Love on a Chinese Odyssey: How did your ten thousand-year-old actor perform?

The evaluation of the TV series "A Chinese Odyssey Loves You for 10,000 Years" is very consistent, because it is adapted from the classic film "A Chinese Odyssey" series of Xingye, so the dubbing assignment of Tucao is inevitable. Because the stories of two movies were dragged into a 54-episode TV series, the plot was adapted by water injection, and the gold content dropped sharply, which also made many viewers fully prepared.

However, it is such a "classic" TV series that is not optimistic or even criticized in the plot, but it has achieved a good result of breaking 2 billion hits in just one month, which makes people have some doubts. Perhaps the actors in the play successfully reversed the reputation of the play with their "profound" acting skills. I started painting with curiosity, but I didn't expect it. Z.TAO's performance in the first act of the first episode made people predict the wonderful degree later. Accompanied by familiar music, familiar scenes and familiar classic lines, it should be a good start to pay tribute to nostalgia. However, under the guidance of the director, when Z.TAO talked about the classic lines of Master Xing on the wall, it gave the impression that he was ferocious and tried too hard to imitate the style of Master Xing at that time, but he couldn't see any emotional inclusions on his face. To this end, many netizens also laughed at Z.TAO's samurai's indirect convulsions.

Then, the picture turns to the scene where the Monkey King is making a scene in the sky. Huang Zheng, the actor of the Jade Emperor in cosplays, is an old joke, but in the play, apart from the jade emperor's costume, he is a proud boy who doesn't know where he came from. He didn't say a word during the whole performance, and he also argued with the Monkey King, who came to make trouble in heaven, about who was more "beautiful" in his lines.

Although we can't just blame the actors for such bloody characterization, they really played too hard in the play, without any characteristics of their own, and always copied and imitated the "Supreme Treasure" of Master Xing. On the contrary, it has caused the effect of painting a tiger instead of a dog. However, it is worthy of recognition that Z.TAO, who has martial arts skills, is very skilled in martial arts in the play, without any marginal idol burden. Although the way needs to be improved, it shows his serious attitude towards acting.

Although the plot of "A Chinese Odyssey Loves You for 10,000 Years" has been somewhat confusing, there are not many stars who are still acting online. For example, Andrew's Tang Priest, Liu Tianzuo's Marshal Tian Peng and Milu's Fairy Chang 'e all use acting skills to save the characters. In the play, the story of Tian Peng Yuan Shuai and the fairy Chang 'e is very novel. In order to help Chang 'e steal the box of moonlight, she took the initiative to take responsibility after the incident was exposed, and was sent to the world to suffer from reincarnation. In the scene where the canopy made Chang 'e break off her love affair before she was demoted, both Liu Tianzuo, the actor, and Mi Lu, the actor of Chang 'e, performed the delicate feelings between men and women in a very proper way.

Liu Tianzuo's firm eyes are full of drama, and he has no regrets. He vividly interprets his feelings of letting go of his worries with a micro-expression without lines. In this scene, Mi Lu also put away the high cold state of previous episodes, and his eyes were full of disappointment, gratitude and apology for Hua Gai. Especially when helping the canopy to break the love thread, trembling hands and helpless eyes closed, the brand-new role of Chang 'e was portrayed as flesh and blood.

Although this TV series is constantly shocking, from the exclusive story narration of each role in the drama, we can see the intentions of the director and screenwriter, but it is not ideal to cater to it too much. Therefore, instead of clinging to the performances of some actors in the play, it is better to pay attention to the efforts and intentions of the actors in the play in combination with the plot.