Traditional Culture Encyclopedia - Photography major - What are the winter photography skills?

What are the winter photography skills?

There are many things that need to be seriously considered when going out for photography creation in the cold winter, especially the influence of cold on the photographer himself and the camera, battery and film. In addition, if you want to take beautiful winter photos, you must master certain photography skills. What I have arranged for you is winter photography skills, I hope I can help you!

Winter photography skills

Exposure principle

After solving the equipment problem, what else to deal with in winter photography? Something shiny and white? . Snow will bring all kinds of problems to digital photographers, if you? Just measuring the environment? The built-in exposure meter in your camera will measure light according to the standard of 18% gray tone. In this way, white snow will look gray, while other things darker than snow in the photo will look darker than the actual situation.

The first common practice is to make the exposure meter slightly overexposed by enlarging one or two apertures, so that the photosensitive element can receive more light to compensate for the brightness. If your camera has automatic exposure compensation, try+1 and +2 to see which works best.

When shooting portraits, if you try to shoot people in the snow scene, there is also the risk of overexposure by using the above method. You must decide which part of the subject is more important, man or snow. If you want to photograph people, the trick is to get close to their faces and measure their exposure readings.

Light method

There is a saying in the photography circle that photography depends on technology for three points and light for seven points. This sentence also applies to winter photography. Generally speaking, the best shooting opportunity and ideal lighting conditions in a day are in the early morning or evening. This is especially true in winter shooting.

In winter, the sun will cast a long shadow on the object at a very low angle to increase the contrast of your subject, which will not happen when the subject is directly exposed to the sun overhead. It is very important to know the relationship between the sun and your subject. Choosing the most suitable shooting angle in a day is one of the keys to success.

If you are shooting relatively small ice or ice flowers, it is recommended that you shoot with backlight. Because under the backlight, the ice and snow are more crystal clear and can radiate brilliance. Backlight gives the ice and snow a shiny outline, which is transparent, shiny, aura and outstanding in texture. When shooting ice and snow with backlight, it is best to choose a dark background. If the two conditions are complete, the artistic effect will be more prominent.

However, when shooting snow portraits in winter, in addition to reasonable composition, we should try our best to avoid shooting against the light, because people's skin is too different from the exposure value of snow, that is, if we take care of people, the snow will be pale without layers; On the other hand, if you take care of snow, people will be underexposed and the color will be dark. Therefore, when taking portraits, you should use 30-60 degrees of smooth light and the back of your hand to measure light, minus 1 to compensate for exposure shooting, so that you can eat fish and taste bear's paw.

Xuetian photography

Some photographers think that surround exposure is? Insurance exposure? That's true, and it's also a good way to shoot in winter.

It may be difficult to predict what some colors will look like on a film (especially white in winter). In order to ensure that you can shoot the best works, surrounding exposure is a method worth trying. Because even if you're exposed? Correct "does not guarantee that you will get the best job. A subtle exposure change may be the difference between mediocrity and excellent works.

It would be better if you could add a little red element to the picture when shooting. When we shoot ice and snow, it is often because of the reaction of the color of the sky that the snow is dyed blue, and it will become? Lan Xue? . Correct this? Lan Xue? Some people advocate the use of UV mirrors, but sometimes the effect is not ideal. If some red scenes can be dotted in the snow scene, the viewer's vision will eliminate the blue color of snow in the contrast of red.

Equipment preparation

Bring a UV mirror and a polarizer.

A good UV mirror can not only help the photographer to block some ultraviolet rays to make the imaging more accurate, but also protect our lens. Most people don't know that UV mirrors are actually a good helper for shooting snow scenes.

Whether it's sudden rain and snow weather or wind and sand in the wild, there are many uncertain factors in the snow that may lead to lens fouling. At this time, a UV mirror can protect the lens well. Just wipe the UV mirror after shooting.

When shooting snow scenes, installing a polarizer in the camera bag can also play a great role. Polarizer is also a common filter, which is often used to eliminate or weaken the strong reflection of non-metallic surfaces in photography, thus eliminating or reducing light spots. It can also be used to shoot objects behind the glass, or to express the texture of objects with strong reflection.

When shooting a snow scene, adding a polarizer can absorb the polarized light reflected by the snow, reduce the brightness of the snow and adjust the color tone without affecting the color of the original scene. Adding a polarizer can make the white clouds in the blue sky more prominent and improve the color saturation.

Overall equipment protection

Because of the particularity of winter photography, we need a camera bag with good protective performance to carry our equipment first. It should have the characteristics of tight internal structure and proper protection, and can resist external impact and collision. Because we don't know when we will encounter rain and snow in our creation, we should also equip the camera bag with corresponding rain cover. If the camera bag itself comes with a rain cover, it is naturally the best. If there is really no way, you can barely use a large plastic bag for emergency. After talking about the protection of equipment, I have to talk about the photographer's own protection. In photography, the photographer's nose tip, ears, fingers and other exposed parts are most prone to frostbite, so special attention should be paid to protection and frequent rubbing to speed up blood circulation and enhance cold-proof ability.

Detailed protection of equipment

When shooting in winter, the first thing to consider is the shrinkage of battery capacity. At extremely low temperature, the actual capacity of the battery is only about 2/3 of that in summer. Digital camera can't work without power supply, so the first thing to pay attention to is the power supply of the camera, and several sets of spare batteries need to be prepared.

It is also necessary to keep the temperature of the battery. Put the spare battery in your pocket to keep a certain temperature. But be careful not to put other metal objects in your pocket to prevent metal objects from overlapping with battery contacts and causing short circuit.

In order to protect the camera from the outdoor temperature? Losers? We'd better equip our beloved equipment with a similar one? Down jacket? 100% down-filled high-quality cold-proof and antifreeze cover for SLR cameras. With it, you can take your favorite photos in extremely cold places without worrying about freezing the camera.

In a cold climate, it is necessary to avoid the camera experiencing excessive and rapid temperature changes. Photographers should take effective measures in advance to prevent it. When not taking pictures, take the camera with you and hold it in your arms. When you enter the room from the outside, because there is heating in the room, there will be hot air condensation on the lens and frame. Sweating? Rust and failure of metal parts. Don't take out your camera immediately after returning from the outdoor to the indoor. Only when the temperature is close to the indoor temperature can it be taken out, so as not to cause the components of the camera to fail.