Where is Badashanren Memorial Hall?

Badashanren Memorial Hall is located in Qingyunpu Scenic Resort Scenic Area, next to Dinghan Bridge in Hu Mei, fifteen miles south of Nanchang. Qingyunpu Scenic Resort Scenic Area is a garden with Jiangnan characteristics. In the garden, the century-old camphor trees, neem trees and Podocarpus are green and dry, and the temples with blue bricks, gray tiles and white walls and red columns are particularly quiet. The skylight covered by dense leaves sprinkled on the path, and the light and shadow flashed, and the wild interest was everywhere. A bend in the lotus pond is crystal clear, reflecting the cage bamboo, fish playing and flowers swaying. Outside the park, Qingxi meanders, farmland criss-crosses by the stream, and farmhouse smoke curled up like a fairyland on earth.

Qingyunpu Scenic Resort Scenic Area was formerly a Taoist temple. According to legend, as early as 2,500 years ago, the son of Zhou Lingwang opened the Badashanren Memorial Hall here.

An alchemist. The Western Han Dynasty called Meixian Temple. In the Eastern Jin Dynasty, Jing Ming School, a Taoist, founded the "Tai Chi View". In the Tang Dynasty, it was called "Taiyi View", in the Song Dynasty, it was called "Tianning View", and in the early Qing Dynasty, it was designated as "Qingyunpu Scenic Resort Scenic Area". There are two stone buildings on the site: Gate 1 and Gate 2. The stone forehead of the gate is engraved with three characters "Qingyunpu Scenic Resort Scenic Area", and the front and back of the second gate are engraved with the words "Clean and Bright Land" and "The Door with More Secrets and Less Things" respectively. Taoist temple is mainly composed of three courtyards: Guandi Hall, Lvzu Hall and Xuzu Hall. It is connected with three official halls, Doumu Pavilion and Qiao Yuan, and is surrounded by two inner rooms, namely Xiaomi House and Crane Nest. Over the past 300 years, Taoist temples have been promoted and abolished several times. At the beginning of liberation, the courtyard was deserted and dilapidated. After the people's government allocated funds for many times to repair it, the Badashanren Memorial Hall, the first ancient painter memorial hall in China, was established on 1959.

Badashanren Memorial Hall is located in Qingyunpu Scenic Resort Scenic Area with a long history and beautiful scenery. According to legend, more than 2500 years ago, his son Jin came here to make an alchemy. At the end of the Western Han Dynasty, Wei Meifu in Nanchang once abandoned his official position to fish here, and later generations built the Meixian Temple for worship. During the Eastern Jin Dynasty, Xu Xun managed water, advocated the Taoist "Jing Ming School" and founded the "Taiji View". In five years, Tang Dahe changed its name to "Taiyiguan". In the second year of Song Dynasty, it was renamed Tianningguan, and in the eighteenth year of Qing Shunzhi, it was renamed Qingyun Garden, which was easy to "garden" and easy to "spectrum". The house layout in the spectrum is mainly Guandi Hall, Lvzu Hall and Xuzu Hall. The three halls are progressive and the cloisters are connected, which is very elegant. 1957 was designated as a provincial key cultural relics protection unit. 1959 changed to Badashanren Memorial Hall to display Badashanren's paintings and calligraphy works.

Badashanren Memorial Hall is a memorial museum integrating collection, display, research and publicity, with rich collections. The original hall was changed into an exhibition hall, which systematically displayed the paintings and historical materials of Badashan people, and often displayed the masterpieces of today's painting masters. The dense bamboo forests in the park set off the Badashanren stone carving art fine painting and calligraphy stele gallery. People are in this antique, secluded winding path and unique Badashanren Memorial Hall.

How can you not feel relaxed and happy in an interesting environment?

Replicas of calligraphy and painting, ceramics, brushes, inkstones, postcards, commemorative cards and published albums made in the name of Badashanren will leave unforgettable memories for the audience.

