How to evaluate "Taking Tiger Mountain 3D Outward"?

As the latest Chinese New Year blockbuster, 3D special effects technology has also inserted the wings of visual wonders into "Taking Tiger Mountain Outward". For example, the classic "Tiger Beating Up the Mountain" bridge is presented as a vivid scene of Yang Zirong's tiger beating in the movie, which seems to give people an immersive feeling. Yang Zirong's response under the mountain carving account, as well as the anti-bandit war of the PLA detachment in Jiapigou, are reminiscent of the swords and shadows in swordsmen's swords and halberds such as Xinlongmen Inn and Seven Samurai, as well as the funny interest that makes people laugh. In the long run, "Taking the Tiger Mountain Outward" has been forged into an annual masterpiece with ideological, artistic and ornamental features. Of course, special mention should also be made here of the generous donation of Ms. Liu Bo, the widow of Mr. Qu Bo, the original author of the novel Lin Yuan. The old man gave Tsui Hark unprecedented creative freedom and said, "Just change it, as long as it looks good." This attitude must be the dream of many filmmakers.

In "Taking the Tiger Mountain 3D", Tsui Hark said: "In fact, the answer is to be professional, find the right major and do professional things." I secretly thought that this was Tsui Hark's way of filming, and it was also the way to win "Taking Tiger Mountain 3D".

As a "major", film can be interpreted from different angles. In my opinion, Tsui Hark's "major" is to pay close attention to the progress of the world film industry, strive to lead China's film creation and production, not seek perfection, be flexible and changeable, show his ideological and emotional pursuit to the maximum extent, and give play to his technical and artistic talents. It is precisely because of this "professional" quality that Tsui Hark can keep in mind his experience of watching model operas overseas when he was young and his imagination of China culture for decades. Only on the basis of open historical and cultural concepts, imaginative audio-visual imagination and rich experience in genre production, with the help of our self-consciously trained 3D team and the introduction of targeted international top CG technology, can we creatively restate the narrative classics of * * * and China, which not only successfully activated the red cultural resources promoted by mainstream ideology, but also won wide recognition from various audience groups.

In fact, in order to operate "Taking Tiger Mountain 3D Outward" professionally, Tsui Hark, who is over 60 years old, still chose to go to Linhai Xueyuan in the northeast of China, where he personally participated in the shooting scene with very difficult natural conditions, and he still had the courage to go up the mountain to personally investigate the snow scene under very bad traffic conditions. This kind of "heroic" behavior that risked his life for the film can undoubtedly form a rare incentive for the film crew. This kind of behavior is not so much a respect for the ideals and beliefs of the heroic ancestors in the war years as a result of Tsui Hark's own understanding of and expectation for the film career. The so-called "dedication" means the love and respect for the film profession. In fact, this film, which has been brewing for a long time and has been prepared for five years, has formed a relatively stable "professional" team since it was filmed on 201/kloc-0. The main creation, producer, photography, soundtrack, action guidance and other aspects of "Taking Tiger Mountain 3D" and "flying swords of dragon gate 3D" are almost the same cast; Especially its 3D team, Company D, is committed to opening up and upgrading the 3D technology of China films. After repeated exploration and hard exploration, we have accumulated extremely rare experiences and lessons in related fields and reached a satisfactory high level. With Tsui Hark as the center, a group of "professional" people, doing "professional" things, are strongly leading and gradually changing the technical level, genre pattern, industrial pattern and industrial process of China films.

Not only that, as a character throughout the film, Tsui Hark specially appointed Han Geng to play a new role and came to Northeast China from Silicon Valley in the United States to seek roots. He exudes the charm of contemporary idols. He is not only responsible for summoning a large number of "fans" off the screen, but also shows Tsui Hark's educational intention of not giving up and explaining reality with history. Similarly, the little embolus played by Su is also a successful new character in the new film. In Tsui Hark's view, from the little embolus who lost his home to the young hero, it will not only give young audiences a cordial and direct sense of substitution, but also convey the new connotation of the film more effectively. Of course, Yu Nan's Violet is also a new role. In addition, the mountain sculpture played by Tony Leung Ka Fai, although it has unforgettable modeling effect and performance level, the director's efforts do not seem to achieve the preset purpose.

In any case, "Taking Tiger Mountain 3D" has also been successfully marked by director Tsui Hark, which not only has "professional" quality, but also has great box office appeal. It seems that Tsui Hark is the only director in contemporary China who has been managing such a distinctive film according to the film industry standard of "professionalism".

Tsui Hark and his "Taking Tiger Mountain 3D" have given the greatest inspiration and contribution to the current China movies. In this film concept, any arbitrary film censorship, cold and powerful capital power, personal words and deeds relying on talent and pride, as well as elite words that have always been above, fans who entertain to death and so on. Will lose the soil of existence more and more; Only from the "professional" perspective, the muddle-along technology, dizzying 3D, vulgar parody, empty and boring storyline, the loss of bottom line values and the huge gap in box office reputation will really disappear in China movies.