Introduction and details of Song Xiaofei.

Acting experience In 2009, he started his photography career as a photographer for the comedy film Bullfighting, and was shortlisted for the best photography award at the 46th Taiwan Film Golden Horse Awards. 2011111,the comedy film "The Terminator of the Bachelor" was released, and he worked as a photographer; In the same year, he worked as a photographer for the dramatic film Xinghai, which co-starred Alec Su, Bidai Xiulan and Bill.

20 12 On April 28th, the comedy film Killing Life was released in Chinese mainland as a photographer, and he was shortlisted for the Best Photography Award in the 49th Taiwan Film Golden Horse Awards. 65438+February 65438+February, the comedy film "People are too bad to go" was released in Chinese mainland. 20 13 served as the photographer of the action film "The Grandmaster" directed by Wong Kar-wai.

20 14, as a photographer for the romantic comedy film "Let Love Go"; In the same year, he worked as a photographer for the love movie "Beijing Love Story", and was therefore shortlisted for the Best Photography Award at the Macau International Film Festival.

20 15, took over the romantic comedy film Hong directed by So Chol ng. 20 16 directed the comedy film Lover co-starring Xiao Shenyang, Qiao Shan and Allen.

Main works Photographic works Time Name Type 20 16 Love Saint Movie 20 15 Hong Movie 20 14 Love Story in Beijing Movie 20 13 Generation Master. Movie 20 12 Killing Life Movie 201/Xinghai Movie 20 1 1 Bachelor Terminator Movie 2009 Bullfighting Movie Director Working Time Name Type 20 16 Lover Movie Character Evaluation Song Xiaofei. From the strong sense of form of the trilogy "Stubborn Radish", "Bullfighting" and "Killing Life", to the traditional realistic photography of "The Policeman has an appointment", "Two dishes" Xinghai "and" It's too embarrassing for people to leave again ",and then to the aesthetic poetry of" A Generation of Masters ". He can not only pursue the strong expressive force of literary films, but also give consideration to the audio-visual experience of commercial films, and also sublimate into the artistic conception of China's freehand brushwork. Its photography is like water, which is beneficial to all things without dispute, flexible and cooperative, and full of tension. In terms of image, Song Xiaofei deliberately creates an effect that is incompatible with the audience's traditional thinking by means of deformation, amplification and exaggeration, which makes the audience dislocate the plot in the process of watching movies, and even reach a certain degree of drama experience, which leads to the audience's reflection and awakening. In the "reverse" use of action shots, he also broke the routine (contemporary film review).