How to write appreciation of photographic works?

The steps to appreciate photography are as follows:

1, depending on shooting ideas and composition techniques, good works have reasonable layout and clear content.

2, compact structure, echoing from afar, giving people a sense of beauty.

3, you can also appreciate it from the perspective of light and color. Good works pay attention to the presentation of color and light, and have a vivid feeling. The art of photography is to shape images through colors and tones. Appreciating photographic works starts with the basic elements that can be directly perceived by the viewer, such as composition, lighting and color tone. These elements are not only the basis of a work, but also the artistic premise for the viewer to feel and recognize the photographic work.

The relationship between exposure and light and shadow, describe how the work is exposed, and try to analyze its exposure intention. Generally, the exposure is relatively constant, and it is usually analyzed together with the relationship between light and shadow:

Describe its light and shadow composition, what highlights the bright part, how the dark part looks, the relationship between the bright part and the dark part, what effect it has achieved, and the backlight on the weak light side. And try to analyze it.

Color relationship and modeling, usually the combination of color and modeling, to analyze its color collocation. What is the main color, its color theme, the change of color in temperature and saturation, and try to analyze the intention: the role of contrast color, the role of complementary color and so on. What role does shape matching play?

Composition and depth of field.

Composition, the main presentation position of the subject on the screen, whether the screen presentation reaches a certain law, the form of screen segmentation, whether the screen has a sense of geometry, whether it highlights the spatial relationship, depth effect and so on.

Depth of field, the influence of depth of field on composition, the depth of field effect of works, the influence of foreground on depth of field, and the relationship between background and subject.