Ma Sichun could not play Zhang Ailing well (not because she is fat)

In the past two years, there have been more and more remakes of novels. The audience's glasses have fallen over and over again, and they are too lazy to pick them up again.

But this time, not only did I want to pick it up, I even wanted to throw it on stage.

What sparked the controversy was a major production that started shooting the day before yesterday - "Agarwood Chips: The First Incense".

How big is this production?

Zhang Ailing’s classic IP, directed by Ann Hui, written by Wang Anyi, and Du Kefeng as photography director.

Every name is a golden sign.

How messy is this controversy?

Ma Sichun plays Ge Weilong, Peng Yuyan plays Qiao Qiqiao, and Yu Feihong plays the aunt.

Less than a day after the startup photos were taken out, jokes are flying all over the place -

The male and female protagonists are so strong, this is not filming "The First Incense", but "Camel Xiangzi", right?

This "First Burning Incense" doesn't feel like a moldy green copper incense burner to me, but this one:

It's booming, and I'm laughing all the time.

But after laughing, I still noticed the objections of some fans -

Ma Sichun is Ge Weilong

When she plays, she will make herself into this character

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The question of whether an actor looks like or not, but whether his performance is right

Let’s talk today about whether Ma Sichun can become Ge Weilong.

No matter how conclusive the fans are, they cannot cover up the "falseness" in Caihong's words.

Because, if you really "are", then there is no need to "change".

Once you stand up, the characters will be right for you.

In fact, Ma Sichun is not suitable for Ge Weilong, nor is he suitable for Huniu.

How could Teacher Siqin Gaowa have such a fierce, fierce and hot face?

Her face is full of well-behaved, serious, and awe-inspiring righteousness.

Wearing the school uniform of the Republic of China, we look like female students, but they are not desperate and degenerate; they are progressive young people shouting slogans in the parade.

Many people say she is dark and fat, but in fact, these two points are changeable.

The most difficult thing to change about her is that her whole person has a sense of insensitivity.

This is the combination of her big frame, big skull, round eyes, wide nose, thick lips with unobvious lip peaks... plus her overly honest temperament.

And all of this is contrary to the description of Ge Weilong's appearance in Zhang Ailing's original work -

Her face is a plain and beautiful little convex face. Now, this type of face "Powder puff face" is out. Her eyes are long and charming, and the deep marks of her double eyelids sweep straight into her temples. Slender nose, plump and round mouth. Maybe her facial expression is a little lacking, but because of this dullness, it shows the gentle and honest ancient Chinese sentiment even more.

Some people may say that sluggishness and rounding can also be equal to insensitivity?

Sorry, this is not available.

Ma Sichun's insensitivity is not a classical gentleness in his expression, but a kind of numbness - I am the daughter of a good family. I can't let go of your dark and dirty things, and I can't understand them in my heart.

In "There is a Cloud Made of Rain in the Wind", Xiao Nuo, a dark girl who grew up in a deformed family, was played with an unyielding look on her face - I rented the clothes, her steadfastness is true.

"The First Incense" is originally a dark love story as light as smoke. It is shocking because it describes the willing depravity of a young girl.

The beauty of this story is that from beginning to end, there is no such thing as forcing girls into prostitution.

If there is dominance, it is also "inducing good".

But Ma Weilong can single-handedly turn it into a story of persecution, and it still feels like one who will starve to death.

With her virtuous family style, she wouldn’t even try on her aunt’s wardrobe of beautiful clothes if they were moldy.

Besides, Yu Feihong’s aunt needs to rely on Ma Sichun to seduce men? That could only be because my aunt is too beautiful and men dare not approach her.

Due to Ma Sichun's "unsuitability", many netizens also began to list actors they thought were suitable.

If we follow the original description, the closest one should be Liu Yifei of Girls’ Generation.

However, now that her bones are becoming more and more obvious, she is no longer suitable.

Someone else nominated Song Yi, but in my opinion, although Song Yi is classical, his temperament is not gentle and dull, but very out-of-the-box and fierce.

It’s not like someone who is willing to support a man after being played with her emotions, but someone who will die with the man.

So it seems that Xu Anhua cannot be entirely blamed.

After all, it is difficult to choose a heroine Zhang Ailing these days.

The selection of the female lead failed, where is the male lead Peng Yuyan?

Run further.

Peng Yuyan's problem is a bit similar to Ma Sichun's - both of them have too heavy a sense of weight and are too real.

Is it possible to watch a heart-to-heart sadomasochism of "I love you, it has nothing to do with you"?

But fortunately, the two of them were equally solid, otherwise it would have been like this -

The sense of déjà vu that "it was she who prostituted the man".

And, what is the original description of Qiao Qiqiao?

