Traditional Culture Encyclopedia - Photography major - Plot introduction to the movie King of Killers
Plot introduction to the movie King of Killers
The film tells the story of a killer who kills the King of Killers for a commission, and eventually becomes the new generation of King of Killers.
The movie "King of Killers" is a feature film directed by Dong Wei and starring Jet Li, Eric Tsang, Simon Yam and Gigi Leung. It was released in Hong Kong, China on April 3, 1998.
The film tells the story of an old man whose family was murdered by a Japanese chaebol during the war, so he invited the world's number one killer to assassinate the chaebol. After the chaebol was killed, the revenge fund he set up during his lifetime was activated. Those who found and killed the behind-the-scenes instigators could get the fund. Killers all over the world were eyeing this fund, and even the grandson of the chaebol came to find the world's No. 2 Killer Gray Wolf searches for the real killer.
E Lao and Xiao Fu are partners in a group of killers. Xiao Fu, who has extraordinary skills, hopes to make money and return to his hometown. However, the scammer E Lao takes advantage of his skills. The two work together to get a high amount of money. fund.
Film Evaluation
"King of Killers" has not escaped the category of traditional commercial films. The film failed to achieve a balance between action scenes and character development, which affected the dramatic effect. However, in terms of the original concept and concept, compared with Hong Kong films of the same period, it is actually the most creative and has a far-reaching vision. It should have had the opportunity to break out of the slump in Hong Kong films.
In addition to creating a large-scale and three-dimensional killer world, the film expands the level of traditional killer stories, and also uses technology and history to run through time and space. What's more valuable is that each character has an independent development line. In addition to describing the conflicts and exchanges between people in the main line, the individual growth of each character is also written in the branch line.
Director Dong Wei required the actors to focus on humanistic performances, including the use of live sound recording and unmodified photography, which also allowed Jet Li to regain his grassroots image and present a rare sense of reality on the screen.
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