How to choose a scene suitable for photography?

In a sense, the scenery is the most basic element of a movie. Don't underestimate it!

Large-scale panorama is called fixed shot, which reveals time, place, location and environment ... It is usually used as the opening shot of a movie or the transition shot between scenes.

Panorama of the scene, also known as the main shot, is the same as the big scene, except that it tells the relationship between the characters and is usually used as the first shot of each scene.

Wide-angle panorama is also a big perspective, but it reveals the spatial relationship between subjects.

The panoramic view of the character shows the whole body of the character, which is used to show the shape of the character, such as figure, temperament, clothing and so on.

Panorama 5, also known as cowboy lens, consists of pistol waist position to head, which can be used to express confidence, danger and antagonism.

Mid shot in 2006, also known as neutral lens, is composed near the waist, below the chest, and the position of the fourth button of the shirt. Not as exaggerated as wide angle, not as vivid as close-up, and not as balanced.

This scene can produce intimacy, which can be used to express the intimate contact between characters or between characters and objects.

The core of close-up of characters is to shoot eyes, which can be used as a window to show the inner world of characters.

Close-up 09 shows micro-parts, often shooting special effects props, used as insertion lenses.

Simplicity and Complexity One of the problems of most low-level film and television creators is that they despise the most basic film and television knowledge and only pursue gorgeous techniques. In fact, complicated shots are not necessarily suitable for the content to be expressed. On the contrary, sometimes the most basic lens combination and rhythm can generate huge energy.

From panorama to close-up, from macro to micro, from outside to inside, from environment to people, macro and micro are a cycle.

The size and narrative depends not only on the size of the scene, but also on the narrative language of the lens. The scene is the lens. What you need to master is what each shot can and cannot say.

Grammar and Jingbie We should not only look at the concept of Jingbie, but also look at the grammar of Jingbie, which is the core element of drama. Overlooking every scene in the whole drama from one shot, the grammatical structure of different shots is directly different.

Chuangyou technology