Artistic characteristics of photographic garlands

Director Xie Jin's Experience, Background, Works and Artistic Features

1. Experience and background:

Xie Jin1923165438+1October 2 1 was born in Shangyu County, Zhejiang Province. He spent his childhood in his hometown and attended primary school for one year. In 1930s, he moved to Shanghai with his parents and went on to attend primary school. 1938 Go to Hong Kong to study in a middle school. 65438-0939 went back to Shanghai to study in Daxia High School and Jishan Middle School. In his spare time, he went to Huaguang Theatre Academy and Venus Film Training Class. He studied under Huang and Wu Shen, participated in student drama activities supported by Ling and others, and played in the large-scale drama Yue Yun. 194 1 was admitted to the drama department of Sichuan Jiang' an National Theatre Academy, where he studied under famous artists such as Cao Yu, Hong Shen, Jiao Juyin, Ma and Chen Liting. /kloc-dropped out of school voluntarily in 0/943, followed Ma, Hong Shen and Jiao Juyin to work in Chongqing China Youth Drama Club, and served as an audience member, reporter and actor in Youth Travel, Song of Hibiscus, Huanghuagang, Early Chicken and Lei Yu. During this period, the artistic ambition to develop into a professional director was established. 1947 resumed the major of choreography in Nanjing National Theatre Academy, and studied under the teacher Shangyuan.

2. Works:

1983 works: Qiu Jin (director) and Xie Jin's film retrospective exhibition were held in Italy.

1984 works: "Garland under the Mountain" (director) won the Best Screenplay Award, Best Actor Award and Best Editing Award in the Fifth China Film Golden Rooster Award; The 8th Hundred Flowers Award Best Feature Film Award, Best Actor Award, Best Supporting Actor Award and Best Supporting Actress Award; Ministry of Culture 1984 First Prize of Excellent Film; Wen Wei Po and China Film Times won the Film Award for the Decade of the New Era (1977- 1987) for feature films and directors.

1985 "Xie Jin's film retrospective exhibition" was held in ten cities in the United States.

1986 works: "furong town" (director) won the Best Feature Film Award, Best Actress Award, Best Supporting Actress Award and Best Art Award in the 7th China Film Golden Rooster Award; Hundred Flowers Award, a popular movie in issue 10, won the best feature film award, best actor award, best actress award and best supporting actor award. Won the "Crystal Ball Award" at the Kalovi Farley International Film Festival in the Czech Republic (actor Xu Songzi won the "Judge Award of the Czech Dramatists Association"); Honorary Award of the 40th Czech Working People Film Festival; 1989 Film Review Award, Best Foreign Feature Film Review Award, awarded by the GDR Film Association; 1 Montpellier Film Festival "Golden panda award".

Chairman of the Jury of the 6th China Golden Rooster Awards. A member of Academy of Motion Picture Arts and Sciences. He has served as a judge of Venice International Film Festival, Tokyo International Film Festival, India International Film Festival, Tashiyu Film Festival, Algeria Film Festival and Manila International Film Festival. Chairman of the jury of the 8 th China Film Golden Rooster Award. Executive vice chairman of the 5th China Federation of Literary and Art Circles. Member of the National Committee of the Seventh China People's Political Consultative Conference; 1 Vice Chairman of China Disabled Persons' Federation.

1989 Chairman of the jury of the 9th Golden Rooster Award of China Film.

1988 works: The Last Noble (director) won the honorary award of 1 China Film Festival.

199 1 year Works: Liang Qing Temple Bell (director) and Morning Star (director)192 Xie Jin-Hengtong Film and Television Co., Ltd. was established in Shanghai on August 8, 1992, serving as the general manager and legal representative of the company. The United States held the "Xie Jin Film Retrospect Exhibition".

1993 works: the old man and the dog (director) won 1993 "top ten films" award of Shanghai film criticism society. In February, he served as the principal of Shanghai Xiejin-Hengtong Star School; Visiting Professor of Fudan University and Shanghai Jiaotong University in Shanghai.

1 Chairman of the jury of Shanghai International Film Festival. Member and Standing Committee of the Eighth National Committee of China People's Political Consultative Conference; Vice Chairman of the Second China Disabled Persons' Federation.

1995 works: "Persuasion Angel" (director) won the special honor award of 1995 the 4th National College Student Film Festival. In May, he served as Dean of the School of Film and Television Arts and Technology of Shanghai University; Xie Jin-Chairman of Hengtong Film and Television Co., Ltd. ..

1996 executive vice chairman of the 6th China Federation of Literary and Art Circles.

1997 works: The Opium War (director) won 17 Golden Rooster Award for Best Feature Film, Best Photography, Best Recording, Best Prop and Best Supporting Actor in Chinese Film; 1997 China film "huabiao award" outstanding feature film award; Shanghai Film Critics Award Yongle Huai 1997 "Top Ten Movies" honorary title.

1997 Montreal International Film Festival "American Special Award".

1998 Chairman of China Jury of the 4th Changchun Film Festival. He was awarded the Golden Dragon Award of "Contemporary movie master" China Literary Artist by the Hong Kong (Overseas) Literary Artists Association. The 9th Standing Committee of Chinese People's Political Consultative Conference. I won the Shanghai Award for Outstanding Contribution to Literature and Art and published My Pursuit of Directing Art..

The 2000 film "Women's Football No.9"

3. Artistic features

Throughout Xie Jin's film creation for decades, we can focus on:

1. Sensational reasoning is Xie Jin's thinking on social philosophy and human relations. However, the form of expression falls on emotional people, which is the necessary reason for China audiences to watch in droves. The key to the enduring of Xie Jin's films lies in grasping human nature and echoing the thoughts of the times, thus deeply touching people's hearts.

2. Comment on history-Xie Jin's films have keenly grasped the major social issues in the historical development, and have not evaded the difficulties and obstacles to explore and judge. For example, The Legend of Tianyunshan touched on the problem of anti-"right" expansion for the first time, and extended the thinking of the extreme left of the Cultural Revolution to the sensitive areas that have not yet been shown, which had a deterrent effect. However, his starting point and foothold are all on the hot issues that people pay attention to in the real society. Whether it is the patriotic feelings involved in Shepherd or the self-defense counterattack and the problem of cadres' children expressed in Garland under the Mountain, it is a timely care for social reality.

3. Compassion for women's disobedience-Xie Jin's films pay attention to the expression of "people" is its outstanding feature. His thinking about people has never left the two aspects of "emotion" and "ambition". Pay more attention to rendering human feelings and rational politics than many directors. But the preference for moral people is the advantage and strength of Xie Jin's films, especially the portrayal of female images. Almost every film by Xie presents beautiful female images: the success of Zhu, Xie Fang, Li, Li, Wang, Li is the proof. Xie Jin's films emphasize women's gentleness, kindness and love, which makes the charm of moving people with emotion quite obvious. But what is more obvious is that he takes brave, tortuous, tenacious and struggling women as the performance object, which makes him always find a moving female image full of national glory on the early screen. No director can match this.