Sweet talk to "Left Ear", did "Left Ear" impress you?

Both Alec Su's Left Ear and Young Style seem to be freehand brushwork, but the former has few parents involved, which is their unique story of flying youth. Alec Su's greatest advantage is that he has a strong ability to control, telling stories vividly, not dragging his feet, not being slow and melodramatic, and the rhythm and color of youth make the audience feel a strong youthful atmosphere and have an impulse to return to youth. From an idol star to a powerful actor, Alec Su's transformational director level is impressive, and his previous worries and concerns are totally unnecessary. Compared with academic Zhao Wei, it doesn't seem to be inferior. Left Ear is like a companion to To Youth. The overall impression of the film is fresh and simple, and there is no sense of contradiction with the original. As a debut, Alec Su can achieve such a high degree because of his love for the film and his accurate interpretation of youth. Actors choose to be very close to the original works, and their average age may be less than 25 years old, which can't be compared with act young's youth films. What we see here are not stars, but childish faces, which are closer to the physical and psychological age of the characters. Besides Sandra, Guan Xiaotong and Yang Yang, many actors who participated in the film had some sporadic performance experience, such as Oho Ou and Chen Douling, whose performance experience as the leading role was almost zero, but their performance in the film was remarkable, and they basically grasped the ideological connotation of the role, which was a little green, confused, rebellious and flamboyant. Alec Su said that he performed almost all seven characters in the film, and he "lived in the play" all the time. It is said that Oho Ou's performance is the weakest, which is entirely due to the director's technical treatment in important links such as photography and editing, and what is presented to us is his excellent performance. The film's narrative is relatively smooth, and the actors' performances are basically in place. The success of these two points basically reassured the film's big sale. The youth life presented in the film is so real. How to better show it through the screen requires a lot of homework, which may be the responsibility of props, dressers and artists. But if Alec Su doesn't have a more specific idea, what is presented in the screen may be absurd and out of line with the background of mainland life. Making a movie is a very difficult job. The soundtrack of Left Ear is not disgusting at all. It serves the theme of the film well, sets off and strengthens the emotional changes of the characters and guides the direction of the story. There are also many youth movies abroad, such as Hunger Games and Divergent, or inspirational blockbusters Good Will Hunting and Social Network, or spring break and 21 jump street. They all have strong regional labels, but Left Ear is different. It has its own thoughts and connotations, and it has a frank attitude and youth. Robert McKee said that the soul of a movie is its values. There is no doubt that the values of the film are full of positive energy, which is not only a tribute, but also a reflection and correction. It's amazing that Left Ear can tear out 4 million achievements from the crazy box office of Fast and furious 7. Of course, the box office will continue to rise. Because this kind of youthful story film is full of reflection and redemption, it can attract the favor of many audiences. Seeing is believing. Let's walk into Alec Su's youth story and feel its inclusive and warm baptism.