Traditional Culture Encyclopedia - Photography major - On a pure morning, near the ancient temple, the early sunshine points to the treetops. Originality _ Translation and Appreciation

On a pure morning, near the ancient temple, the early sunshine points to the treetops. Originality _ Translation and Appreciation

On a pure morning, near the ancient temple, the early sunshine points to the treetops. -Tang Changjian's "Zen House after Broken Mountain Temple" Pure morning, close to the ancient temple, with little treetops in the morning. This is a Buddhist retreat built behind the Broken Mountain Temple in the Tang Dynasty.

On a pure morning, near the ancient temple, the early sunshine points to the treetops.

A secluded place with bamboo paths, branches and flowers, to a Buddhist retreat.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond.

All is silent here, but the bell is ringing. (first edition)

On a pure morning, near the ancient temple, the early sunshine points to the treetops.

A winding path leads to a hidden place, and the Buddhist temple is surrounded by branches and flowers.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond.

A thousand voices were silenced by the breath of church bells. (second edition)

On a pure morning, near the ancient temple, the early sunshine points to the treetops.

A secluded place with bamboo paths, branches and flowers, to a Buddhist retreat.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond.

A thousand voices were quiet, but the bell rang. (third edition)

There are 300 Tang poems, 300 ancient poems by China, 300 scenery translations and 300 annotations.

Walking into this ancient temple early in the morning, the rising sun reflected the Woods on the mountain.

The path hidden by bamboo forest leads to the depths, and the flowers and trees before and after the meditation room are lush and colorful.

Bright mountain scenery makes birds happier, and the clear pool water makes people feel relaxed and happy.

At this moment, everything was silent, except the sound of ringing the bell.

Appreciating Zen after Broken Mountain Temple is a poem. Broken Mountain Temple and Improvised House Temple are located on Yushan Mountain in the northwest of Changshu City, Jiangsu Province. There are many poems chanting temples in the Tang Dynasty, and there are also many excellent works. Chang Jian's Zen Realm after Broken Mountain Temple has a unique conception. It is written closely around the meditation room behind the broken mountain temple, depicting the unique quiet interest in this specific realm.

The first couplet is "In the pure morning, near the ancient temple, the early sunshine points to the treetops", which sets out to outline the environment around the meditation room in the morning. In the early morning, the red sun rising in Ran Ran sprinkled golden sunlight on the temples and trees in Yushan, making the temples more beautiful and bright, and the towering mountains more green and lush, which made people feel relaxed and happy. Here, a word "Ru" depicts the remote beauty of the ancient temple, and a word "Zhao" engraves the vitality of the rising sun to the extreme, revealing the poet's happy mood. The first couplet is the vision of the post-Zen Temple, which lays the foundation for the following close-up description.

The couplet "My road twists and turns through a sheltered valley, branches and flowers to a Buddhist retreat" points out the word "Houdian" in the title and describes the winding path leading to Houdian and its quiet and charming scenery. The monk's room is deeply hidden among flowers and trees, with a strong aroma. Song Ouyang Xiu once praised it with emotion: "I often like to recite Chang Jian's poem:' The bamboo path is secluded, the branches are flourishing, and I enter Zen'." Therefore, it is impossible to imitate its words for a long time, but it is difficult for people who know creativity to work. "The beauty of this couplet is not only reflected in the accurate and vivid description of the scenery, but also in the profound ideological connotation. Buddhism advocates the purity of eyes, ears, nose, tongue, body and mind, and asceticism. However, the flowers and trees in Buddhist temples are lush and fragrant, which shows the monks' warm yearning and persistent pursuit of beauty in a subtle and tortuous way. The aesthetic idea of "winding path leads to seclusion" is widely used in China classical gardens.

