What do you mean Moscow doesn't believe in tears?

It means that people need to be strong and live, and no one will sympathize with the weak. This is a movie and two sentences from the theme song Alexandra. The first half: Moscow does not believe in tears; The second half: Moscow believes in love.

Moscow Don't Believe in Tears is a classic Russian film in the last century. This is a film about three women taking different life paths because of their different attitudes towards life. The thought-provoking thinking caused by three women choosing different lives in the face of flashy Russia.

Moscow doesn't believe in tears. The film won the Oscar for Best Foreign Language Film with 198 1. /kloc-Katerina, a 0/7-year-old female worker, pretended to be a professor's daughter because of naive fantasy, fell in love with TV photographer Rudolph, and then got pregnant. Soon, Rudolph discovered the truth and abandoned Katrina. However, Kaka was not depressed. While raising children, she became angry and studied. 16 years later, she finally became the director of a big factory in Moscow. Since then, Katrina has met with the welder Guo Sha again and has been hiding her identity. After the truth was exposed again, Katrina finally ended her single life with the help of her best friend and finally got the real happiness of a woman.

From 65438 to 0979, the film industry in the former Soviet Union experienced an earthquake because of the appearance of a film. Moscow Don't Believe in Tears, a very enjoyable film, replaced the previous sermon with tortuous characters' fate, which aroused the resonance of audiences of all ages, not only created a very high box office in China, but also won the Oscar for best foreign language film the next year.

This is the film of the former Soviet Union that won the Oscar for Best Foreign Language Film again after War and Peace. The plot of this film began in the 1950s and ended in the 1970s. The film compares the two eras, focuses on the fate of middle-aged people, depicts the psychological state of this generation, and involves many issues that the audience is generally concerned about, such as morality, happiness, and the value of life. ...

The expanded material doesn't look at politics and don't believe in tears in Moscow, but only sees a love story of a female worker, a new generation of "quasi-western" lifestyle in the Soviet Union, and a series of beautiful words such as courage, loyalty and strength.

The script of this film was first published in the 9th issue of Film Art (1977), but the film's release in 1980 caused a great response. Therefore, the film art editorial department also held a special seminar and published a report entitled "Why Guan Zong is so excited" in the ninth issue of this magazine (1980).