What influences did Kunshan and Yiyang dialects have on the development of China opera music?

The influence of Kunshan Opera promoted the development of opera music in Ming and Qing Dynasties. It turns out that Kunshan dialect is popular in Kunshan and Suzhou. As a result of Wei Liangfu and Liang Chenyu's reform of traditional Chinese opera, Kunshan dialect stood out, spread to Zhejiang, then to Hunan, and became Xiang Kun. It was introduced to Levin and other places in Hebei Province and developed into Beikun.

Geyang dialect developed well in Ming and Qing Dynasties. In the city, people joined the form of playing and singing, which laid a certain foundation for the formation of Beijing opera later, and was also conducive to promoting the development of the whole opera industry at that time.

Extended data:

Yiyang Opera is mainly inherited in Guixi, Wannian, Leping, Poyang, Fuliang and Shangrao in Jiangxi Province, and spread to Anhui, Jiangsu, Zhejiang, Fujian, Guangdong, Hunan, Hubei, Yunnan, Guizhou and Beijing in the middle and early Ming Dynasty.

Since 2 1 century, the inheritance of Yiyang opera has been in trouble, the performing arts team is seriously aging, the troupe exists in name only, and many excellent plays and aria are on the verge of being lost. Even in its popular place, Yiyang opera has been unable to meet the audience for many years and has fallen into an embarrassing situation of being forgotten.