Wes anderson's major works

Release Time Work Identity 20 15 Hitchcock/Truffaut (Documentary) Appeared 20 14 Director, Screenwriter and Producer of The Grand Budapest Hotel 20 14 Broadway Romance (Comedy) Producer 20 13 Prada: Candy (Short Film) Director, Screenwriter and Producer 20. ) Director and Screenwriter 2009 Fantasy Fox Director, Screenwriter and Producer Dubbing 2007 Crossing Darjeeling Director, Screenwriter and Producer 2007 Knight Hotel Director, Screenwriter and Producer 2005 Squid and Whale (Comedy) Producer 2004 Water Life Director, Screenwriter and Producer 200 1 Trenbaum Family Director, Actor and Screenwriter 6543. 8+0998 "Youth" director and screenwriter producer 1996 "Bottled Rocket" director and screenwriter 1994 "Bottled Rocket" (short film) director and screenwriter presents objects on the desktop, such as books or files, from a overlooking perspective. This technique effectively provides or increases the feeling of happiness.

All the works end in slow motion.

Most of the songs used in the works come from British bands in the sixties and seventies, such as Rolling Stones and Beatles.

The cast usually includes owen wilson, luke wilson, andrew wilson, bill murray, Kumar Pallana, Dipak Pallana, Brian Tenenbaum, Stephen Dinan and anjelica huston.

I like to use extreme wide-angle deformation lens to present considerable barrel deformation effect.

The shooting/double shooting technology is often used-the camera first presents one character or action, then quickly translates to another character or action, and finally swings back-usually through hand-held photography.

Works often focus on a broken or abnormal family circle.

At least one character in the work has grown up, but he still expects to be recognized by his parents or father. The bittersweet tragicomedy, unconventional scene arrangement and obvious stylization in Anderson's films are all considered to be influenced by French directors Fran?ois Truffaut and louis malle. Anderson also claimed many times that mike nichols's film The Graduate was his long-term inspiration.

At the same time, he was deeply influenced by American classic literature, especially the works of Fitzgerald and Salinger. Fitzgerald's famous saying "There is no second act in American life" is in line with many protagonists in Anderson's films, who often fall rapidly from their successful careers and outstanding reputation (although some people can make a comeback to some extent later). Salinger's influence can be seen in Bottled Rocket (the relationship between Anthony and his sister imitates Horton and Phoebe in The Catcher in the Rye, and both girls have a friend named bernice) and youth (Max was kicked out of a prestigious school like Horton). Tenenbaum's family composition in Genius also echoes Salinger's Glass Family. The success of the glass child is exactly the same as that of the Tenenbaums. Moreover, in Genius, Ethel visited margot who was immersed in the bathtub, which also reflected a similar scene in Frannie and Zoe, where they were immersed in the bathtub, smoking and talking to their mother.

Young people's aesthetic interest in Anderson's stylized films comes from the influence of cartoons, such as charles schulz's Snoopy (Genius and Youth). Another little-known influence is French photographer Jacques Henri Lattiger. Sesu, the hero of Life in the Water, is named after Latig's brother, and his photos are similar to those in Anderson's movies.

Anderson recently admitted that he chose India for his new film Crossing Darjeeling in part to pay tribute to the legendary Indian filmmaker satyajit ray, because Ray's "movies inspired me in different ways".