Duties of the crew

The responsibilities of the crew members in each department are as follows: 1. Participate in the core creative team, keep abreast of the progress of creation and shooting, and make suggestions for the film crew from the perspectives of personnel, finance and law.

2. Macro-control and ensure the normal operation of the film crew, so as to ensure that the filming work can be completed with high quality and safety within the planned time limit and budget limit.

3. Review the ideological quality and compulsory ability of employees in each position with the director, decide rewards and punishments, decide the selection and stay of personnel, and preside over the drafting, signing and keeping of various contract texts.

4. Be responsible for all the arrangements related to the filming work and the life of the film crew, master and review the expenses of the film crew, and be responsible for the film cost accounting and the use of funds according to the financial system.

5. Communicate with the director at any time, understand the director's creative intention, be responsible for convening the film crew meeting, and coordinate the problems between the film crew departments.

6. Supervise the production of daily reports and send them to the producers and relevant departments, so that the producers can grasp the shooting progress. In case of major circumstances, please ask the producer for instructions at any time.

7. Supervise the storage, calling and archiving of all kinds of words, films and audio materials during filming, developing, recording and editing. As the saying goes, "people don't walk without their heads, and birds don't fly without their heads." The film crew is a temporary group, so it needs a specific organizer and leader, and this leader and organizer is the production director. In the production of film and television dramas, the production director is a very important person. His duties are summarized as follows:

(1) is responsible for managing the daily work of the film crew and educating the film crew members to seriously implement the rules and regulations of the film crew.

⑵ Understand the director's creative intention, be responsible for convening a meeting between the creative staff and the whole group, unify creative ideas, and provide conditions for completing the film production on schedule.

(3) Prepare the production plan and budget, and lead the production department to effectively manage the work of the film crew.

(4) Review the professional ability of the team members, approve the list of actors and staff with the director, and have the right to suggest the team members to stay or stay.

5] Responsible for solving various difficulties in the production of film and television dramas and coordinating the working relationship between various departments.

[6] Master and review all expenses as a whole, strictly implement the financial system, and be responsible for film cost accounting and filming work summary on behalf of the producer.

Once, responsible for signing contracts with actors, handling personnel procedures of various departments and implementing personnel management of the whole group.

(8) Supervise the filing of materials in the process of shooting, developing and recording, supervise all kinds of contracts, summaries, documents, statements and charts, and complete the classification and custody of copies.

(9) Supervise the filling and sending of the daily production report, so that the producers can grasp the production progress and notify the producers at any time in case of major situations.

⑽ Macro-control to ensure the normal operation of the film crew. Ensure safe production within the planned construction period and budget limit, and produce works with high artistic grade, good technical quality and excellent economic and social benefits.

To sum up, the production director has an employment relationship with the producer, and the production director exercises the administrative rights in the process of film and television production on behalf of the producer. His duties are mainly eight words: supervision, inspection, guidance and coordination. He should mobilize and arrange the work of the production team and give full play to the enthusiasm and creativity of all departments. The contract of the crew must be signed by the production director. Responsible for the preparation of the shooting plan and budget, leading the production team to effectively manage the overall work of the shooting team. Except for artistic creation, all matters involving people, money and things are the executors of the producer's thoughts and will. The producer and outreach producer are responsible for cooperating with the production director to complete the production work related to production.

Before the filming of movies and TV series begins, the producer should break down the script, make a good schedule for the production of TV dramas, and pay attention to the schedule of scenes and actors; He needs to visit all the locations with the director and plan the shooting time and total time; He needs to manage the budget of all petty cash to ensure that he can shoot on location in an emergency. When choosing actors and staff, he will cooperate with directors and producers, or at their instigation, finalize the details of the contract with them.

Before filming, the producer was mainly the liaison between the director and the producer. He needs to check the attendance of crew members every day to make sure that everyone can arrive at the right place on time. Moreover, he is also responsible for contacting various departments to ensure that they can make all the preparations needed for shooting without any mistakes. When shooting, he also reminded the sound engineer to collect sound, and the photographer focused on it. At the same time, he quietly handed the recording board to the director. Producers should also pay attention to guiding extras to ensure the quality of their performances.

Producers should also be responsible for the following work:

1. Shooting Notes: This report lists in detail the scenes to be shot, the cast members needed, their working hours and other special needs, from the required lunch soundtrack to the required film length.

2. Actor's sign-in form: the record of the actor's work, first of all, the record of working hours, others including stunt adjustment, lunch time and so on. Every actor needs to sign when he leaves the studio.

3. Script supervision report: scene completion progress and shooting plan.

4, edit the edit log

5. Shooting report: The parameters of each shooting should be recorded.

6. Sound log: record each channel of the tape.

7. Receipt: the cost of all expenditure items.

8. Contract: Prepare a copy for each extras.

9. Daily work plan: distributed to all employees.

In addition to helping to control and manage all the staff, producers are also the main source of shooting schedule information for cast members. Producers should tell each actor how many plays to prepare, and if necessary, they will accompany the actors from the room to the scene and accompany them to rehearse.