Neck couplet, tail couplet and conception couplet are closely linked, which is the beauty discovered and the joy pursued by poets. Through vivid, dynamic and static scenery descriptions, these two couplets render the role of Zen Buddhism in purifying people's hearts and pleasing people's spirits and aspirations, allowing readers to enter the beautiful Buddhist world while enjoying the beautiful scenery. The poet looked around and saw the sun shining high, the heavens and the earth shining, and the bamboo forest shining in the bright sunshine, dazzling people's eyes; Lively birds fly freely between Maolin and Zhu Xiu, which makes people envy. In front of the meditation room is a pool of crystal clear water, in which blue sky and white clouds and luxuriant forests and bamboos are reflected, giving people a clean, ethereal and relaxed feeling. "Hollow" responded to the above sentence "begging for birds", pointing out that such an ethereal and pure world can really cleanse the soul and purify the soul; And "bird-loving" also implies that people can only remain true and happy if they stay away from the mortal world, return to nature and worship Buddhism and Taoism like birds. The couplets on the neck describe the realm of mountains and waters, birds flying happily, and the pool shadows are ethereal and bright, all of which vividly imply the wonderful role of Zen in influencing people's hearts and purifying the soul.

Appreciate the second couplet on a pure morning, near the ancient temple, the early sunshine points to the treetops. The poet entered the ancient temple in the early morning of this day, and the rising sun shone on the pine forest. This couplet shows the time and place where the poet works. Buddhists often regard the place where monks gather as a jungle, so Gao Lin here means to praise Buddhist temples. In the scene of illuminating the pine forest, there is a feeling of praising the Buddha.

Zhujing is a Buddhist retreat in Julian's secluded place. The words "quiet" and "deep" in this couplet are particularly important. The path under the bamboo forest leads to the depths, and flowers and trees are colorful before and after the meditation room. Quiet bamboo forests, paths and lush flowers and trees constitute an elegant artistic conception. In the quiet bamboo forest, a path leads to the depths, and the flowers and trees are lush before and after the meditation room. This couplet mainly describes static scenery. The word "Jing" highlights the silence of this scene, which is not an ordinary silence, but a poetic silence, because there is also a word "Shen" in this couplet, which sets each other off. The lush flowers and trees and the quiet bamboo forest set each other off, and a secluded path leads to the depths. You can imagine what a beautiful picture it is, and what a poetic realm it is!

The words "yue" and "empty" here, birds are alive, mountains are light, people's hearts are calm, and the pool is water, giving nature some characteristics. The bright sunshine in the mountains makes birds happier, and the clear pool water makes people feel relaxed and happy. "Yue" and "Kong" are causative usage here, which means to make … the mountain light here is sunshine. Natural sunlight shines on the mountains, birds fly everywhere, and the pool water is clear. There is nothing strange about these. However, the author keenly captures the small details, endowing the mountain light and the pool water with certain characteristics, so that they can make birds happy, clean up the dirt in people's hearts, and make people relaxed and refreshed. This makes the whole picture more vivid, vivid and beautiful. The state of dynamic and static combination is amazing.

Artistic conception In the early morning, the sun came out, and under the cover of tall trees, the ancient temples were still sleeping in the dark. The winding path is secluded, with many flowers and trees, and it is more quiet when you come to the meditation room. Mountain light makes wild birds feel at ease, while pool shadow makes people's vulgar thoughts disappear. The long sound brings profound Zen in silence, which makes people's hearts more calm.

"On a clear morning, near the ancient temple, the early sunshine points to the treetops." The word "early morning" in the first sentence indicates the time and place of travel. The poet "entered the ancient temple" early in the morning, which shows his yearning for this Buddhist holy place. The next sentence closely follows "early morning" to describe the panorama of the temple: the rising sun shines on the towering Woods in the temple. "Ancient Temple" and "Gao Lin" highlight the elegance of mountain temples.

"My road twists and turns through a valley covered by branches and flowers, leading to a Buddhist retreat." The United poets seized the unique scenery of the temple and vividly described the deep scenery of the mountain temple. "winding path" is a path in the bamboo forest. A quiet place. The residence of monks in the Zen room. "Flowers and trees are deep" means that the meditation room is deeply hidden among flowers and trees.

"Here, birds live in the mountains and light, and people's hearts feel quiet in the pond." This couplet is closely connected with the upper couplet, further rendering the deep and quiet of the monk's room. The scenery in the "mountain light" mountain. The use of "Yue" as a verb makes ... "Empty your heart" eliminate people's distractions. "Empty", eliminate. Adjectives are used as verbs to "make" ... empty. On the surface, it says that mountain light makes birds happy. In fact, the bird's happiness is a reflection of the poet's happy mood. The next sentence is about people's hearts being empty, which not only expresses the poet's quiet heart, but also vaguely reveals his indignation and disgust at reality. These two poems are driven by quietness, with scenery in love, implicit and meaningful.

