How to write new guard under neon lights's review?

As a gift dedicated to the 30th anniversary of reform and opening up, the youth inspirational film "New Guards under Neon Lights", which is jointly produced by Bayi Film Studio, Shanghai Armed Police Corps, Shanghai Film Group Corporation and Shanghai Zhangjiang (Group) Co., Ltd., reflects the story of post-80s armed police officers and soldiers. It was launched in Shanghai on June 27th and is currently being filmed intensively in Shanghai. Now, more than half of the shooting progress has entered a white-hot sprint stage. Under the rare high temperature and summer heat in Shanghai, the founders are trying to shape the image of a new generation of armed police officers and soldiers.

The New Sentinel under Neon Lights is definitely not a simple remake of Sentinel under Neon Lights, but a brand-new annotation of a new generation of sentinels based on the officers and men of the Armed Police Shanghai Corps. Based on the theme of "Little Sentinel in Shanghai, Little Sentinel's Great Feelings", this film depicts such a group of young people-they are in an international and prosperous metropolis, and as descendants of sentinels under neon lights, they are responsible for defending the party and government organs and important security tasks in Shanghai. They have the will to "listen to the party's command, never forget to work hard, live in a bustling city and be willing to be people's servants." They shoulder the arduous mission of soldiers, but they are willing to be the orderly of the people. Their youth and dreams are truly touching and passionate, and every detail is full of strong masculinity. The film reveals the details of daily life and military training in the police camp. They are the unique representatives of new and new mankind, and they are romantic, lovely and masculine new sentry successors!

Zhang Yuzhong, the director, is very elegant, never dragging his feet, and never loses his temper at the scene. He is high flyers, a Chinese opera graduate of Lanzhou University, so his writing style is very good, and he is very popular with the general publicity and planning. The filming of "The New Sentinel under Neon Lights" went through a very painful process: when I got the script, I was thinking about how to strengthen the story, because I had been following the path of the old sentinel, and some people in the trick said that it was the descendant of the old sentinel, but it was actually difficult to have a direct relationship. It is difficult for the old sentry to have a direct relationship with the new sentry, and it is also difficult to get rid of the degree of imitation, because the film "Old Sentinel" has reached the extreme, whether it is or not.

The story is innovative, and the foundation of supporting a movie is the story. The tension of the characters in the story attracts the audience. The director hopes to enhance its story as much as possible within the scope permitted by the policy. After all, the audience comes first. Form is new, so-called form and content should match. The ancients said: "If the skin does not exist, the hair will be attached." Form will always serve the content, and really good works of art will make you feel no trace of form. When talking with the photographer, he talked about seeking the best expression of the story: the new era of China after the reform and opening up, the feeling of a bustling city, and the connotation of "a little sentry in big Shanghai, a little sentry with great feelings". It's like turning this military camp into youth, fashion, modernity, beauty and closer to the people. In fact, filming is always a process of reducing points. Perfect works are just good wishes, and directors always seek the best and do the best, which is the inevitable result. We should completely jump out of those traditional forms and make a fresh youth inspirational film. This film is made for young people, not for them. It doesn't make much sense All the educational significance is contained in youth idols, wonderful action dramas and urban romances, because they are a special team, and they want to talk about the mental journey of growing up after 80 s and 90 s. They are not gods or people, but they are not ordinary people. It is also the passion, vitality, confusion and confusion of young people, but these are not presumptuous. In fact, Hollywood blockbusters are the main theme, but the forms of expression will be different. For example, the full-name Superman Kwabik, which is being shown, first designed him as a "bad boy" image, then changed it little by little, and finally became a hero recognized by the whole people, and all roads lead to the same goal. This description is even more convincing. In fact, shooting such a drama has a great significance: Because Bayi Factory has been shooting big movies, Armageddon, Great Turning Point, Taihang Mountain, My Long March, and Bayi in recent years, director Ming Zhenjiang has always wanted to shoot a drama with a modern military theme, trying to get out of revolutionary historical themes, big stories, the hearts of ordinary people and ordinary soldiers.

So are the characters in the film. All characters have shortcomings and distinctive personalities, and his advantages are also his shortcomings. In fact, through this earthquake, we have a new understanding of the post-80 s and post-90 s. In the past, we always criticized them: forgetful, self-centered and avant-garde. However, during the earthquake, most of the frontline soldiers, volunteers and online donors at all levels were born in the 1980s and 1990s. Can you say they are unpatriotic? Can you say they have no passion? Can you say that they forgot their roots? The same yellow skin and black eyes, the same China heart, but in different forms, but their advantages are ignored by us. They are smart, mature, forward-looking and have high emotional intelligence, which is unmatched by people of our time. There are factors of the times and people.

The three soldiers in the film: college soldiers, rural soldiers and soldiers from rich families, represent a group of people. They are unconventional, they are different and self-centered-they have all the characteristics of the post-80 s and post-90 s, and their concepts collide with the military's discipline values. How did they grow up in such a contradictory environment and how did they make a qualitative leap? The creative team determines the quality of the work, and the actor team must have a fundamental understanding of the soldiers. Their quality, military action and experience as soldiers are crucial to their performance. Zheng Hao has been a soldier for ten years. Although Chen Sicheng is a local actor, he was polished by Soldier Assault. Wu Yuhan belongs to the Beijing Military Region, while Joe and Xu Honghao belong to the Nanjing Military Region. The five brave actors are also one in a million, with their own characteristics in figure, appearance, personality and thought. The actors themselves commented on the five warrior actors, saying that each of them could write a novel independently. I don't care about the age of all the actors. I just need to know that their understanding of the film is in place and their creative attitude is correct. I hope the cast is good. I pay attention to individuality in my creation and encourage them to have creative passion. All the actors are working together for the first time. We choose an actor without selfishness, and absolutely need him to conform to the specified situation and personality. Chen Sicheng is smart, enthusiastic, active, creative and hard-working. Even if we shoot in the tunnel all day, he won't complain. Zheng Hao is a veteran. In life, he is a very cohesive and attractive person. He is very serious. Every word, every action should be pondered over and over again. He is an actor who thinks with his head. Joe plays a rural soldier in the play. What we want is his image of five big and three thick, which is more realistic. He invented a Shandong Henan dialect for the characters in the play. He was born in Xinjiang and worked in Nanjing. He was young and had a complicated experience. He looks like Muna, but he is actually very smart and good at thinking. Life in Wu Yuhan is a typical post-80s feeling. He came to see the actor in slippers and shorts that day. I want him to feel this way. The true nature of an actor is very important. The closer he is to the role, the more wonderful he lives. Xu Honghao appeared in many military dramas, in which he played a minor role. He is a "peacemaker", with a policy level and a moral outlook. But he himself is a very serious person in life, enthusiastic, dissatisfied with the status quo and very individual.