Jiujiang juzi photography

Qian Shan has a vast sky, and Chengjiang has a bright moon. -Huang Tingjian's "Boarding Express Pavilion" in the Song Dynasty fell in Qian Shan, and the sky was high and wide, and Chengjiang was clear in January. From Huang Tingjian's "Deng Express Pavilion" in Song Dynasty

Three hundred ancient poems, lyric translation and annotation translation of high school ancient poems, and going upstairs to write scenery.

I'm not a big shot. I'm just doing business. I have been busy all day. I took advantage of the rain in the evening to board the express pavilion to relax myself.

From a distance, it is early winter, when all the trees are depressed and the world is wider. In the bright moonlight, Chengjiang flows clearly into the distance.

My friends are far away, and I have no interest in playing the string and flute. Only when I see wine will my eyes show joy.

Thinking about the fetters of life, an official might as well find a boat to play the flute and float to his hometown, where being with Bai Ou is not a better destination.

Appreciation This is a lyric poem written by Huang Tingjian when he was appointed to the Express Pavilion in Taihe County.

Generally speaking, the beginning of an article or poem is often so difficult that some writers often cut it off, because at the beginning, the author has not integrated with the situation of the work, so it is easy to pose. Huang's poems begin with colloquial expressions, but they can be wonderfully conceived and fascinating. The poet said, I, fool, boarded the express booth after finishing my official business. In the afterglow of sunset, I leaned against the fence and looked out. These two sentences, seemingly simple and popular, contain extremely rich contents: the first sentence is based on a sentence by Xia Houdun in Fu Xianchuan, the Book of Jin, "It is not easy to be an official although having children is crazy." "If you sit in a daze, you will hear it again soon!" The latter sentence uses Du Fu's "Pay attention to Leng Jiang's leaning against the mountain pavilion" and Li Shangyin's "The eternal chastity soul leans against the sunset glow", and there are many amazing transformations. The word "idiot" reverses the meaning of predecessors and directly admits that he is "idiot", which is one of humor; The word "let it go" renders the poet's happy mood of relief, echoes the "fast" darkness of "fast songs" and increases the sense of unity. This is the second wonderful use; The word "leaning on yat sen villa" is beyond the previous stereotype. The "leaning" and leaning against the mountain pavilion in Du Fu's poems are plain descriptions of the real situation; Li's "leaning", whose theme is "eternal chastity soul", is an illusory reality; The "leaning" of Huang's poems can be described as the combination of reality and reality; The poet's leaning is a real scene, but he leans on the boundless twilight sky. Look at these three schools, just like an artistic photography. In the afterglow of the sunset, poets and pavilions are behind them. ......

What's more, the word "leaning on yat sen villa" paved the way for the description of the next sentence, which made the poet generate give a swan song of "the mountains in front are vast and the moon is bright in the chengjiang River". Looking at countless autumn mountains from afar, the fallen leaves on the mountains have fallen, and the vast sky is wider at this time. Clear as jade, the Chengjiang River flows under the pavilion, and a crescent moon is reflected on the river, which is even more ethereal and clear. This is a description of the scenery the poet visited when he first boarded the pavilion, and it is also a portrayal of the poet's mind. Reading such poems can't help but remind people of Du Fu's famous sentences: "Leaves are falling like a waterfall, but I think the long river is always rolling in" and Xie Tiao's "Yu Xia is scattered into Qi, and Chengjiang is as clean as practice". And this sentence of Huang Gu not only absorbs the nutrients of predecessors to exercise and melt, but also represents a new realm. Therefore, predecessors have commented on this sentence: "Its artistic conception is epoch-making, so it can really split the secrets of ancient and modern times." (Zhang "Lu Zhai Xue Ji Ji Ji")

Five or six sentences are the middle sentences in which the poet skillfully uses allusions. In the previous sentence, I thanked my bosom friend with Boya holding the piano. "Lu Chunqiu's original taste" contains: "If you die, you will lose your piano and string, and you will never play the piano for life, thinking that the world is not enough to be a drummer." The last sentence uses Ruan Ji's blue eyes. Historically, Ruan Ji was good at blue eyes. "When you see people with customs, you should look at them with white eyes." See the person you like "jealous" (Biography of Ruan Ji in the Book of Jin). The poet's two sentences mean that because my bosom friend was absent, I broke the Zhu string on the piano and stopped playing, so I had to clear a bottle of wine to relieve my worries. The word "horizontal" is used incisively and vividly here, showing the image of the poet's helplessness, loneliness and boredom.

