Huang Xiangchang's Calligraphy Works

Huang Xiangchang, 1980 was born in Zhaoan, Fujian, the hometown of calligraphy and painting in China. He is now a member of Fujian Calligraphers Association and a director of Danzhao Calligraphy and Painting Society. The following are Huang Xiangchang's calligraphy works that I arranged for you. I hope they are useful to you!

Appreciation of Huang Xiangchang's Calligraphy Works

Pictures of Huang Xiangchang's Calligraphy Works 1

Figure 2 of Huang Xiangchang's calligraphy works

Huang Xiangchang's Calligraphy Works Figure 3

Figure 4 of Huang Xiangchang's calligraphy works

Brief introduction of Huang Xiangchang's calligraphy

Huang Xiangchang, 1980 was born in Zhaoan, Fujian, the hometown of calligraphy and painting in China. He is now a member of Fujian Calligraphers Association and a director of Danzhao Calligraphy and Painting Society.

Awards:

The Second Prize of the Fifth Provincial Normal School Calligraphy Competition (Fujian Provincial Education Commission)

Third Prize of the First National Standardized Chinese Character Writing Competition (Chinese Publishing House of Education Committee of China Calligraphers Association)

Lin Sanzhi Prize? Outstanding Works Award of Nanjing Calligraphy Media Triennial Exhibition (sponsored by Jiangsu Provincial People's Government)

Grand prize of the first Wen Yiduo Cup Poetry and Calligraphy Competition (sponsored by Hunan Calligraphers Association)

Third Prize of the 2nd Zhangzhou Art Calligraphy Photography Grand Prix (sponsored by Zhangzhou Municipal People's Government)

Enter the exhibition:

The 3rd Fujian Calligraphy Seal Carving Exhibition (Fujian Calligraphy Association)

China's first thousand-character calligraphy exhibition (calligraphy newspaper);

China Contemporary Zhaoan Painting and Calligraphy Exhibition (Fujian Book Association)

Selected to celebrate the 90th anniversary of the founding of China? National Staff Calligraphy Exhibition? (China Calligraphers Association)

Shortlisted? Qi calligraphy exhibition? (China Calligraphers Association)

Books and articles are scattered in Calligraphy Newspaper, Calligraphy Guide, China Pen Calligraphy, Youth Calligraphy Newspaper and China Pen Calligraphy Newspaper.

Brief introduction to the external situation of calligraphy

So-called? External potential? , that is, tangible turn, its disk in reality, there are images to see, this method is used more. Most of the external force is exposed from the front, which brings out a trace of the front when the pen is closed. Call it in calligraphy terms? Tie the line? Dot painting and dot painting, when words are exchanged excessively, bring out a wisp of ink mark connection. What is this called? Gossamer? . Are these two strokes also called? Draw it out with a pen? . Like what? Manufacturing? The left vertical pen of the word brings out a ray of front marks. Tie line one? And then what? Body? Between,? Presumably What ink is connected between them? High-altitude hairspring? .

Whether it is hairspring or hairspring, it is inadvertently brought out when writing running script, such as hairspring in the sky, swaying and moving, which enhances the sense of flow between stippling. Although the pen is light, it is as thin as silk hair. However, it is tall and graceful, both rigid and flexible. Naturally, it will be expensive. If you are not a master, it is difficult to achieve perfection.

Tencel and hairspring can only be used occasionally in running script, not too much. If you use it too much, it will keep winding, giving people a dazzling feeling. Zhao Huanguang's Cold Mountain Broom Talk says: Jin people walk in the grass, but they don't attract attention. If they draw before, they will break after. If they break first, they can make up later. He who breaks his word has it. Later generations of wild grass, wrapped in silk or countless, called concise, but not elegant. ?

In addition, it should be noted that the pen that leads the belt is out of thin air, but it is in a subordinate position, which is too much for the article. So generally speaking, don't reuse the lead pen. If it is too thick, it will often make stippling and thread head, which is suspected of usurping the role of master. However, when the ancients wrote cursive scripts, they occasionally used them repeatedly, but they might as well be correct and used well, adding different interests.