Appreciation of ancient poetry in the first volume of the seventh grade (after class)

"Jieshi is in the east, looking at the sea. The first two paragraphs point out the position of "watching the sea": the poet climbed to the top of Jieshi Mountain, high in the sea, with a wide view and a panoramic view of the sea. The following ten descriptions are almost all derived from this. " The water is full of water, and the mountains and islands are all scenery "is the general impression of seeing the sea at first, which is a bit like a thick line in the painting." ""Lian Lian "describes the vastness of the sea; "How, how, today's word" how "is a beautiful sigh. If you add beauty to the beauty, you can imagine the vastness of the sea. In this rippling sea, the first thing you see is the towering mountain islands, which are dotted on the flat and wide sea, making the sea look magical and spectacular. These two sentences roughly outline the prospect of the sea, which will be described in depth at different levels below.

"There are many trees and plenty of herbs. The autumn wind is bleak, and Hongbo surges. " The first two sentences specifically describe this mountainous island: although the autumn wind is bleak and the vegetation is withered, the island is lush with trees and rich in herbs, giving people a sense of business. The last two sentences are a further description of the sentence "What is water like?". Look carefully, the sea in the bleak autumn wind is actually a huge wave, surging and undulating. Here, although it is a typical autumn environment, it is not as bleak and desolate as autumn. In the history of China literature, due to the writer's world outlook, situation and other reasons, since Song Yu's "Nine Arguments" opened the first sound of sad autumn literature, how many poets and writers shed tears in the autumn wind, watching the fallen leaves, feeling hurt! Cao, on the other hand, faced the bleak autumn wind and wrote about the vastness of the sea: in the bleak autumn wind, the sea was surging and mighty; The mountain island is tall and straight, with lush vegetation and no fading and sentimental artistic conception. This new realm and new style just reflect his "martyr" mind.

"The trip to the sun and the moon, if unexpected; Xinghan is brilliant, if it is unexpected. " The previous description is observed from the sea. These four sentences are related to the vast universe, presenting the momentum and strength of the sea to readers: the vast sea is connected with the sky and the air is turbid; In front of this magnificent sea, the sun, the moon, the stars and the Han (the Milky Way) are all small, and their operation seems to be freely absorbed by the sea. The sea described by the poet here is not only the real scene in front of him, but also his own imagination and exaggeration, which shows the magnificent atmosphere of the universe and is full of the momentum of "the five mountains start from the square". This kind of "cage cover breathing atmosphere" is the artistic realm of the poet's "eyes" and "chest". (See Zhong Xing's Review of Ancient Poems, Volume 7) From the heart, a poet would never have written such a magnificent poetic scene without great political ambition, ambition to make contributions and optimism about the future. In the past, some people said that Cao Cao's poems were "domineering" (in Shen Deqian), referring to works such as Looking at the Sea. Of course, "domineering" is a kind of ridicule, but if "domineering" is understood as the ambition to unify China, then this kind of artistic appreciation is still desirable. "Fortunately, Lian, the song is to be sung." This is a group of words in the chorus, which has nothing to do with the content of the poem and needs no elaboration.

Appreciation of a mooring at the foot of Beibao Mountain.

The first couplet depicts mountains and rivers and tells the poet's whereabouts. Although the word "guest road" is true, it already contains homesickness. Echoing the "Hometown Book" and "Returning to the Wild Goose" of Wei Lian, the poet's skill in choosing words and making sentences can be seen.

The scenery written by Zhuan Xu is meaningful and thought-provoking: "Tide is flat" because of "the width of the two sides" and "the wind is positive". The word "Fengzheng" is very particular. Using "stability" is not enough to ensure that "a sail hangs"-if it is stable, the sail will bulge into an arc; With "wind and"? Aside from confrontation, if it is against the wind, even if it is "harmony", it is impossible to hang the sail.

