Han Han's movie dream-movies and books about Goodbye.

Finally, after watching "Never See You Again", the film just couldn't say how good it was, but no one said it was bad. If the film is a success, it is entirely Han Han's personal success. Han Han's achievements are beyond imagination. He once mentioned three lifelong wishes: writing, racing and movies, all of which were realized in his early thirties. Pirated novels are more popular than original novels. Seven-time annual champion of racing car, the first film he made was "See you soon". Every literary lover will have the idea of making a movie, which is called a movie dream. This is the charm of movies. It is like an ultimate meeting point, which contains various artistic expressions such as words, pictures, videos and music. Only here can we find the final destination and release.

I don't think much of the film itself. This is not a complete story. Some people call it a road film, but it is essential for a road film to have a primitive, indigenous, wild and even barbaric background. No man's land is closer, and the impact of the film is stronger. "Goodbye for Life" was filmed during the journey, starting with the acceptance and transfer of rivers in Dongji Island and reaching the destination. As the car circled, it passed through China. The vision is empty, the scenery is not charming, but it is real enough, and there is still literature and art inside. The choice of actors is a matter of style and temperament.

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The director's Virgo is subjective, all about himself, what he likes, what he doesn't like, what he yearns for and what he regrets. It can be said that all aspects of his works exude these personal information and smells, and his function is to reveal the opposites of contradictions in his personality one by one, enlarge them and spread them out on the table. The nature of bookishness, dust, autism and idealism in rivers; Hao Han's hopeless ambition, bitter struggle and inspiration of self-hypnosis success; Alu's surreal liberalism, which ignores the basic social code of conduct, can only disappear without a trace, and Han Han's shadow can be seen everywhere. All the people are actually saying a word, which is what the director wants to say. Readers who like Han Han, or viewers who are willing to watch this movie, can feel more or less familiar, understanding, approval and expression, because this is a minority group and voice.

In terms of creativity, there is no problem. Every creator will say that it is the only task to produce a good work instead of following the audience completely. I think the film is successful because the works created by Han Han and his team are undoubtedly excellent. Every step takes time, wisdom, love, sweat and deliberation. The script, photography, music and editing are all exquisite, and the excellent crew and actors can be called perfect interpretation and expression. Music is the most concerned place in this film. It's really great, and it's called naughty literature. As can be seen from the opening song "Song of Dongji Island", this song is not surprisingly endless. "Things can't be forced", which once appeared in Hitchcock's movies, appeared in the ringtone of Su Mi's mobile phone. He Jiang spoke Chinese lyrics easily and captured his heart in one fell swoop. After Hao Han and Liu Yingying broke up, the "daughter's love" that daughter Wang expressed her feelings unexpectedly appeared, which was both bold and interesting. The old song Tianya was adapted as the theme song You Will Have No Future, and Pu Shu's first single Ordinary Road ten years later became an important sound generator in film promotion. These beautiful songs are very stealthy in the movie. As a first novel, Han Han's expression has been very successful.

From the movie point of view, this is just the beginning. Remember that actors are the success of stars; Remembering the role is the success of the film. Although the film is fictional, as a work, she has her own independent personality and the joys and sorrows of the characters in her play. Han Han's lines design of the script can be described as exquisite. With the promotion of the film, a group of golden sentences were widely praised. "I have been excellent since I was a child. How can I be good?" And "if I like it, I will be presumptuous, but love is restraint." Such epigrams or styles are often blurted out from the crowd in various plots. At first, I was surprised and surprised. Careful consideration is a flattering gesture. When yolanda said this, there was nothing wrong with yolanda's expression, but Liu Yingying should never say such a thing. I didn't see any characters in this play, only Han Han, Yu Landa, Wang, Jia and He. No one can deny that this is a group of excellent actors. The whole play is more like a long essay. Everyone is unique, standing there and shining brilliantly, completing their roles and lines impeccably. There are no leading roles and supporting roles, but the shots are more of Chen Bailin and William Feng. Maybe it will be goodbye after Yolanda.