Badashanren Memorial Hall is rich in collections. At present, there is a 10 painting and calligraphy exhibition hall in the museum, which displays more than 80 historical materials about Badashanren's life and treasures, among which the representative works are: Mo Hetu, Bird Stone Pavilion, Songhe Pavilion, Eagle Map of Zhemu Mars, Shoulu Map and Niu Shihui's masterpiece Cat and Chicken. At the same time, the first ancient painter's painting and calligraphy museum in Jiangxi Province, hidden among the willows and bamboos, displayed more than 100 exquisite paintings and calligraphy works of Badashanren with exquisite stone carving art, and the newly opened photography exhibition of Badashanren Memorial Hall also provided exquisite photography skills for the audience to find immortal traces.

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Badashanren was an outstanding painter in the late Ming and early Qing Dynasties. Born in the sixth year of the Ming Dynasty, he died in Kangxi of the Qing Dynasty.

Scenery of Badashanren Memorial Hall (1)(20 photos) Forty-four years (A.D. 1626- 1705), eighty years old. His surname is Zhu Mingxia, a monk and a famous mountain, and he is called Badashanren. He is the ninth grandson of Zhu Quan, the sixteenth son of Zhu Yuanzhang, the founding emperor of the Ming Dynasty. After the death of the Ming Dynasty, he became a monk with an unyielding attitude towards the Qing Dynasty. After returning to the secular world, he built his own humble house "Gage Cottage" in Nanchang, and spent his old age in loneliness and poverty. Badashan people have made unique achievements in art. He is famous for his freehand brushwork in ink and wash, especially for flower-and-bird paintings. Its picture composition is meticulous and artistic conception is ethereal; Its pen and ink are pure, dripping and hearty; Taking things as shapes, meaning images, concise brushwork and both form and spirit reflect his lonely and empty thoughts and feelings. His calligraphy is fluent, subtle and restrained, mellow and mellow, and he has also made some achievements in seal cutting. Most of his poems are quiet and quaint. Over the past 300 years, he has enjoyed a high reputation in the painting world, and modern painters such as Wu Changshuo, Qi Baishi, Zhang Daqian, Pan Tianshou and Li Kuchan were all influenced by him to varying degrees.

1985, Badashanren was named one of the top ten cultural celebrities in ancient China by UNESCO. In today's painting world, there are various schools, each showing its magical power. Exhibiting the works of contemporary flower and bird masters in this museum is the development of the artist's feelings and intuition. A group of experts and scholars with profound qualifications have found themselves from the inheritance and innovation of the eight major painting styles and from the special epiphany, and many of their works are memorable.

The museum also exhibits the works of Niu Shihui and other painters. Niu Shihui is said to be the younger brother of Badashan people and an outstanding painter. His paintings are concise, rough and interesting.

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Jiangnan Mingyuan Qingyunpu Scenic Resort Scenic Area

After Zhou, Western Han, Eastern Jin, Tang, Song, Yuan, Ming and Qing Dynasties, the old museum was counted as a corner.

Chao is the only well-preserved birthplace of Jingmingdao in Jiangxi, which shows the vicissitudes of more than 2,000 years of history and feels the profound connotation of mysterious Taoist culture. There are many desirable cultural relics and historic sites such as Wan Li Gujing, Xianrenqiao, Jingming Zhen Jing, He Chao Bookstore, Xihe Mo Chi, Youzhujing, Lingyunlai Pavilion, and Baling in the Taoist Temple of Qingyunpu Scenic Resort Scenic Area, which gives the audience the interest of searching for the secluded and ancient, and makes people linger.

The ancient Qingyunpu Scenic Resort scenic spot is a green pearl embedded in the southern suburbs of the city. In spring, black tea and peach blossom are blooming; in midsummer, Sanqiu Shili lotus seeds are blooming; in severe winter, cold plums are blooming. The towering ancient trees, such as Cinnamomum camphora, Podocarpus and Melia azedarach, have been praised as the treasures of town houses by literati in past dynasties. The longest existing double-sided stele gallery in Nanchang. More than 120 paintings and calligraphy works created by the mind reveal the extraordinary pen and ink career of Badashan people. The cloisters with changing scenery and exquisite stone carving techniques have brought a refreshing aesthetic feeling to the audience.

