones are nosy, which is the embodiment of status in the world. No one is allowed to call him "Sixth Master" wherever he goes. A thief can't get out of the alley with just one word. He dares to slap the police in the face and teach him how to be a good person. This is what it means to be a master. There is a concept running through the film from beginning to end, which is what the old Beijingers say, be reasonable. Deng Shao'er was operating an unlicensed business and the police seized the car. In Li'er, the police slapped Deng Shao'er and returned it. In Li'er, Xiaobo rowed the car and paid for it. The older generation lives in the world and knows the rules. The part where Mr. Liu was looking for people to borrow money panoramically depicts a word called life. The old brothers back then had already had their own families, careers, and lives, whether they were poor or rich, this was all about the world, but people in the world cannot grow old in the world. No one is a lad anymore. After a long time, they are still tea, rice and oil. No one can avoid salt’s wife and children.

The older you get, the less courageous you are. It’s not that you are really young. Dogs that bite people don’t bark. They are like a group of old Shiba Inu dogs who have put away their claws and teeth and become gray-faced. They seek life in every corner, but when they are really humiliated, they will not be polite and will try their best to bite you.

I have to say that the last scene where Mr. Liu is holding a knife and rushing forward on the ice is really cool. What is sentiment, what is heroism, this is it. When I finally fell on the ice, the ice surface was a huge universe, so beautiful. Those criss-crossing ice words weave the life of an old gangster like a knife and an ax.

Some of the free strokes in the film are superbly used. When Mr. Liu went to find Zhang Xiaohui, he met a girl Zheng Hong on the street. He gave her two hundred yuan and said, if you are serious, Just treat it as a virtue, it’s fake, and I agree with Mr. Liu. Although it has nothing to do with the main plot, it’s reasonable. In the end, Master Liu sent the evidence of the high official’s crime to the Commission for Discipline Inspection. Originally, this situation was unreasonable, but at this time, Master Liu received two hundred yuan from Zheng Hong. I believe this was a psychological shock to him. It's very big. It's accumulated virtue. This is accumulated virtue. The road to the underworld reveals the way to heaven, the reincarnation of life and death awakens the world, peace of conscience, and retribution in this world. The older generation relies on this belief to stick to their conscience. It was the appearance of Xianbi here that made the whole unreasonable plot suddenly become reasonable.

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