Recommend some movies about infatuation or hallucination and memory.

if you like thrillers, This is for you:

paranormal perspective (27)

English name: White Noise 2: The Light

Chinese name: paranormal perspective/ghost signal 2/ perspective life

Director: (Patrick Lussier, Lucia)

Main performance: (Nathan Fillon, Nathan Fillion). (Katee Saakov Sackhoff) (craig fairbrass Craig Fair Brass) (Adrian Holmes) (Kendall Cross) (Teryl Rothery).

Showed on January 5, 27: Ireland's detailed release area

Location: USA and Canada's more detailed shooting location

White: English

Rating: this site rating .. 6.2/1 (7 votes) Detailed

IMDb rating 6./1 (4,99 votes). Details

color: color

sound: SDDS Dolby Digital Digital Digital Cinema System (DTS).

duration: 99

genre: plot fantasy horror

classification: USA: PG-13 Netherlands: 16 Singapore: PG Finland: K-15 Ireland: 15 Britain: 15 Argentina: 13 Brazil: 14

Rating of the film foreign alias:

Life Memory Unknown (26) Overview Details

Director: Simon Brand

Starring: bridget moynahan, greg kinnear, jim caviezel

Type: thriller/plot/suspense/crime

Release date: November 3, 26, USA

Film materials

Country/ Region: USA

Type: thriller/plot/suspense/crime

Length: 98 minutes/Japan: 85 minutes

Release date: November 3, 26, USA

White language: English

Publisher: Benelux Film Distribution...

Official website: Unknown

more mbth:

agnostoi

... greece

estranhos

... Portugal

Plot

Five strangers woke up in a closed warehouse and found that they had lost their memories, had no idea who they were or how they got here. But with the passage of time, they concluded that some of the five people were hostages and some were kidnappers, and the kidnapper leader was coming to kill the hostages, so a life-and-death guessing operation was launched in the claustrophobic space.

Memory

Title: Shadow Man

Total score: 2528

Chinese name: Memory

English name: Memory

Alias: Cruelty/ Love and murder

resource type: DVDRip

release date: 28

film director: Dong Pontan Kanheng

film actor: Ananda Everingham, ananda everingham

Mai Charoenpura

region: other

languages: Thai

◎ translated name: cruelty/memory. Love and Victim

◎ Title Memory

◎ Year 28

◎ Country Thailand

◎ Category horror/thriller/suspense

◎ Language in Thai

◎ Word screen Chinese

◎IMDB score N/A

◎IMDB link N/ A

◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎◎9 Xiaolei claimed that she was harassed by the ghost of a boy, and said that the injury on her body was caused by the "devil". The doctor wanted to take her to the hospital for treatment, but Xiaolei's mother stopped her. Xiaolei's mother is a young and sexy widow, and the doctor couldn't stand the temptation and had an improper relationship with her. At the same time, many strange things happen around Xiaolei again and again, and the doctor gradually discovers that there really seems to be something terrible in this mysterious house ...

Klee (Ariet Aihua) is a psychiatrist, treating insane prisoners in Chiang Mai Hospital, but his busy work also puts him under great pressure.

A policeman friend of Klee introduced a new case to him and asked him to see a little girl who was suspected of being abused. Xiaolei always had numerous bruises on her arms and often screamed bitterly. She saw the ghost of a little boy covered in blood in the mirror at home, and invisible forces dragged her around on the ground.

Kelly wants to take Xiaolei to the hospital for treatment, but her mother Ying-eun (played by Micha Rongpula) refuses to cooperate. She is afraid that others will think Xiaolei is crazy and just wants to live quietly.

Xiaolei's mother is a young and sexy widow, and the doctor couldn't stand the temptation and had an improper relationship with her. At the same time, many strange things happen around Xiaolei. The closer he gets to them, the more he feels there is a mysterious atmosphere in the room ... Young-eun's mood is unstable, and Xiaolei's arm has mysterious fingerprints ... Who is the source of these strange things, or what "things"? !

Illusory memory, Daybreak or Dé jà vu

27-7-9 19: 47: 44 From: The Devil's Pace (Suzhou)

Comments on Daybreak/Breaking the Sun

If what we think of as "existence" is not simple, then it is most likely some form of cycle, a Mobius ring. The same "existence" has been stimulated more than once, or every "existence" is doomed only once-only when you find the right one will "existence" let you go.

in the Matrix, when NEO, MOPHEUS and TRINITY saw ORACLE get out of the virtual ZION and ready to wire back to the spaceship, he saw the same cat pass by the door twice, so he said, Oh, Déjà Vu.

Narrator(Edward Norton) in Fight Club also murmured a sentence like this: I was living in a state of perpetual Dé jà vu. Everywhere I went, I felt I'd always been there.

Dé jà vu is a French word, which means hallucination memory and deja vu; Maybe from time to time, everyone will feel that the action that the current scene is currently doing seems to have happened long ago. There is an interesting inference in a comment about Matrix: people exist after animals, so you can say Déjà Vu； when you see animals; When all herbivores see plants, they can also say: Déjà Vu, because plants exist before animals; According to this principle, the machine or program in the MATRIX may also say: Déjà Vu when seeing people.

