What other schools of poetry are there besides Crescent School?

A Brief Introduction to the Schools of Modern Poetry in China

In the early school of vernacular poetry (19 17), Hu Shi, Chen Duxiu, Qian, Liu Bannong and others made theoretical discussions on new poetry from different angles. In February, Hu Shi published eight vernacular poems in New Youth. 1 918 in may, the fourth issue of new youth introduced Hu Shi's, Liu Bannong's and Shen's vernacular new poems, which were called "the first appearance of modern new poems". Later, Zhou Zuoren, Kang, Yu Pingbo, Liu Dabai, Zhu Ziqing and others competed to try, and Li Dazhao, Lu Xun and Chen Duxiu also created new poetry, which formed the May 4th Movement of new poetry and reflected the initial achievements of the literary revolution. Because of their efforts in denying old poetry, exploring new poetry, devoting themselves to liberalization and vernacular poetry, and their similarity in poetry style, they are called early vernacular poetry school. Representative works include: Attempt Collection (Hu Shi), Winter Night (Yu Pingbo), Teach me how not to think about her (Liu Bannong), Selling Cloth Ballads, Tianzhu Lai (Liu Dabai), Moonlit Night in Three Immortals (Shen), Cao Erqian, Don't Be Young in China, and.

The early romantic school of poetry is a new school of poetry composed of poets from the Creation Society represented by Guo Moruo (192 1 July in Japan). They created a generation of poetic style with their majestic momentum, creative spirit, spiritual passion and romantic catharsis. Representative figures: Guo Moruo, Tian Han, Cheng, Zheng, Wang, Mu and Feng Naichao (the latter three later merged into the tide of modernist poetry). Guo Moruo's Goddess is the most famous work.

Founded in 192 1, the Literature Research Association is the most powerful and influential literary society in the 1920s. Its main members, Zhu Ziqing, Ye, Yu Pingbo and others, immediately established the first new poetry society in the modern literary world-China New Poetry Society, and founded the first special issue of new poetry in the following year 1. Poets of literary research society are often called "life school" or "life school" because of their poetic values centered on "life". Main representative works: Trace of Poetry (Zhu Ziqing), Singer, Eternal Truth (Xu Yunuo) and Spring Water and Stars (Bing Xin).

"Lakeside" Poetry School 1922 In March, Feng Xuefeng, Ying Xiuren, Pan Mohua, Wang Jingzhi and others formed the Lakeside Poetry Society by the West Lake in Hangzhou. Later, Wei, Xie Danru and Lou Jiannan joined in and formed the Lakeside Poetry School. Their works are mainly lyric short poems, which show their yearning for love and nature. Masterpieces: Sister, you are water (Ying Xiuren), Eye of Iraq (Wang Jingzhi), Falling Flowers (Feng Xuefeng), Moonlit Night (Pan Mohua).

1923, Hu Shi, Xu Zhimo, Wen Yiduo, Liang Shiqiu, Chen Yuan and others founded the new metrical poetry school. At first, it was a club-like group, and later it became an influential group in poetry because it advocated modern metrical treatment. 1925 When Wen Yiduo returned to China, Xu Zhimo edited the Morning Post Supplement. 1926 April/0/day founded Poetry Magazine, which actively advocated modern metrical poetry and United a large number of new poets, such as Liu, Zhu Xiang, Rao Mengkan, Lin, Yu Gengyu and Qi. He put forward the aesthetic principle of "rational control of emotion", advocated the rhythmization of new poetry, and advocated the beauty of music, painting and architecture of poetry. Masterpieces: Dead Water (Wen Yiduo), Xiuxian (Liu), Lotus Picking Song (Zhu Xiang), Farewell to Cambridge (Xu Zhimo).

Symbolism poetry school Symbolism poetry wave rose in France in the 1980s of 19. It holds that "poetry is not for illustration, but worthy of expression", and the subject areas of expression are life, death, illness, disability, dreams, illusions, love and lust, and the pursuit style is "deep, obscure and implicit", that is, "connecting images in an attempt to complete the mission of poetry". Li Jinfa is the pioneer of symbolism poetry school in China. His masterpiece "Abandoned Wife". And Wang, Mu and Feng Naichao.

