Seventy-seven days: follow the camera to see the scenery

"Seventy-seven Days" tells the story of Yang Liusong, an adventure writer, who passed through Qiangtang no man's land alone for 77 days. How to evaluate this film accurately?

Simple script, simple production, simple performance ...

Script. Arguably, there is only one line in this story-the line where Yang Liusong crosses the no-man's land, but that would be too lonely and boring, so I inserted the second line-the story of a disabled girl in the blue sky, so that these two people can intersect. I wonder if they intersect in the real world.

In terms of time, the blue sky was encountered before Yang Liusong entered the no-man's land, so how to insert the blue sky reasonably? The director used a few points, which was a bit stiff, but feasible. Whistle is a connection point, missing in a confused state is another connection point, dream idea …

Performing. There are only two actors, including the old captain, a walk-on. There are not many places to perform, not even many places to perform. As a girl in a wheelchair, Jiang worked hard, but she always felt that she had gone too far emotionally. Finally, the starry sky feels like pure chicken soup. Zhao Hantang's performance is good, but compared with Tom Hanks in The Lonely Island, he always feels something is missing, probably because he didn't fully show the inner world of the character.

Nevertheless, the film is worth watching. The picture is beautiful and the protagonist has a good spirit.

The world is beautiful and the pictures are great. The sky is blue, which makes us envy and broaden our horizons, which is not easy for us who live in matchboxes to see. Whether it is glaciers, saline-alkali land, snow-capped mountains, deserts, starry sky, sandstorms, tornadoes and floods, we have feasted our eyes on the secular world for a long time.

When parting, Blue Sky gave his camera to Yang Liusong. "I can't go to some places. If you wear it, it will be my eyes. " . Moreover, the camera that shot this film is not my eyes, and it can't replace me to see the distant scenery.

The beauty of Qiangtang is manifested in many different scenes, except for different places and different times. There are day and night, in addition to the beauty of mountains and deserts, there are also the beauty of thousands of animals, mighty and cunning wolves, lonely and fierce yaks, running antelopes, flying eagles, and the most lovely groundhog. ...

In addition to the scenery, there are precious spirits in the film-pursuing dreams and freedom, making your own decisions ... these are words that are far away from me.

If you can't be yourself in the secular world, you can use movies to see how others can be yourself, as if it would be your own cultivation.

More importantly, it is always much easier to watch the whole movie than to face the dangers when traveling. I know that Yang Liusong can definitely complete this crossing. I know he gets lucky every time he wears the protagonist's aura.

Eating popcorn and looking at Yang Liusong's thirsty lips, watching Yang Liusong sit in a comfortable chair and drift in the flood ... Even if Yang Liusong works hard, can I really feel his pain? No, I really can't empathize, but I just can't empathize, which gives me a sense of security.

The alienation between film and reality makes the film not so good-looking. Paradoxically, it is this alienation that makes the film look good.