Reflections on the movie Bloom

The film Bloom tells the story of a blind female pianist and a group of disabled teenagers in her "Disabled Art Troupe" through her "perspective". From screenwriter, director, photography to performance, the film embodies a rare simple and simple style. It is not a "work" that the artist painstakingly arranges and meticulously produces for the audience. It is a true story that happened around a dazzling mansion and countless well-off families and "successful people". Most of the actors in the film are archetypes of characters in life. They have no professional training in film performance and are disabled, so their performances are naturally not professional and sophisticated. But it is precisely because of this that the film can be as real and touching as it is now, so that the audience can't help but cry again and again and deeply feel and think about it. Bloom is beautiful. It tells the story of a disabled performing group in a quiet and elegant style. In this story, it focuses on Yue Ming. She hopes to find her own living space in society with her own efforts, but she runs into a wall everywhere. Finally, with the help of Fang Tuanchang and Teacher Guan, she finally succeeded, reflecting the difficult state of the disabled as a vulnerable group in social life and praising their spiritual courage to strive for self-improvement in the face of difficulties. At the same time, the film also eulogizes the social conscience of caring for the disabled and being willing to pay for them, represented by Fang Tuanchang and Teacher Guan. Although the film shows the life of the disabled, the directors deliberately avoid the unpleasant "reality" on the body, making the image world of the film warm like a dream and letting the audience smell the poetic fragrance of orchids. In addition to beauty, Bloom touched something deeper, which should be called "vigilance". Yue Ming has been practicing the piano for more than ten years, playing flowing water, her image is as beautiful as cloves, her personality is so gentle, and she is cheerful with a girl's shyness. But it is such a girl who is loved and pitied by everyone, but she often runs into a wall on her way to society. In a very concise but impressive way, the film shows Yue Ming's dilemma in finding a job: a professional performance group was rejected; Being a pianist in a hotel was given a cold shoulder; When the tutor was teased by naughty children, she had no choice but to go to the massage parlor as a massage girl and was bullied by her peers ... If the party leader didn't stop Yue Ming in time, this beautiful musical genius's life might be ruined! There are not many direct expressions of the plight of the disabled in Bloom, but these scenes and simple strokes can produce such a strong effect, which makes people feel excited. It is not difficult for the audience to think, "The moon is still like this. What should other disabled people do? " Don't underestimate these scenes. It is exactly Bloom's strength, at least another far-reaching theme. It is true that, intuitively, the film director did not describe how the disabled directly clashed with some people with discriminatory eyes in society, or even wrote a dialogue between the disabled and society. This is probably because the creator gave up these descriptions rationally and brilliantly in order to maintain the overall artistic style and ideological pursuit of the film War. But because of these bright moon scenes, we can map out the difficult situation of the whole disabled. With a little attention, it is not difficult to understand. The blind girl playing the piano in the film reminds people of a great performer who is loved by countless people. In the soundtrack of the famous film Schindler's List, there is a theme song of "little red dot" playing the violin, which is beautiful and moving, and I don't know how many viewers shed tears. Mr Itzak Perlman, the performer, is a disabled person. He is the only violin soloist on the world music stage today. Childhood polio accompanied him all his life. Not only can he not walk on his legs, but it is also difficult to stand. Every time he went on stage, he trudged from the backstage to the center of the front desk with a cane, and then sat down and began to play. At the curtain call, like other performers, he has to go back and forth between the foreground and the background many times to thank the audience. He trudged back and forth on crutches without the help of a conductor or a performer, and more than a thousand spectators were calm. No one has ever called on him to walk less and go to bed early. Try to imagine how he developed such a unique skill and became one of the top violinists in contemporary times. This is not difficult to understand: in the face of such a truly strong person, are people often qualified to express sympathy and pity for him? Of course not, people can only respect and admire.