A relatively large-scale film needs to hire several producers. In some film shooting, the assistant of the producer will also serve as the on-site outreach producer, responsible for crowd diversion and traffic control during location shooting. The outreach producer is mainly responsible for finding the location and ensuring the use of the location. At the same time, they are responsible for supervising the filming process, and many outreach producers are also responsible for renting studios. In a scenic spot, the outreach producer needs to be responsible for obtaining the permission to shoot film and television dramas, contacting and communicating with relevant co-production units, and hiring security guards and firefighters (if necessary).

The work of publicity production begins with reading the script. He will list the scenes needed for film and television drama shooting according to the script, and then discuss with the director, producer and production director which scenic spot to shoot, the local shooting cost, the surrounding environment and so on.

When everything is settled, the outreach producers begin to choose the possible scenic spots and the scenic spots with convenient transportation as much as possible. Take the director and producer to the scenic spot for field investigation, and finally decide which scenic spot to use.

Outreach producers should start their work as soon as possible, which is of course determined by the number of scenes to be selected and the difficulty of finding them. Usually a film and television drama leaves outreach producers about 10 days to find the scene.

After the shooting, the outreach producer needs to complete the necessary after-care work, such as writing a thank-you letter to each scene and paying the remuneration.

The crew will hire one or more outreach producers.

Life production responsibility

Life production is to assist the production director to complete the production work of the film crew's life, such as buying tickets, air tickets, boat tickets, arranging accommodation, consignment, etc. In a word, his job includes eating, drinking, sleeping, calling meetings, getting up and other trivial things. 1. research script

2. Choose actors (this 1.2 was done in cooperation with the film crew)

3. The screenwriter and director explained:

-1. Idea

-2. Theme style

-3. Background of the times

-4. Characteristic analysis

-5. Split-shot script

-4. Scene selection (completed in cooperation with the producer)

-5. Choose the shooting time

-6. Be responsible for everything on the shooting scene. 1. Grasp the plot content as a whole, put forward opinions in time at the shooting scene, and correct mistakes.

2. Choose the shooting location and shooting time with the director.

13. Remind the staff of the details of the delay.

4. Be responsible for cost management (expenses, accounting) 1, making shooting tasks and coordinating all departments of the crew to complete the shooting tasks as scheduled.

2. Be responsible for the follow-up of specific matters such as script modification and change during the project, and do a good job of uploading.

3, responsible for the signing of the project contract, piece-by-piece delivery, project payment recovery, etc.

4. Be responsible for contacting the director with the script and other matters, and convey the latest information to the superior leaders in time.

5. Keep abreast of the production progress of the production personnel, and supervise and follow up the filling of the work order (to ensure that the work order is complete and correct) 1. Try to shoot all, close, middle and close-ups of each scene.

3. Discuss and decide the shooting method and scene of the split shot.

3. Check and save the video in time.

4. Assist the lighting engineer to adjust the lighting application and strive to achieve the best effect.

5. Capture the entire cast and shooting line-up, and use 1. A professional advertising form of stage art and video synthesis for the crew. Based on the script, according to the director's specific requirements, find and determine the shooting location, plan and design the shooting location, and guide the display of scenery and props.

2. The general art, also known as the production designer, commonly known as gmcc, is one of the three major creations of the crew, which controls the overall artistic effect except the actors. Including the shooting location, costumes, props and even makeup with the actors' performances.

3. Auxiliary art mainly assists the general art work and implements it, and manages and coordinates the work of the prop group and the set group.

4. Art assistants mainly assist the work of assistant artists. 1. Provide (lend) related props.

4. Enter the venue with props and return the related props.

3. Serve the emergency at the shooting site

4. Use the props of the shooting scene to design the costumes of the actors.

1. It is very important to make up temporarily on the spot and organize the actors to appear. Data and tips, and all the important data that need to be recorded on site.

4. Fill in the record form (see the record form for details). The audience is seated to coordinate the producers to complete the production work at the shooting scene. On-site service is equivalent to the general scheduling of the shooting scene, and it should have high professionalism and strong adaptability. On-site affairs have 9 job responsibilities:

1. Get to know the shooting requirements by attending the technical preparation meeting, and announce the shooting plan within one week.

2. Supervise all departments to assemble and set out on time, and organize the loading and unloading of the required equipment on site.

3. Prepare the shooting conditions of each shot according to the shooting sequence, and remind the director to master the time.

4. Be responsible for maintaining order and checking safety measures.

5, responsible for supervising the scene and guiding carpenters to cooperate with the opera work.

6, responsible for solving the drinking water work.

7, responsible for on-site vehicle scheduling.

8. Cooperate with the deputy director to organize extras in place and provide a rest place.

9. Fill in the daily report and report the shooting scene to the production director.