Necklace couplets have always been popular. "The passage of time, Jiang Chun's old age" is not only the alternation of time series, but also full of philosophy. "Sun" and "Spring" are symbols of new and beautiful things. The poet endowed them with human will and feelings through personification, and showed the truth of life in an ordinary sense, which was encouraging. Compared with Zhang's theory of "endless life, handed down from generation to generation, Jiang Yue is only similar year after year", if we consider it from the aspects of optimism, positive and upward appeal, it seems to be slightly better. No wonder Qi Huangong, a contemporary of the poet, said this couplet was a "masterpiece of government affairs", and Hu Yinglin in the Ming Dynasty praised it as "the wonderful description of scenery"!

Tail couplet is still related to the scenery, and the legend of "wild goose feet pass books" is thought to come from Yanbei. The scene is real, it feels real, and the first sentence echoes from a distance. The faint homesickness is beyond words.

Appreciation of Spring Tour in Qiantang River

This is a poem about the West Lake (Qiantang River) in early spring. In the poem, the poet is like a superb photographer, aiming at the thing that best represents the beauty of the West Lake in early spring, and taking a wonderful picture and showing it to us.

In a word or two, clouds are full of water and spring. On the lake between Gushan Temple and Jiagongting, the water is flat and blue. The clouds in the sky float very low because of the humid air in spring, and are connected with the waves on the lake at a distance. Among them, mountains, temples, pavilions, water, dikes and clouds are scattered and well-coordinated, forming a three-dimensional lake scene with a flat width and a wide distance.

Three or four sentences, Yan Ying seeks spring scenery. On a few branches facing the sun, the early orioles jumped and sang the songs of spring beautifully; On the wet shore of the lake, I don't know who the new swallow is. She is busy with mud and nesting. Early songbirds were rare, only in "a few places"; There are not many new swallows, and I don't know whose family they are. The West Lake is an ideal paradise for birds, and those who arrive first begin to cheer early. In the dynamic depiction of song and dance, the poem conveys the vivid early spring atmosphere of the West Lake.

In five or six words, flowers and plants strive for spring glory. Looking around, all kinds of wild flowers are blooming and swaying in the spring breeze, gradually becoming charming; Looking down, the green spring grass is not deep enough, just enough to cover the horseshoe-flowers and plants are competing to flourish. It is conceivable that in the near future, the West Lake will bloom in colorful spring.

Seven or eight sentences, the poet praised Chun Qing. The poet rode his horse and waved his whip, pointing out the spring scenery: This white sand embankment shaded by green Vitamin is my favorite place to stay! This is the poet's heartfelt admiration when he saw the beautiful scenery in front of him. In fact, the poet has gone through this boundless spring, why didn't he blend in and become a scenery of the West Lake in early spring!

Appreciation of Tianjin Sha Qiu Si

This is Ma Zhiyuan's famous song, and 28 calligraphy and paintings show a lonely place. This song is heartbroken. The author's lyrical motivation can be seen from the title.

In the first two sentences, the old vines make people faint, and the small bridges flow, creating a cold and bleak atmosphere and showing a fresh and quiet realm. The old vines here give people a bleak feeling, and it is already evening. Small bridges and flowing water make people feel relaxed and happy. 12 calligraphy and painting create a quiet pastoral scenery in late autumn. The ancient road became thinner with the west wind, and the poet described a bleak and desolate artistic conception of autumn wind, adding another layer of desolation to the quiet rural map. The setting sun adds a bit of bleak light to this bleak picture and deepens the sad atmosphere. The poet skillfully connects ten plain and objective scenes in series, and naturally puts the poet's infinite worries in the picture through words such as withered, old, light, ancient, western and thin. In the last sentence, heartbroken people are the crowning touch in the horizon. At this time, a wandering wanderer appeared on the picture of the country in late autumn. On the desolate ancient road at sunset, he walked with a thin horse in the biting autumn wind, heartbroken, but he didn't know where his home was, revealing the poet's sad feelings and expressing the theme appropriately. This poem takes a sentimental attitude.

This poem by Ma Zhiyuan, in just 28 words, has profound meaning, exquisite structure, ups and downs, cadence and sonorous rhyme, and penetrates the soul. Its radiant artistic charm has fascinated many literati and poets in ancient and modern times. The implication of the song is not only "the wonder of the quatrains in the Tang Dynasty" ("Shi Shuo Xin Yu"), but also the natural beauty of Song Ci, which has always been regarded as a masterpiece of describing nature.