Liu Fang's personal profile

Liu Fang, born in 1964, is from Beijing. Professor, School of Literature, Huzhou Normal University, Doctor of Literature. Zhejiang New Century 15 1 Talent, a young and middle-aged academic leader in Zhejiang universities, and the head of the excellent course "Introduction to Literature" in Zhejiang Province. Editorial Committee of Journal of Huzhou Normal University. Engaged in the teaching and research of literature introduction, China aesthetics and China literature. Independently undertaken more than ten provincial and ministerial projects such as the humanities and social sciences planning project of the Ministry of Education and the key social sciences planning project of Zhejiang Province, and published more than 70 academic papers in national authoritative journals such as China Social Sciences, Literature and Art Research, Academic Monthly, Literature and Art Theory Research and Foreign Literature Research, which were copied by China People's Congress 10. He has published 9 academic monographs, including Basic Spirit of China Aesthetics and Its Modern Significance, Song Style Culture and Aesthetic Spirit of Song Dynasty, Historical Evolution and Modern Transformation of China Aesthetics, and Literary Theory of Song Dynasty from the Cultural Perspective, and won the second prize for outstanding achievements in the 9th Social Science in Sichuan Province, the third prize for outstanding achievements in the 1st Social Science Research of Zhejiang Social Science Association, and the 9th, 10th, 11th and 12th outstanding research in philosophy and social sciences in Huzhou City. Zhejiang New Century 15 1 Second-level personnel of talent engineering, young and middle-aged academic leaders in colleges and universities in Zhejiang Province, head of literary theory of excellent courses in Zhejiang Province, and winner of talent engineering in Huzhou City 1 12.

The research in China Zen Aesthetics, China Aesthetics (especially Song Dynasty Aesthetics and Literary Theory), Song Dynasty Culture, China Ancient City Literature and other fields is at the forefront level in China and has achieved rich results.

In the research direction of China's aesthetics, he independently undertook a number of provincial and ministerial-level topics, published a variety of academic monographs on Zen aesthetics, macro-China aesthetics, Song aesthetics, and published dozens of papers. The research topic of Zen aesthetics, Song-style culture and Song-style aesthetic spirit is groundbreaking, and the multi-level and multi-faceted relationship between Zen aesthetics itself, the basic spirit of China's aesthetics, Song-style aesthetics and a new cultural type that gave birth to this idea is systematically discussed.

Due to the special position and influence of Zhejiang in the culture of Song Dynasty, an important part of aesthetics in Song Dynasty is Zhejiang aesthetics, which reached a climax in history. Therefore, the study of aesthetics in Song Dynasty is of great practical significance for understanding and carrying forward Zhejiang's history and culture, and for the realistic requirements of the strategic development of building a cultural province in Zhejiang.

It has made pioneering research on the regional cultural aesthetics in Zhejiang Province, and undertaken many social science planning projects and cultural engineering projects in Zhejiang Province. His research is interdisciplinary, cross-cutting and regional. On the basis of integrating knowledge and theories of culture, history, religion, literature and art, academic research is carried out with the goal of "based on Zhejiang and serving the local area". A number of social science planning projects in Zhejiang Province have made aesthetic research on the cultural history and urban cultural development in the most prosperous period in Zhejiang history, including the study of Huzhou urban culture in the Song Dynasty. These studies have expanded the field of academic research to a certain extent and are groundbreaking in theoretical research. It is of theoretical value and practical significance to fully understand the history of China, especially Zhejiang's advanced aesthetic culture and urban culture, and to build contemporary China's advanced aesthetic culture and urban culture.

In recent years, he began to engage in pioneering research work in China ancient urban literature, a new research field in academic circles. He has independently undertaken key projects of the Ministry of Education and Zhejiang Social Science Planning, and published research results in important academic journals such as China Social Sciences. Interdisciplinary research shows a solid academic foundation and broad theoretical vision. It has attracted some attention and praise from academic circles. Relevant research results have filled the academic gaps in these fields in domestic academic research. Hosted research projects:

Independently undertake a number of provincial and ministerial-level projects such as key social science planning projects in Zhejiang Province, annual planning projects of humanities and social science research in the Ministry of Education, social science planning projects in Zhejiang Province, and cultural projects in Zhejiang Province; Major projects of Zhejiang Provincial Department of Education, key planning projects of Zhejiang Social Science Association and many other provincial and ministerial projects.

The above projects are supported by Zhejiang New Century 15 1 Talent Project, young and middle-aged academic leaders in colleges and universities in Zhejiang Province, and Huzhou Talent Project 1 12.

Independent provincial and ministerial projects mainly include:

1. Annual Plan Fund Project of Humanities and Social Sciences Research of Ministry of Education, Urban Revolution and New Literature Production in Song Dynasty, 2007. 1 1 (project number: 07JA75 1035)

2. Key Project of Zhejiang Philosophy and Social Science Planning Fund, Urban Culture and Literary Production in Song Dynasty, 2006. 8 (project number: 06CGWX07ZB)

3. Zhejiang Cultural Project "The Rise and Prosperity of Zhejiang Urban Culture in Song Dynasty", 2006. 12

(ProjectNo.: 06WZT050)

4. Zhejiang Philosophy and Social Science Planning Project "Song Dynasty and Contemporary Times: A Comparative Study of Cultural Transformation and Aesthetic Changes" 20048 (project number: NX04WH7)

5. Zhejiang Philosophy and Social Science Planning Project "Basic Aesthetic Characteristics of Song Dynasty and Song Wenhua Research" 2002. 7 (ProjectNo.: N02WH6)

Independent provincial projects mainly include:

6. In 2005, Zhejiang Provincial Education Department's major topic "Research on Social Transformation and Aesthetic Changes in Song Dynasty". 12

(ProjectNo.: 2005 1346)

7. The Basic Spirit of China's Aesthetics and Its Modern Significance, Scientific Research Project of Zhejiang Education Department, 2002. seven

(ProjectNo.: 20020302)

8. Key Planning Project of Zhejiang Social Science Association, Cultural Transformation in Tang and Song Dynasties and New Aesthetic Changes in Song Dynasty, 2005. seven

(ProjectNo.: 05Z36)

9. Zhejiang Social Federation Planning Project, Cultural Occurrence and Cultural Implication of Song Dynasty Literary Theory, 2003. seven

(ProjectNo.: 03N67)