Modern poetry school Modern poetry school is the confluence of crescent school and symbolism school. Its representatives are: Dai Wangshu, Shi Zhecun, Bian, He Qifang, Li Guangtian, Cao, Fan Cao, Fei Ming, Hou Ruhua, Jin Kemu, Li Baifeng, Ling Jun, Louis, Wu Benxing, Xin Di, Xu Chi, Sun Yutang and Nan Xing. Masterpieces: Rain Lane, I Use Broken Palm (Dai Wangshu), Prediction (He Qifang), Broken Chapter (Bian) and Homesickness (Li Guangtian). Among them, Bian, He Qifang and Li Guangtian are also called "the three outstanding men of Hanyuan".

The poetry school of China Poetry Society is named after the poetry group. The Chinese Poetry Society is a revolutionary poetry group led by the League of Left-wing Writers. /kloc-0 was established in September, 1932, with Mu, Ren Jun, Yang Sao and Pu Feng as sponsors. In February, 1933, the social magazine "New Poetry" was founded. "Catch the reality" is its aim. Other poets in this school include Wang Yaping, Liu Wen, Guan Lu, Shi Ling, Lin Lin, Lei and Dou. Masterpieces: Hometown in turmoil, Fire in June (Pu Feng).

July Poetry School was named after July magazine (founded in September, 1937), which refers to the poets who are active in July, Hope and July series edited by Hu Feng, mainly including Lu Chen, Lu Yuan, A Long, Lu Dian and so on. Representative works: Song for the Motherland (Hu Feng), I Love This Land (Ai Qing), For Soldiers (Field), Tracker (Dragon) and so on.

Shanxi-Chahar-Hebei Poetry School is named after its region. During the period of War of Resistance against Japanese Aggression, China's * * * Production Party established the Jinchaji Anti-Japanese Base Area in the border areas of Shanxi, Chahar, Hebei, Jehol and Liaoning provinces. At the end of 1938, the "Anti-Japanese Literature and Art Working Group", graduates from Yan 'an Anti-Japanese Military and Political University, and Northwest Field Service Corps arrived here successively from Yan 'an. Tian Tian, Shao Zinan, Shi Lun, Man Qing, Fang Bing, etc. /Kloc-0 of the Western War Regiment founded the poetry magazine Poetry Construction in June, 1939, and Danhui/Kloc-0 of Kangda University founded Liu Tieshe and the poetry magazine Poetry Front in March, 1939. Focusing on the battlefield society and Liu Tie society, a school of Shanxi-Chahar-Hebei poetry was formed. On July 3rd, 4 1 year, the Jinchaji Poetry Society was established, with Tian as the chairman and Shao Zinan and Wei Wei as the executive committee. Members include 30 people including Sakov, Yang Shuo, Fang Bing and Wang Wei.

Nine-leaf poetry school, a modern poetry school in the 1940s. There are nine main members of this school (Xin Di, Chen, Tang Qi, Mu Dan, Du, Yuan Kejia, Hang Yuehe). They formed a school of poetry centered on modernism. 198 1 year, Jiangsu people's publishing house published the poems of these nine poets. Representative works include Cuckoo (Xin Di), Winter Dusk on the Bridge (Chen), Coal Miner (Tang Qi), Nightmare (Hang Youhe) and Spring ().

In the 1940s, a number of folk narrative poems appeared in the liberated areas. There are Wang Gui and Li Xiangxiang, Zhanghe and the Trap by Ruan, Wang Jiu's Complaining, Death and Wild Woman by Zhang Zhimin, Catch the Biography, and Zhao Erqiao by Li Bing. The appearance of these poems shows the literary trend of thought that literature and art serve the workers, peasants and soldiers formed after Yan 'an rectification.