The poet said that he hoped to board the boat, play the melodious flute and return to his distant hometown-my heart, which had already made a covenant with Bai Ou. Judging from the structure of the whole poem, the ending is quite wonderful: first of all, the poet talks about "giving up his official duties for idiots", showing his boredom with his official career and his desire to climb the pavilion to enjoy the natural scenery; Then, gradually getting better, the poet was intoxicated by the beautiful moonlight in Qian Shan and Chengjiang, which was in sharp contrast with the "ending" of the beginning "business"; In the beautiful scenery, the worries in the poet's heart come for no reason, and the poet feels the pain that his ambition cannot be realized and his heart is not understood. So where is the way out? This naturally leads to the poets' thoughts of "returning to the ship" and "Bai Ou". This ending not only echoes the beginning, but also ends with the trend, giving people a feeling of "hovering down in one breath" (Pan Boying's comments). And it is meaningful and imaginative.

The whole poem is as clear as words, lyrical because of the scenery, interlocking and appropriate use of allusions, which embodies the novel words and vigorous brushwork of Jiangxi Poetry School.

This poem was highly praised by later generations. Yao Nai called this poem "majestic and rhythmic, this move is too white, and it is sung in seven methods"; Fang commented: "start with four sentences, write them, one sentence is expensive, and five or six sentences are vulgar." Relax. This so-called "one-way street" is the combination of couples. " These comments are very pertinent. Weng Fanggang commented on the poem of Huangshan Canyon like this: "Apart from Pogong, there is such an extremely high power, an extremely great realm, and the vitality of nature is exhausted." Reciting this poem is well deserved.

Huang Tingjian wrote poems in order to learn from Du Fu and his "clumsy sentences". It also advocates "one word does not agree" and "turning iron into gold" and "taking fetus as bone", forming a unique "valley body" Works embodying its characteristics, such as:

Wu Shi likes it very much, so don't send cows to grind their horns. The bull has a beautiful horn, but the bull is against me. ("herding cattle with bamboo stones")

Appreciation of "the sky in front of the mountain is high and the clouds are light, and the river is bright and bright"

"Looking at the mountain, the trees are rustling. The sky is high and the clouds are light, overlooking the river, and the moonlight on the river is bright.

Huang Tingjian (1045.8.9-1105.5.24), whose real name was Fu Weng, was born in Fenning, Hongzhou (now xiushui county, Jiujiang City, Jiangxi Province), a famous writer and calligrapher in the Northern Song Dynasty, and the founder of Jiangxi Poetry School. They, Chao and Qin Guan all studied under Su Shi, and they are collectively called "Su Men Four Bachelor". He was as famous as Su Shi before his death and was called "Su Huang" by the world. He is the author of Valley Ci, and Huang Tingjian's calligraphy is unique and is one of the "Song Sijia". Huang tingjian

The river invades the clouds and the geese want to fly south. In the evening, I bid farewell to a guest on Xunyang River. Maple leaves and mature rushes rustle in autumn. Independent cold autumn, Xiangjiang North, Orange Island. Xiangjiang River is wide, and bitter bamboo bushes are deep in the west. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water. The lake is clear and frosty, and it is clear in the mirror, and the snow-capped mountains in Bai Tao come. I long to know you, long live, this heart will never fade. Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year? Fortunately, Chen Qiang bypassed Chen Shan. Who did he get off in Xiaoxiang for? Looking inside and outside the Great Wall, I only feel embarrassed; When the river rises and falls, it loses momentum. The raging waves roll with frost and snow, and the natural hazards are endless. There are two or three families living in the bamboo forest beside the river bank, and the provocative red flowers set off the white flowers. Misty rain enveloped Wu's day overnight; Send you in the morning, lonely and sad in Chushan! Dongting East Jiangxi, the curtain is quiet and the sunset is late. The river is full of water, and hundreds of people compete for the flow.