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Qingyunpu Scenic Resort scenic spot

It used to be a Taoist temple with a long history and beautiful scenery. It has been a tourist attraction since ancient times, and now it is the "Badashanren Memorial Hall". According to legend, in the 6th century BC, his son Jin began to make an alchemy here. At the end of the Western Han Dynasty, the main entrance of Wei Meifu Memorial Hall in Nanchang County.

Zeng abandoned the official to hide here, and later generations built Meixian Temple for worship. At this point, the Jin Dynasty set up an altar to preach and establish a concept of qi. In the fifth year of Daiwa in the Tang Dynasty (83 1), Zhou Xun, the secretariat of the Tang Dynasty, established the concept of Taiyi. In the second year of Song Hezhi (1055), it was renamed Tianningguan. In the 18th year of Shunzhi in Qing Dynasty (166 1), Zhu Da, the tenth grandson of Zhu Yuanzhang, the founder of Ming Dynasty, came here to live in seclusion, taking the meaning of "Lv Chunyang riding under the Qingyun Mountain" and renamed it Qingyun Garden.

Scenery of Badashanren Memorial Hall (II) (12) is intended to spread Zhu Ming's genealogy in Qingyun and change the nursery to genealogy. Since then, Qingyunpu Scenic Resort Scenic Area has been linked with the rough life of Badashan people and their painting and calligraphy art.

After the death of the Ming Dynasty, Badashan people took the pain of the country's ruin as their way to become monks, sometimes pretending to be crazy and selling stupidity, not interacting with people or talking to them. His names are many, and the words "Badashanren" are written together, sometimes like "crying" and sometimes like "laughing", respectively expressing his feelings when writing. Badashan people never painted a flower and a stone for the Qing court dignitaries, but the poor peasants got his works easily. In the seventeenth year of Kangxi (1678), Hu was appointed as Linchuan county magistrate. He was recruited to work for the Qing court, but he pretended to be crazy and tore up the monk's clothes.

In the early Qing Dynasty, Badashan people showed his stubborn and arrogant character with refined and indulgent pen and ink, and expressed their dissatisfaction and indignation with the ruling class, which was magnificent and touching. Zheng Banqiao, a famous painter, praised Badashan people's paintings, saying that "painting Qian Qian horizontally and vertically has more ink spots and less tears." .

Today, the architectural scale and style of Qingyunpu Scenic Resort Scenic Area are almost the same as those of Daoyuan rebuilt in Guangxu period of Qing Dynasty. The architectural layout is mainly Guandi Hall, Lvzu Hall and Xuzu Hall, with the abbot hall in the middle of the main hall. The three halls are progressive and the cloisters are connected, which is very quiet.

At the western end of the fence, the old gate of Qingyunpu Scenic Resort Scenic Area is a magnificent stone archway, with the stone tablet of "Qingyunpu Scenic Resort Scenic Area" hanging on it, and the calligraphy of Badashan people behind the door, "the mysterious gate, very few". The lintel of the second door is engraved with the word "halal". On the left of the abbot's main hall is "Bookshop" and on the right is "He Chao". His calligraphy couplet is hung on the wall: "All interests are harmonious and the beauty of words and expressions cannot be separated from Zen". The front and back three halls and the Doulao Pavilion on Yan's right are the painting and calligraphy showrooms of Badashan people and their brothers. From the South Ear Gate, there are pavilions, waterside pavilions and rockeries, small bridges and flowing water, flowers and trees, which complement each other.

In the memorial hall, visitors can also pay their respects in front of the crown tombs and statues of Badashan people.

