50 points for wonderful appreciation of Tian Shu Tan.

It is also a linear development trend using the narrative structure of traditional drama and taking the fate of the protagonist as the main line. The egg is the representative of good and the fox is the representative of evil in drama. The conflict between the egg and the fox is obvious, but the conflict between Yuan Gong and the Jade Emperor is dark. In these two clues, many small contradictions have developed, which are interlocking and form a strong causal chain. The fox plotted to steal the gobbledygook, collude with the government and kill the people. Egg-born pursues the heavenly book and fights with fox spirit many times. This will form a strong causal relationship. There will be a fierce struggle between the stolen gobbledygook and the eggs that must be recovered. Give people a way of thinking about the next step, but there will be unexpected accidents. The greed of the county grandfather led him to have many fathers dramatically; The greed of the magistrate led to the disappearance of his life; Eggs come from

There are many characters in Wonders of Heaven, but their feelings are in place. They make full use of their national image and show their different personalities and characteristics. Because characterization is also very important to the structure of the film. Yuan Gong's tall image in white fully highlights his enterprising and thoughtful personality, which shows that he is very sacred in front of ordinary people. But in the Heavenly Palace, he is just a clerk in the "secretary pavilion", and he is not even qualified to go to the Yaochi party. The master and disciples in the temple are greedy for the word "color". In this respect, the characters are vividly displayed. When the young monk opened the door for the fox, the beautiful and ugly knockers gave different attitudes. There is also a man who runs a hotel, and he also has his specific fat image and the thin and treacherous characteristics of the bartender.

Although the lame fox is not the protagonist, it also accounts for a certain amount of the whole film. It enriches the plot of the story. When he became an adult, he jumped around on one leg, but he didn't forget to steal chickens and still didn't change his fox nature. Every time he appeared, it was always a bad thing, but he slipped away dramatically, which triggered the development of new stories and played a connecting role. When he became a magistrate,

The action arrangement of the characters in "Tian Wen" is also very successful, which makes good use of the intersection of the fluency of stage performance and music. When the fox is happy, his magic and cheerful movements are very smooth and beautiful. The practice of the old fox and the surrounding elements such as vases also have the characteristics of human movements, making the whole picture more rich and interesting. When eating cake, the performance of the egg is more exciting. Eat the middle one first, then put it around your neck and eat it in circles. Smart and lively can not only amuse people, but also show the character characteristics of the protagonist. The image of the sheriff is also unique. Every time my eyes roll, there is something surprising. There is not a redundant word. Just like when the magistrate first appeared, his eyes kept turning "I want to invite nun 1 into the mansion" and the conversation with the magistrate. The faster he becomes, the more evil he becomes. When he married Fox, his eyes rolled smoothly. A turn of eyes, and the sound of "Kaka ...", just like the sound of a pair of dice, fully shows the strangeness and cunning of the magistrate.

Finally, what impressed me most was the wonderful fight between the egg and the fox. The image design of Dragon and Tiger uses the image of China folk New Year pictures and the use of black, yellow and red, which fully shows the white-hot scene of dragon and tiger fighting. The action of the action is natural, generous and coherent. Tigers eat dragons, dragons entangle tigers, tigers spit fire, dragons spit water, competing with each other and attracting attention. The fierce fighting scenes in enter the dragon remind people of their childhood feelings. There is always a result in the argument between good and evil. This is also the normal psychological development of every child in China, because evil things will inevitably perish, good people will always win, and miracles will always be on the side of justice. When the battle is over, the hero of the just side will live forever! ! Although the ending is happy, every cartoon is always arranged in this way, which may form a bad cycle.

The whole comic scene also has a strong sense of depth and special decorative beauty. With the extensive use of traditional Chinese painting materials, the gray traditional Chinese painting with a large background forms a harmonious contrast with the saturated colors of the gorgeous patterns on the characters. Every element of the picture, pavilions, mountains and streams, has national characteristics, highlighting the unique cultural atmosphere of China. The composition of each picture is also very symmetrical. The use of the lens is also relatively simple.