I know this joke is cold; But sometimes a cold joke is an unconventional logic.

According to Arthur Clarke's memory theory in The End of Childhood, people's memories in different periods and different people's memories are like islands on the sea. On the surface, they are all separated by oceans, but in fact, they are connected at the bottom of the sea, so when the ocean of space and time dries up one day, all memories will be connected. According to this theory, Déjà Vu can explain that the deja vu scene we see at the moment is actually a memory of the moment, a memory in advance, which came from a long time later.

So, it's not too difficult to understand. To sum up, one sentence is: Being is a known pattern, and we only deduce some elements of it within the known range; That is to say, we are not the existence itself-God knows what we are, and we are not even tools to judge existence.

I may be dragging you into the mire more and more. Well, in fact, it can be understood that existence is a game, just like everyone in the American drama LOST is destined to come to that lost island (for example, in Desmond's Déjà Vu in Lost s3.8), all the game endings are doomed, and all the possible paths to the end are calculated; Existence is a treasure map, and the sea water of time and space has to be drained and filled with countless times-we are the coolies, and this treasure map will be slowly revealed and existence will be slowly revealed.

the existence of Dé jà vu can be said to be a foregone conclusion. All the things we haven't done have actually happened, just like a program, it will have its own execution path; Everything is settled, everything that didn't happen has happened.

Our existence is confined to a square box, just like the world in the belly of Queen Abu in The Funny Life in the Rainforest.

so what's outside the square box?

"non-existent"! ? Another "existence"! ? The ether that breeds "existence"! ?

god knows.

However, obviously, in this way, our "existence" is naturally challenged.

actually, there are not a few works with the theme of Dé jà vu, which have been mentioned in many American dramas, and the words in the movies are like a Japanese stream-of-consciousness movie Dopperugenga/ Autopsistic Illusion or a recent movie named Déjà Vu/ Time and Space Clues starring Denzel Washington. Generally speaking, the word Déjà Vu is just a gimmick, and the writers and directors either explain this phenomenon with the theme of amnesia or time travel-well, the word itself refers to a phenomenon; Just like Day Break tried to explain the world view of this story with the effect of time and space at first, but it became more mysterious later, I mean it became more attractive.

Tell me about the story of Day Break, just quote the self-report of the protagonist Bret Hopper at the beginning of each episode: "My name is Bret Hopper, and I am a detective. It is in this incredible' today' that everything has changed: I was framed and became a murderer; Then my girlfriend will be in danger, and I know this will definitely happen, because I live in the same day day after day; Every day is the same date, but there are always different things happening; Every time I try to change, every time I have a new choice ... "

For every decision, there's a consensus.

For every decision, there will be a corresponding result. This is the motive force of the plot development in this play. The story of jigsaw puzzle, in general, is a very different kind of detective drama, but it tastes very much like the dective story of Nobuyuki Watanabe in animatrix.

The protagonist's name, Bret Hopper, is an interesting pun, because it should be closed. Hopper is not only the protagonist's name, but also a clue in the story, "funnel", which was originally a timing tool in ancient times, although now this gadget is more for decoration-the time of decoration, which is probably expressed in DB.

The story is very simple and clear at first, and then it becomes more and more complicated. Some small lines that began to pave the way responded well at the end and were not wasted at all; One of them is Jared, who lives the same day after day like BH-at that time, the doctor explained Jared's "illness" with Déjà Vu, and BH seemed to believe it at that time, but all kinds of signs showed that it was definitely not like this.

the story becomes incredible after it develops: does everything come from Jared's Déjà Vu? Is everything just a dream, and is it someone else's dream? Or is it that every character in the play has their own Time Loop, and such an "existence" is created when everyone's time cycles intersect?

Sometimes it is this kind of story that can leave a puzzle for people to think about that makes people feel really interesting.

Day Break is the best work involving the theme of Déjà Vu in recent years, and its rating on IMDB is 8.7/1, of which half of them gave full marks, and half of the remaining half gave 9points, which can be seen. Although DB was finally cut like Firefly of J.W. in those years, for cult people like us, DB is even more surprising and exciting than a hit like 24, and it has done a great job in the details of the script.

However, cutting is not necessarily a bad thing. For stories with such themes, firstly, there are new ways of telling stories. Day after day, all the plots are limited to one day, which can really connect DB with 24, but there are countless days in DB, so it is good that fresh concepts can be seen in a limited series, because it is often because such new concepts themselves ruin the fun of the story on the seemingly endless way.

Second, the skill of the screenwriter. I don't think the screenwriter can make up a good story about this phenomenon of Day Break "quarter after quarter". Just look at today's Prison Break, Lost. If this "day after day" becomes "quarter after quarter", I think the story will either become as muddy as cement or be dragged into a never-ending one.