Traditional Culture Encyclopedia - Photography major - What should the eyes of the muse and the goddess of art look like and what color should they be?

What should the eyes of the muse and the goddess of art look like and what color should they be?

Muse's eyes should be blue, not too bright blue, not too dark cobalt blue. They should combine the cold of the sky with the affection of the lake and the sea, and the heat of ice with the cold of fire. They are like this. Muse's eyes should be isabelle adjani's eyes. The morning star and the night fog, the abyss and the kingdom of heaven are so harmonious and tragically intertwined in those eyes. A staring and wandering Ulysses fell into Sharon's dream; A gaze, Oedipus' harp was dumb, and Eurydice never came back; An unfocused and arrogant narcissus died in the water mirror; Under the watchful eye, Ka Rong stopped his long pole and kept whipping, letting those souls pour bitter tears into Styx. Isabelle adjani, she is such a unique spirit, blooming in the secluded haze along the Seine River. Her beauty and genius once surprised the world. People say that French women are elegant and rich, with a long aftertaste, but in Adjani, the snow and ice in the Alps and the scorching sun in North Africa blend in with the colorful fragrance of the Seine. Agni is beautiful, and that beauty has been fading in her writing. Her facial features are really exquisite, especially those eyes that are loved by the sad muse. But Agani's beauty lies in her temperament, which distinguishes her from French beauties such as Catalina Denov, Sophie Marceau, Emmanuel Beina, and the "delicacy" or agility that is deeply compatible with the role and can't be concealed even if she is unkempt. No matter what words I praise her, I just feel powerless. She was the first actress I fell in love with. She is the living Adele Hugo, Camille Claudell who shapes the soul. She dedicated her heart to those silent souls, who finally left a silent cry in history. Let love break, pain into the bone marrow, forever young Agani wantonly show off his talent, so we saw the story of Adele Hugo, who was crazy about love across the ocean; In Rodin's Lover, we saw the girl 17 years old who was fascinated by mud and stones, wandering around the bleak studio day after day with chisels and knives, bronze marble, her glory and her extinction; We see Margot in La Reine Margot, strong and fragile, pure and dissolute, arrogant and sincere, struggling and rebellious in the fate of family collapse. Her dress was covered with the luxury and gorgeous blood of the French court at the end of 16. The bell rang and the curtain fell. We bear the honor of our family, just like a cross in distress. This is the sigh of the children of Margot's cursed family. What about Agani on the screen? She bears the cross of love and the soul that overlaps her. Born to love, die for love. In her life, Agani was accompanied by four Caesar Awards for Best Actress, Cannes and Berlin Film Festival for Best Actress, and two Oscar nominations for Best Actress, which were two incomplete loves. Bruno Netton and Daniel Day Lewis, the two favorite men in her life, left her one after another. The muse who kissed her gave her beauty, talent and laurel, but she was reluctant to give her ordinary happiness. Perhaps an ordinary woman is doomed, and she is also doomed not to get ordinary blessings easily. After all the right and wrong were settled, Adjani started a new life with her two children alone. She longs for peace. She is brave, and her bravery shines like her beauty.