How to match the colors, how to match?

How do designers match colors in design?

In the first step, the color matching between background color and graphic color is really not a simple problem. This generation of designers can use a lot more color tools than the previous generation. Nowadays, we can make good use of the rich colors provided by computers, which seems not very simple. Personally, since I started as a designer, I have often been lost in the world of color. Now let's exchange some experiences we have learned and mastered, and hope you can correct me. In the actual design of elements that need attention in color matching, we often consider the processing scheme of color matching and the color areas related to shape and texture according to the design purpose. This scheme is my color scheme.

The second step, if the overall tone is to make our design full of vitality, stability, cold or warm, cold and other feelings are determined by the overall tone. So how can we control the overall tone? Only by controlling the hue, lightness, purity and area of the overall tone. Only in this way can we control the overall tone of our design. First of all, we should decide the color that occupies a large area in the color matching center, and choose different color matching schemes according to this color to get different overall colors.

The third step is the balance of color matching. The balance of color is the balance of color intensity, weight and the relationship between light and shade. These elements will affect the sensory balance of color. So even if it is the same color scheme, it will be decided whether it is a harmonious color or a disharmonious color according to the shape and area of the figure. Generally, the colors of the same category are easier to balance. In the complementary color relationship, the combination of solid colors with similar lightness, such as red and blue-green, will be dazzling because of excessive intensity and become uncoordinated colors. However, if the area of a color is reduced or white and black are added to change and balance its lightness and chroma, this disharmonious color change can be reconciled. When the color with high purity and high intensity is matched with turbid color or gray with the same brightness, if the former has a small area and the latter has a large area, it is easy to achieve balance. When bright colors and dark colors are arranged up and down, if bright colors are on the top and dark colors are on the bottom, it will look steady. Conversely, if the dark color is dynamic in the bright color.

The fourth step, when matching colors, we should give priority to a certain color to make up for the monotony of color tones and balance the overall color matching.

Fifth, the rhythm of color matching produces the overall tone through the configuration of colors. And this configuration relationship appears repeatedly in the overall tone, resulting in rhythm.

Step 6: Harmony of Gradient When two or more colors are not harmonious, they can be reconciled by inserting several gradient colors in the middle.

The seventh step, the unified adjustment in color matching is called unified adjustment, that is, for the overall unity of multi-color coordination, one color is used to dominate the whole, which is called unified color adjustment, that is, main color.

The eighth step, the division of color matching, if two colors are opposite, they are in contrast, which has an excessively strong effect and becomes incompatible colors. In order to adjust them, divide them with other colors, that is, divide them. The color used for segmentation is called segmentation color.