In the above six sentences, the poet grasped the unique scenery in the mountain temple, and created a deep, quiet, peaceful and natural realm with the expression of static and dynamic.

The appreciation of this poem is about Buddhist temples, which expresses the author's seclusion and feelings for mountains and rivers.

The poet climbed the mountain in the morning and entered Xiaofu Temple. The rising sun shone on Shan Ye Woods. Buddhists call the place where monks gather "jungle", so they "have the meaning of praising Buddhist temples, and show the feeling of praising Buddhism and metaphor in the scene of illuminating the forest. Then, the poet crossed the bamboo path in the temple and went deep into the backyard, and found that the meditation room for chanting and worshipping Buddha was deep in the flower forest in the backyard. Such a quiet and wonderful environment makes the poet amazed, intoxicated and ecstatic. He lifted up his eyes and saw the green hills behind the temple being illuminated by the sun, and the birds flying and singing freely; When I walked to the clear pool, I saw the world and my own figure shaking in the water. Zhan Ran was empty and bright, and the worldly distractions in my heart were suddenly washed away. Buddhism is an empty door. Buddhists say that after meditation, a monk "eats again, but tastes Zen" ("Wei Convenience Goods"), and his spirit is extremely pure and pleasant. At this moment, the poet seemed to understand the mystery of Zen, get rid of all worldly troubles, and be as free and carefree as a bird. It seems that other sounds in nature and the world are silent, and only the sound of Zhong Qing is melodious and loud, bringing people into a pure and pleasant realm. Obviously, the poet appreciates the beautiful residence of this Buddhist temple, appreciates the artistic conception of this empty door, and places his feelings of seclusion.

This is a five-character poem, but it is archaic in style, simple in language and flexible in meter. Its first couplet is a flowing pair, and the second couplet does not match because of the need of conception and conception. This poem has been highly appreciated since the Tang Dynasty, mainly because of its beautiful artistic conception and rich interest. The poem expresses seclusion and interest by chanting Buddhist temples, ends with the praise and detachment of the morning visit to the mountain temple, and simply writes scenery and expresses emotion, which is still unfinished. This euphemistic and implicit artistic conception, as Yin Kun said when commenting on the artistic characteristics of Chang Jian's poems in the Tang Dynasty: "When building a poem, it is like finding a village road, but finding a wild path. A hundred miles away, it will lead to the main road." Therefore, its purpose is far-reaching, its popularity is different, and good sentences are coming, only on meaning. "He brilliantly pointed out that Chang Jian's poems have the characteristics of ingenious conception, and are good at guiding readers into their scenic spots in the folk, and then understanding the theme of the poems, instead of surprising them with description and rhetoric. Therefore, good sentences in poetry often seem to suddenly appear in front of readers, which is amazing. And its beautiful sentences, like the conception of poetry, are ingenious and subtle. In the Song Dynasty, Ouyang Xiu loved the phrase "Bamboo Path" and said, "If you want to combine words, you can't get them for a long time, but those who know the meaning can't work. "Later, he stayed in a mountain village in Qingzhou and personally experienced the artistic conception and interest written in the two sentences of Bamboo Path. He wanted to write such a poem, but he still couldn't write a word (see Qingzhou Village Theory). Ouyang Xiu's experience vividly illustrates the benefits of the sentence "Bamboo Path", which does not describe beautiful scenery and makes people feel like they are in the environment, but causes the friendly aftertaste of passers-by, so it is difficult to make clouds. Similarly, the word "light of the mountain", praised by Yin Kun as "warning strategy", is not only a word to warn people, but also has a deeper meaning, aiming at thought-provoking. It is precisely because the poet focuses on conception and creation that the word-building does not seek similarity, but contains metaphors, focusing on expression, which is fascinating and intriguing.

