Who first proposed the theme of Altman? Please, great gods.

However, Eiji Tsuburaya Eiji Tsuburaya is a director who is regarded as "God" in Japanese special photography. Godzilla, a world-famous special film shot by Dongbao Special Photography and Painting Company, is his masterpiece. After the establishment of Yuangu Company, Yuangu Yinger decided to invest in filming "Fantasy Special Photography Series". Thus, the debut of Yuangu Company-"OTQ" was born. The theme of Otq is that human beings solve all kinds of strange events by their own strength and destroy the enemies who invade the earth. Therefore, there is no great hero in this work, and it is entirely human beings who are playing the leading role. After the release of OTQ, it achieved a great sensation and unprecedented success in Japan. Based on this, Yuangu Company decided to make persistent efforts to shoot the second work. When planning, Hideki Yuangu decided to change the content of the story and join the heroes outside the earth who had never seen in Otq. It is based on this idea that Yuangu Company tried its best to design a great hero different from human beings. After many studies, the name of the new hero was finally determined as "Altman". Thus, the first generation of Altman that we are familiar with was born. Eiji Tsuburaya put a lot of effort into this work, because it is the first work in which a non-human hero appears and plays the leading role. Therefore, Eiji Tsuburaya personally supervised this work. In this way, the first generation of Altman series was born, and the first sentence was broadcast on TBS TV in Japan on July 1966. Due to the serious shortage of funds at that time, Yuangu Company used disposable props. In desperation, the director designed the plot that Altman could only survive on the earth because of injury and could only fight for three minutes after transformation. And this classic story has been used to this day. After the release of Altman, it caused a great sensation again, even surpassing the previous work Altq. Because the plot of "Maneuvering Altman VS Monster" in this work belongs to children's favorite, the ratings have also reached record highs, and the 37th sentence even reached 42.8%. When filming The First Generation of Altman, Eiji Tsuburaya didn't expect that this work would start a classic movement that echoed for decades and spanned two centuries. Because the concept of "Otto Brothers" in the future was not considered at that time, and Altman was a series, Eiji Tsuburaya adopted a completely different worldview from the original Altman when planning his second work "Severn Altman". 1967, after the release of the first generation of Altman, Hideki Yuangu decided to shoot his third work with the help of this unprecedented climax. In the initial setting, Eiji Tsuburaya did not intend to classify this work into the Altman series, but took it as a new feature and designed the plot of the protagonist's mother coming from the earth. But in the end, Eiji Tsuburaya decided to simplify the story and put it into the Altman series, so this classic spanning two centuries came into being. In the setting of the protagonist, the biggest difference between Saiwen Altman and the first generation Altman is that Saiwen did not integrate into the earth, but took a brave young man as the prototype and directly changed from ontology to human appearance, and there was no limit to the fighting time after the transformation, so there was no energy indicator light before the bra competition. The time limit of three minutes is 1966, which can be said to be helpless. I have to do it because of a serious shortage of funds. By 1967, when filming "Saiwen Altman", Yuangu already had abundant funds, so when designing the image of Saiwen, he abandoned the energy index. However, with the continuous broadcast of the series, there are letters from the audience, strongly demanding that the three-minute energy limit be added back, thinking that this is exciting enough. However, because the episode 10 had already been broadcast, the image of Saiwen could not be changed. In desperation, the director had to change the lighting on Saiwen's head into an energy indicator. Compared with his predecessor, The Generation of Altman, the story of Severn Altman has undergone great changes. Its content is no longer the simple plot of "Altman vs. Monster" in The Generation of Altman, but more embodies various contradictions between human beings and aggressors. In this work, although human beings are sometimes violated by the enemy, at the same time, human beings themselves are guilty. This will put Severn in a dilemma. Of course, the fundamental clue of this work is, after all, the contest between good and evil between human beings and aggressors. Moreover, due to the completely different worldviews adopted by Severn Altman and The Original Altman, Severn Altman is the only hero in Severn Altman from beginning to end, and the original Altman, the protagonist of the previous work, has never appeared once. Eiji Tsuburaya put much more effort into this work than his previous work "The First Generation Altman", but the Japanese audience did not seem to appreciate it, and the ratings fluctuated around 20%. Even fell below 15% at the lowest. Because for children, the story of "Saiwen Altman" is much more profound than "A Generation of Altman", and children can't and can't understand it in detail. In addition, there are fewer fighting scenes in Severn Altman than in Altman Generation. In this case, it is not surprising that Severn Altman's ratings are so low. In the face of Severn Altman's irreparable fiasco, Eiji Tsuburaya was heartbroken and even pessimistically thought that this was the last series of Altman's works. However, in the spirit of professionalism, Eiji Tsuburaya still wants to draw a satisfactory conclusion for Severn Altman. So he put aside his other work, devoted all his energy and enthusiasm, and wrote the script "The Last Words" for Severn Altman. Today, the finale of "Severn Altman" is still the best in the eyes of audiences who love Altman in Europe, America, Southeast Asia and even the whole world. Kohji Moritsugu, the star of this work, became popular in Japan's special photography circle, which was probably unexpected by Yuangu and Senji himself at that time.