The change of ballet terminology

The changes in ballet terminology are as follows:

1, image

The dynamic image of the characters shaped by dance art, the posture, modeling, footwork and other actions of the human body, with the help of music, stage art, makeup, clothing and other artistic factors, have visual effects of appreciation value. It has the aesthetic characteristics of visibility and fluidity, is the main object to be perceived and recognized in the process of dance appreciation, and is the main body that embodies the aesthetic value of dance art.

2. Expression

According to people's psychological activities and the habitual characteristics of expressing expressions in real life, after refining and artistic processing, they are summarized into different dance forms, showing inner emotional changes such as emotions. Besides facial expressions coordinated with movements, rhythmic movements, postures, gestures and bodies can also produce artistic dance expressions.

3. Shaping

Cultivate children into three long and one small (three long: long hands, long legs and long neck; Small: small face) can shape and change the child's figure to the greatest extent, help the child to pull long legs, and let the child have a beautiful posture through long-term training.

4. Action

The basic expression means of dance art originated from the imitation of human emotional movements and various dynamic things in nature.

5、plie？ (pliers)?

It means: get down. Half squat and full squat. Mainly to train the stretching and flexibility of leg muscles, the elasticity of knee joint, the outward opening of collapse, the stability of trunk and so on.

Extended data:

Ballet performance is mainly composed of the following three roles:

1, protagonist: The protagonist is the core of the story. Dancers need to have skills and physical strength above a certain level, and the most important thing is to have superb dance literacy and personality in order to interpret the roles in the play.

Classical ballet duet is the focus of the whole ballet, and most of them are played by male and female protagonists. The structural order of the classical ballet duet is adagio of the hero and heroine, followed by solo of the hero, solo of the heroine, and finally the final epilogue (Allegro of the two). The artistic accomplishment and skill level of the protagonist will be presented in the duet.

2. Solo: A person who has the leading role skills and can perform alone or with three or four people.