Behind-the-scenes production on Taihang Mountain

From September 1937 to May 1940, Zhu De, Commander-in-Chief of the Eighth Route Army, was ordered by the CPC Central Committee to bid farewell to Mao Zedong and the Central Committee, and led the newly reorganized Eighth Route Army 1 15, 120 and 129, East

Shooting process

In order to create a panoramic view of the war with thousands of troops, the film used 100 tons of explosives, nearly 20,000 bombing sites, more than 8,000 firearms, more than 800 chariots, more than 50 helicopters, 65,438+100,000 troops and aerial photography. In order to enhance the war tearing texture of the film, the film shot 1800 shots, with an average of one shot every 4 seconds. More than 200 animation design teams have been used to produce more than 1.4 scenes made by digital technology, and a large number of moving lenses and shoulder photography have been used.

In order to make the wear of clothes look real, the crew corroded clothes with potassium permanganate, treated them with soy sauce, tea, ink and bleaching powder, burned them with a blowtorch, filed them with an iron file, and polished the raw edges of clothes with sandpaper.

The film also invited martial arts instructors to use all means in the market to increase audio-visual impact and a large number of sports scenes to show the details of war and blasting scenes.

Actor selection

In order to cater to the market, the film invited many Japanese and French actors to join in, as well as Tony Leung Ka Fai from mainland China and Hongkong and Liu Dekai from Taiwan Province Province of China.

Photographic requirements

The photography requirements of the film emphasize the sense of history, times, antiquity, obsolescence and roughness of the film, and emphasize the respective characteristics and regional characteristics of life breath and war scenes. It also emphasizes the comparison and contrast, motion and static, big and small, strong and weak, bright and dark, oblique and leaning, forward and backward sports modeling performance, documentary performance of screen modeling and emotional color of modeling performance.

Regarding light, the crew chose to pay attention to emotional light and personality light, pay attention to the three-dimensional modeling of environment and characters, simulate the natural light effect of life, pursue the single effect of light, try to exclude imaginary light sources, and emphasize the sense of rhythm and distance of light.

With regard to fireworks, the crew asked to pay attention to the continuity and direction of the fireworks atmosphere, and demanded that the explosion point should have a sense of proximity, tearing, strength and tremor, and that the explosion point should be clearly distinguished from the fireworks.