Two actors didn't mention it. One is Huayang Gao who plays Hu Sheng, and the other is Chen Qiaoen. Huayang Gao is the only actor who plays as he really is. He is a teammate of Han Han's motorcade. He loves to imitate and can sing Haruka. Hu Sheng's appearance in the film is very strange, and his disappearance is abrupt and completely unexpected, but his silly energy is really his cuteness and success, which is extremely true. Zhou Mo played by Chen Qiaoen is my favorite character in the whole play. It is very beautiful. It plays with knowing that people like others, but they still like the ecstasy of others. Love never needs to be understood, and it can be seen clearly after twists and turns. Moreover, this stage is also the most interesting and interesting scene. The scene in the play, the scene in the scene, true or false, fades in and out. Zhou Mo is really an inspiring little guy. After a little sadness, he still worked hard and struggled happily to enter this world. In the limited lens, I actually changed two sets of clothes, although they didn't fit me. Han Han said that Zhou Mo deserves a happy ending, and I hope so. Han Han said it was a pity that the careless audience missed it in the end. I really missed it. If I were Hu Sheng, I would love Zhou Mo. If I were Zhou Mo, I would still love Hao Han.

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In fact, Han Han's book has not been completely read. After the movie, I read Confession and Farewell and told the whole process of the movie's birth. Rather than dedicating a work to the audience, the team of 1204 people spent 10000 kilometers galloping and enjoying the whole process from the beginning to the completion of the work. This kind of effort, hard work, happiness and satisfaction is something that outsiders can't participate in, only envy.

Creation is the most extravagant thing in the world, and it is worth recording in a book.

This booklet is very concise. The first film is Han Han's self-confession, and the film is another beginning. This begins with funds. After the first sponsorship of100,000 yuan, everything finally started. The beginning is not the quantity, but the important thing is to have a ceremony at the critical point, go out and go on, otherwise, there will never be a beginning. "I firmly believe that if you don't go, you can't go. If you don't go, you can't go forever." This sentence is really a good annotation. As for the script, he wrote: "The novel is the end of the bitter days, and the script is the beginning of the bitter days", which is interesting. Although the meaning is very clear, I prefer to misinterpret it: for writers, writing is landing, which is a true account. Novels and movies are just different forms of completion, just like film reviews or book reviews.

The second part is fourteen stories, that is, Han Han's interpretation of all the key words in this film, just like chatting. Combined with the third part, that is, the birth history of "There will be no future" recorded by the film crew from preparation, picture, shooting, sound, later stage to mirror table and memorabilia, it is the whole picture of this film. Compared with 1 half an hour presented on the screen, it is obviously more resistant to exploration behind the scenes.

For everyone who has been engaged in what he loves and wants to do, the process is always the first, and the dedicated attitude will be poured into every action and step, and the result is self-evident. Han Han has such cohesion and appeal. He represents an unruly but enterprising spirit. Time is never wasted here and life is never repeated here. It also indicates some mysterious infinity. People will be attracted in and wait for the moment when the results are announced with enough patience, confidence and determination. Within the rational expectation, it will always exceed the imagination. I think this team has great trust and sincere expectations for him. They are either his friends or they are becoming his friends. They are like-minded and close to each other. This kind of spiritual support is also two-way. Difficulties are often synonymous with charm in the eyes of people who want to overcome them, which can stimulate deep potential and creativity. It is not a material result, but a spiritual quality. The trinity of learning, growth and progress spirals upward. Obviously, the expectation of participating in * * * activities and waiting outside the office is totally unnecessary. What we lack is the level and richness of bittersweet tastes.

For me, the meaning of this film goes beyond the film itself. It is happy to be able to dream. Shui Mu Ding has a novel "All Young People Will Die Before Dawn", and "No Future" is just a sunrise journey started by a group of young people with dreams. Han Han said, "laymen and experts, newcomers and old people, cross-border and non-cross-border, have nothing to do, only good and bad, professional and unprofessional." For the film, he is a newcomer, but this is just another proof of learning and realizing his dreams. Even so, he has a more heartfelt and pertinent sentence: "I don't think there is anything unreasonable in this world." Really, if not many, there are too many talented people in this world, and the limit you think is only the starting point for others. Therefore, only by continuous progress can we not be ashamed-people can not go to school, but they must read more. " Han Han is always the one who can tell the truth thoroughly, and he can always bring enlightenment and deep thought to people.