Is it better to take a tourist belt to Tibet 14-24 or 24-70?

Is it better to take a tourist belt to Tibet 14-24 or 24-70?

Tibet, the place where photographers dream of creating.

As for the shots taken in Tibet, I think that although the road is long and arduous, we should take as many shots as possible for the convenience of shooting.

I always thought so. I may use it less when I bring it, but it's a pity that you don't bring it when I use it.

As for the two shots you mentioned, we won't put them on for the time being, but you need 14-24 and 70-200 to go to Tibet.

If it were me, I would definitely bring 14-24 and 70-200, and a fixed focus of 35 or 50.

Fixed focus can be said to be a supplement to the medium focus part.

This configuration is also the configuration lens that I often go out.

14-24 lens, the super wide-angle lens in Nikon Dayuan, is a good lens for landscape photography. Because its focal length is very wide, if it is an absolute artifact in some temples, unique architectural photography and vast landscape photography in Tibet, the lens has good image quality and high definition. I think you need to take this lens.

Although the 70-200 lens is a telephoto lens, in Tibet, in most cases you have to use this lens to shoot scenery, and you really need it to shoot beautiful snow-capped mountains. In addition, the Tibetans who worship incense outside Jokhang Temple are also the place where this lens plays a role, and it is a good equipment for shooting scenery and humanities. I think you should wear this lens.

Tibet is a paradise in our dreams, and photography in Tibet is also a photographer's dream. Therefore, it is strongly recommended that you take all the equipment you can when you travel to Tibet. Of course, you should bring all the lenses except the camera. If possible, try to bring a tripod. If you are really afraid of being tired, bring a portable one. You'll regret it when you really use it. Besides, you should bring a polarizer. Of course, it is best to have a good mobile phone in case of emergency.

In four or five days, I will also go to Tibet. This is my fourth trip to Tibet. So my suggestion is for reference only.

Tibet is a distant place, not to say that you can go there. Tibet, its scenery and its humanities are enough to shock your vision and mind.

So, go to Tibet and take everything you can!

In Tibet, any lens has its place.

The classic picture of 50 yuan banknotes is on Wang Yao Mountain, and you can't get it without 14-24.

On Barkhor Street in Jokhang Temple, 24-70 may be the most suitable focus section.

In Nanshan, 24-70 can only overlook the Potala Palace.

70-200, bring the Potala Palace closer.

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It's so far away, I don't care to bring an extra lens. It's not easy to go once, it's so far, and you have to risk high rebellion. Don't leave any regrets.

I am the south of the south, welcome to pay attention.

Tibet tourism photography is neither 14-24 nor 24-70. It should be more than 70-200 beats. Because Tibet has a vast territory, many scenic spots are far away, and some scenic spots are not very close to roads, so it is necessary to shoot with a long-distance lens.

24-70 70-300 is enough, and the main scenery is a bit humanistic!

Thank you for inviting me!

Do you want to shoot Yang Zhuoyong's starry sky wrong? Do you want to go to Namco to shoot the Milky Way? If the answer is yes, then you must bring the lens of 14-24. The wide-angle lens shows such a wide field of vision that you can only feel the shock when shooting the starry sky and the Milky Way. The premise is that you must choose your position in advance and endure the cold and loneliness. It is best to have several people together or bring a stick. There are too many wild dogs in Tibet, pay attention to safety!

Does Potala Palace want to photograph pedestrians? Do you want to take a pilgrimage to Jokhang Temple? If the answer is yes, then you must take the 24-70 lens. The lens of culture and scenery will be much better. Of course, it is best to get permission from others to shoot these shots, and don't be a "SLR hooligan".

Since you want to keep the most beautiful scenery, you must pay something that ordinary people can't bear to make a good film. Isn't it just bringing an extra lens? The regret caused by missing a shot may never be made up! If you have to choose one, take a mirror with a 24-70-28 aperture and go to the world!

The above is my personal opinion, I hope it will help you! A pupil who has been groping for photography wishes you a happy trip to Tibet!

Photography and equipment should be as simple as possible, and the lighter the better. Otherwise, you will have to put a lot of energy into taking care of and handling your equipment. If a shot can be solved by one shot, it should not be divided into multiple shots, and if it cannot be changed, it should not be changed. I admire and admire those who walk the world in the mirror. All their energy is focused on observation and thinking. A device is just a tool. We often see some movie friends, carrying heavy camera bags, very tired and have to take care of them. How do most of the equipment come in and out?

Now is the high-tech era, even mobile phones can take high-quality beautiful pictures, not to mention those red circles and small white heads in our hands. The scenery of Tibet has long been photographed by experts from all over the country. The great changes brought about by Tibet's culture, customs, life in people in Xizang and reform and opening up are inexhaustible sources of photography, which need photographers' attention and excavation. So going to Tibet is mainly a human activity. Therefore, in the lens configuration, we can take two lenses, 24-70 and 70-200, which contain all the focal segments, from the scenery of the big scene to the close-up of the characters, which can completely cope. The equipment is simple, light and tidy. The trouble of changing the lens is also reduced in the middle.

24-70, 70-200 two lenses, if it is best to bring two bodies, there is no need to replace the lenses.

The above are just my personal opinions and suggestions, hoping to bring you help.

Every time I go to Tibet, I bring all my head except the macro, digital camera and film machine.

In Tibetan areas, telephoto is the most widely used. The biggest advantage of telephoto is that it can quietly photograph the humanities and the perfect blurred background, not to mention the wildlife. The scenery is mainly telephoto.

If you just take a medium coke, you will be blind most of the time.

Take both, and a lens with a 70-200, 2.8 aperture. If you shoot a model, bring a 200-focus lens! ! ! This head should be very expensive, and with a bigger tripod, flash and reflector, it will be OK. For example, take pictures of scenery, reflectors and flashlights, and you don't need to bring 200! ! ! It's heavy ! Don't forget to bring a polarizer, neutral grey mirror! ! ! [shy]

When traveling to Tibet, consider traveling light, just take two heads, 14_24 and 70_200, both of which can be used as hanging heads. Travel photography is generally dominated by scenery and humanities. Personally, I think 1424 will have more scenery, and 70200 will have more humanities. Of course, the two ptz can be used alternately at any time, mainly according to the creative needs and personal shooting habits to choose the lens. This photo was taken by tourists in Tibet.