Brief introduction of painter

Badashanren statue (1) Badashanren bronze statue

Badashanren

Zhu Mingxia, born in the sixth year of tomorrow's apocalypse (1626), died in the forty-fourth year of Qing Kangxi (1705). He is the ninth grandson of Zhu Quan, the sixteenth son of Zhu Yuanzhang, the founder of Ming Dynasty. When he was young, he was talented, inherited Confucianism, was well influenced by art, and lived a royal life. With the change of Shen Jiazhi and the establishment of the Qing regime, 19-year-old Zhu Da suffered a heavy blow from national subjugation. He once became a monk, converted to Buddhism, and practiced "calling himself a master for countless years". Later secularization was hidden in painting and calligraphy, and Confucianism, Buddhism and Taoism were integrated into the art of painting and calligraphy, integrating adherents, Zen masters and painters. With that strange feeling and charm, it stood upright in the forest of art and became a master of art, connecting the past with the future. Badashanren's works are deep and profound, quiet and pure, ultra-dusty and refined, and natural. His freehand flower-and-bird paintings are concise and well-known for their beauty. For example, "Lonely Pine Map" goes from top to bottom in one go, with vigorous pen and ink, elegant and graceful, both rigid and flexible, and extraordinary posture. Mr. Wu Changshuo's inscription as evidence, said that Shanren's paintings are extremely accurate, and the pine needle book gallery is represented by minimalist pen.

The form is extremely complicated. This is an important masterpiece of Badashan people, and another example is "Double Eagle Map", which is the masterpiece of Badashan people's eagle painting in his later years. Taken from Lin Liang, a great painter in Ming Dynasty, two goshawks look at each other on a dead branch and a dangerous stone. Between pitches, you can see the heroic spirit at a glance. Badashanren was the leader of the "Four Great Painting Monks" in the early Qing Dynasty. His personality and painting have inspired generations of painters such as Yangzhou School, Wu Changshuo, Qi Baishi, Pan Tianshou, Zhang Daqian and Li Kuchan for 300 years, and his artistic vitality is enduring.

Collection content

The plaque in the museum

Badashanren Memorial Hall is a memorial museum integrating collection, display, research and publicity, with rich collections.

The original hall was changed into an exhibition hall, which systematically displayed the paintings and historical materials of Badashan people, and often displayed the masterpieces of today's painting masters. There are ten painting and calligraphy exhibition halls in the museum, which display more than 80 historical materials of Badashan people's lives and treasures, among which the representative works are: Mo Hetu, Bird Stone Pavilion, Songhe Pavilion, Zhemuying Litu, Shoulu Map, Cat and Chicken and other representative works of Niu Shihui. At the same time, the first ancient painter's painting and calligraphy museum in Jiangxi Province, hidden among the willows and bamboos, displayed more than 100 exquisite paintings and calligraphy works of Badashanren with exquisite stone carving art, and the newly opened photography exhibition of Badashanren Memorial Hall also provided exquisite photography skills for the audience to find immortal traces. The dense bamboo forests in the park set off the Badashanren stone carving art fine painting and calligraphy stele gallery. How can people not feel relaxed and happy in this simple, quiet and interesting environment? Replicas of calligraphy and painting, ceramics, brushes, inkstones, postcards, commemorative cards and published albums made in the name of Badashanren will leave unforgettable memories for the audience.

Traffic routes and fares

There are very convenient and affordable transportation conditions to visit the museum. The city bus company takes buses No.2, No.20, No.203 (outside) and No.224 to the Badashanren Memorial Hall. Exchange valid documents for tickets and visit for free.

Zhu Da (1626- 1705), a native of Badashan, was an outstanding freehand painter in the late Ming and early Qing dynasties. Born in the sixth year of the apocalypse of the Ming Dynasty (1626), he died in the forty-fourth year of Kangxi of the Qing Dynasty (1705). His surname is Zhu Mingxian, and he is the ninth grandson of Zhu Quan, the sixteenth son of Ming Taizu Zhu Yuanjin. He has been very clever since he was a child. He also received a good artistic influence. At the age of eight, he could write poetry. At the age of eleven, he can draw green mountains and rivers, and he can write fine print in metric style as soon as he hangs his wrist. He is an official student. When Badashanren was a teenager, the Ming Dynasty fell, the Qing Dynasty was established, the country collapsed, and his family died, which gave him a heavy blow. Zhu Da Details++Edition