Traditional Culture Encyclopedia - Photography major - Why do photographs with little or no technical content get a lot of praise?

Why do photographs with little or no technical content get a lot of praise?

Artistic photography, like documentary photography and commercial photography, is a sub-concept of photo photography. The value orientation of artistic photography works mainly lies in impressing the audience through the artistic image of the works, so that the audience can get aesthetic enjoyment from the thinking in images. Specifically, the main value of artistic photography works is reflected in the maturity and social effect of aesthetic pursuit and innovation pursuit in these two dimensions. Because of this, there are no other restrictions on the shooting of artistic photography works except that the main body of the picture must be the icon obtained by photography. Any shooting stunt, darkroom stunt or computer stunt that can realize the aesthetic taste of the creative subject and reflect the picture creation within the aesthetic scope can be used. The evaluation standard of artistic photography works is such a thing. If you ask everyone which artistic photography works are good-looking, anyone can say. If you ask what criteria are used to judge the quality of artistic photography, it is difficult to answer clearly. In the article "On the Essence of Photography", Zhang takes the degree of unity of five characteristics in his works as the evaluation standard. In the inheritance of photographic beauty, Ding Zunxin said: First, seek beauty; Second, innovation; Third, strive for various forms. Chen Xiaoqi, Yu Deshui and Song Juling wrote "On the isomorphic relationship between photographic art creation and appreciation information transmission", taking the appropriateness and harmony of isomorphic relationship between artistic image and cognitive representation as the evaluation standard of photographic works. Li Shufeng introduced the visual mechanics of gestalt psychology into the evaluation of artistic photography in "Picture Editing and Gestalt", and in the article "Three Dependencies of Photography", in a dialectical way,