Most of the landscape poems in the prosperous Tang Dynasty praised seclusion and interest, all of which had an artistic conception of leisure, but each had its own unique style and achievements. Chang Jian's poem, written in Jueyou, has the general artistic conception of landscape poetry in the prosperous Tang Dynasty, but its style is elegant, which is different from Wang Wei's loftiness and Meng Haoran's plainness in art and is really unique.

Appreciation 2 Early in the morning, the sun came out. Under the cover of tall trees, the ancient temples are still sleeping in the dark. The winding path leads to a secluded place, hidden by many flowers and trees. When you come to the meditation room, you feel more quiet. The long sound brings profound Zen in silence, which makes people's hearts more calm.

Visiting the mountain temple in the morning, I saw quiet bamboo forests, clear pools, shining green hills, birds singing, and the sound of bells disappearing from time to time. Such a quiet environment makes the poet suddenly enlightened. Although the whole poem sings about Zen Temple, it actually expresses the feelings of mountains and rivers and seclusion.

Simple language and profound image; Conception works create meaning, beauty lies in words, and attract people to enter the scenic spot among the people.

"On a pure morning, near the old temple" in the first couplet is like talking for no reason, without poetry. But it simply shows the time and place. Slow, a Ma Pingchuan, not a lonely peak, nor a thousand miles, as if relaxed and happy. Then "where the morning light points to the treetops" is also an unpretentious sentence, but a "morning view of the mountains" is displayed before our eyes. Dense trees, but not impassable; Lin Gao, but not out of reach. The dense forest is accompanied by the rising sun. The "first day" is bright and reddish, alternating with red and yellow. Beams of light leak from the cracks and heads of trees, gracefully reflecting the slight fog in the forest, showing a different softness.

"My road twists and turns through a sheltered valley, branches and flowers, leading to a Buddhist retreat" is a jaw-dropping remark. Walking out of the high forest, it is a bunch of green bamboos, and under the green leaves is a path. The bamboo shadow is swaying slightly, and the path is looming. The road ahead is deep and quiet, so it can't be presented easily. There is a cornice exposed in the depths of the flowers and trees, which is a secluded place to be a monk! Flowers and trees, meditation rooms, winding paths and bamboo forests seem to have been integrated into one, as if they were natural. It's not just a point, but also a meaning. No wonder it has been amazing so far.

The two sentences of the neck couplet are neat and clever. A word "Yue" refines "bird nature" and brings life to "Mountain Light". Birds are still people, who can know, enjoy and enjoy this mountain light. A word "empty" silenced the "pool shadow" and stabilized the "people's heart". The pool shadow is dark and empty, and people want nothing, so they are extremely satisfied in the air.

Chang Jian (708-765), a poet of the Tang Dynasty, whose name is unknown, is said to be from Xingtai or Chang 'an (now Xi 'an, Shaanxi). In the 15th year of Kaiyuan, he was a scholar in the same column as Wang Changling, and his career was unsatisfactory. He travels between scenic spots and leads a long wandering life. After moving home, he lived in seclusion in Ezhu. In Dali, he served as Xu Yiwei. Changjian

But now, the long river, the lonely sail and the five lakes are shining with the light of spring in the sunset. In a pond full of grass, the water is full of water, and the mountains cover the waves. The setting sun leans on the west wing alone. The distant mountain is opposite the curtain hook. In the frosty wind, the sunset is accompanied by sorrow. The ancient city of Kuifu has an oblique sunset, and it always relies on Beidou Wangjing Hua. Rizhao's new makeup is bright under the water, fragrant in the wind and lifted in the air. Ren Bao is full of dust, curtain hook. Back to the whip refers to Chang' an, west dusk Qin Guan. The silk in the bamboo picks up the net car, and the green cicada basks alone. The purple mist is illuminated by sunlight, and the waterfall hangs in front of the mountain. The mountain and the sky are connected into clouds, and the afterglow of the sunset can be seen from the cracks in the bamboo forest. Wandering clouds cover the sun, and wanderers are reluctant to return in foreign countries. The setting sun is far away, the weather is cold and the house is poor. Mulberries are splashed in the warm day, and the wind is like wormwood. Cows are tired and people are hungry, but the sun has risen very high. They are resting in the mud outside the south gate of the market.