What's the difference compared with 6: 30 in Wang Dachui and Sean?

Sean at 6: 30 is equipped with a short video from the media. At that time, not many people started shooting short videos, and the opportunity was seized by Sean and his gang. Ever since, relying on all kinds of old paragraphs and remakes, they have become the hottest short video shooting team in the whole network. In those years, Chen Xiang's 6: 30 limelight even overshadowed many serious comedy film and television teams.

Besides the short story, the filming of Sean at 6: 30 is also a long story. Although many of Wanhe Tianyi's works are grandiose, their photography is very good, which often gives people a sense of film. These short films directed by Sean often give people a very amateur feeling when they are polished, unlike those made by professionals. It's okay to show them to the audience for a few minutes for entertainment, but they are dwarfed by the big screen.

There is a lot of luck in Sean's popularity at 6: 30. A few years ago, major platforms just started making short videos. Seeing this trend, Sean decisively organized a large group of people to remake all kinds of old jokes about old terrier. As almost the first person to eat crabs, this short play became popular at once. The short films in "6: 30 agarwood" are all in line with the audience's appetite, but after careful taste, there is always an inexplicable familiarity.

The story in Sean's "Half past Six" is always unexpected, but in the early stage, it was basically a takenism. The development logic and flip of the story are left over by comedians such as Master Xing. I think it's fun at first sight, but it's boring when I watch it too much. And compared with Wang Dachui's ip, at 6: 30 in Sean, both filming and actors are still playing with tickets, even if the latter made a big movie, it is not a level.

Therefore, no matter from the story writing or photography, many classic comedy short films of Sean at 6: 30 and Wanhe Tianyi are not of the same grade. The former is more like a semi-finished product, and the actors are basically amateurs in the early stage of the performance. Later, with funds, I found a more professional actor. The works made by a team have no classic lines or characters that make people shine, and it is difficult to be sought after by the major variety shows of the whole network.

Compared with Wanhe Tianyi, "6: 30 agarwood" is really difficult to go to the whole country and is widely recognized by the audience. Unless Sean and his gang do a good job in the service and artistic photography in the short film first, and then write a story seriously and make some new jokes, if they can create a classic figure like Wang Dachui again, then the distance between "Sean at 6: 30" and Wanhe Tianyi will be closer.

The simple scenes, simple performances and special effects of 30 cents not only didn't lose points, but complemented each other in content, which strengthened the diaosi characteristics of "Wang Dachui" which was grounded and self-deprecating, and attracted the attention of young netizens. Later, Wanhe Tianyi took the opportunity to launch reports to the boss, learned senior, high-tech girl meow, detective Di Renjie and other works.

Sean's team can persist in developing in the ever-changing Internet for so many years, which is not unrelated to their own pursuit of high-quality content. In addition to the popularization of story values, there is also the specialization of actors' performances. However, the actors in Chen Xiang's 6: 30 team rarely appear in other film and television works. In the current sentence-there is no circle, and there is no small circle of homemade drama.