He was even bloodless than Zhou Jijie, even his lips were pale, like plaster. Under the dark eyebrows and eyelashes, the eyes were like wind-swept early rice fields, sometimes revealing the green light of the rice water, flashing, and then darkening again. He is tall and well-proportioned, but the clothes he wears are so snug and casual, making people forget the existence of his body.

"The First Incense" is actually not the first time it has been filmed. TVB used this story in the early years to combine it with Zhang Ailing's "Love in a Fallen City" and "The Heart Sutra" and made it into a movie called "Nongben". "Sentimental" TV series.

The male protagonist is played by Leslie Cheung, who is frivolous and romantic.

Based on his appearance, he actually does not fit the description of mixed race and pale.

But this casting is still good, because it guides the direction of the male protagonist - light-weight, cool, coupled with a life of extravagance and wealth, and a sense of decadence day by day.

Because it is elusive and never has a real sense of ownership, women can't stop wanting it and are willing to support it.

As for Peng Yuyan, who is full of tendon meat, he might earn more than me even if he pulls a rickshaw.

With a dark and kind face, he asked me to raise him. He was embarrassed, and I was also affected - he looked very edible.

Qiao Qiqiao, who is currently the most popular among netizens, was Zun Long when she was young.

Because of the mixed feeling and romantic attitude.

To be honest, I would definitely be willing to raise Zunlong instead, but before raising him, my purpose must not be simple - this seems to be deliberately pretending to be poor to approach me, and maybe I will be told which country it is tomorrow. A prince and a large fleet of gold-plated chariots and horses came to pick him up and inherit the throne. I turned into a princess and the business was profitable.

Zunlong is still too big and too noble.

The Qiao Qiqiao in Piao Piao's heart is probably what Wu Qihua looked like when he was young.

Although he is not a mixed race, his outline is deep enough and can be used as a prevarication.

The key is that unique sense of gentle scum - he almost has Leslie Cheung's childishness and changeability, Tony Leung's hesitation, and Edison Chen's ruffianism.

It can be said that he is the master of scumbag traits. Coupled with his natural light white lip color, he is full of lust.

After watching his Zhang Damin, I understood Ruan Lingyu.

If he had played Qiao Qiqiao, I believe I would also understand Ge Weilong better.

Having said so much, I am still talking about xxx when he was young.

If you ask Piaopiao, are there any young actors today who can play Zhang Ailing?

Sorry, it seems that it is no longer available.

I rarely make such assertions. The last time I said this, I said: Actors nowadays cannot play Li Bihua well.

Among Chinese female writers, Zhang and Li are actually similar. They both have desolate writing styles, both are strange, both are ethereal, and neither cares about society that much.

Li is not as good as Zhang Gaoming. She owes some restrained beauty - too cold to freeze, too gorgeous, too strange. Zhang Ailing let out an inaudible sigh when she left the table and stood up; Li Bihua tore off the human skin mask and showed everyone that all the distinguished guests were ghosts.

However, no matter which of these two actors it is, the young actors nowadays are not good at acting.

Their faces are full of the desire to work hard and work harder, but their figures are kinder and more affectionate.

Weird? Dejected? Feeling alienated?

Avoid.

It is safest to act silly and down-to-earth. If you wear the hat of "sand sculpture" or "foodie", a "cold" comment can make them panic all day long.

What about more powerful actors?

There is an air of contention on the face, and a look of flowers and bright reds that dictate my fate.

Manlu and Manzhen are the Shanghai Overlord sisters who look like "I am the best in the world".

Not only the actors don’t have that kind of taste, but director Ann Hui may not be able to direct it well this time either.

Because now she is more and more fond of the macro perspective and likes to elevate small subjects infinitely.

Review her recent films "Seven Miles of Land", "The Golden Age" and "When Will the Bright Moon Come?"

The introductions all end with "the survival, dreams and roots of three generations", "moving towards the golden age of creation" and "being involved in the rolling torrent of history"...

This makes me have to worry about whether "The First Incense" will be "sublimated" by her into a story that can be told in more than one incense.

While we are pursuing sunny, strong and upward female images, and pursuing good men who are filial and filial, we also seem to stigmatize the "decadent, delicate, cold" temperament.

I have also forgotten that a heart-chasing game from magnificence to desolation is shameless and beautiful even if it does not worry about the big structure and does not rise to a certain big level.

Because of the stigma, few people care about it; because it is not favored, it becomes less and less or even lost.

After losing it, I tried to look for it again, but I couldn’t take a good picture of it.

Because I couldn’t shoot a simple love story or a dark character with flavor, I forced it into it with miscellaneous interesting points, making it look like nothing.

Everything is in a vicious circle.

However, if Zhang Ailing only focuses on "love" instead of "love", then what is Zhang Ailing?