Ski photographers talk about how to ensure safety when following photos.

Ski photographers talk about how to ensure the safety when taking pictures: "wearing protective gear" and "ensuring technology" are the key.

With the popularity of frisbee, skiing, paddle boarding, surfing and other emerging sports and outdoor lifestyles, outdoor photographers have been pushed onto the stage. In this case, skiing photographer should be the occupation with the highest risk factor.

Generally speaking, the photographer will choose a snowy road with few people, but when the passenger flow on the snowy road is large, it is inevitable to avoid the crowd when sliding, and may bump into the net or fall down due to improper control. Wearing protective gear is one of the magic weapons to follow photographers; The second is "security technology", which allows you to shoot, slide and avoid crowds.

For the two ski platforms, such as "SKI" and "‘GOSKI'", photographers generally have internal training, such as where they can stand and shoot, where they can't and where they are dangerous.

Ski photographer's technical requirements:

To be an excellent extreme sports photographer, you need very high skills besides photography. Every snow season, many photographers will join the large group of ski photography. However, many people are not good at skiing, so they can only squat at the gate of the ski hall or lie on the edge of the snowy road to shoot at a fixed point.

There are also a few photographers who can record every movement of the subject and the whole skiing process. It is difficult for a photographer who doesn't know how to ski to find a particularly good angle during skiing, and naturally he can't shoot a particularly good effect.

Compared with fixed-point shooting, skiers should aim the lens at skiers steadily, keep a safe distance, predict the other side's taxiing route and switch shooting angles back and forth.

If the skiing level is not enough, you can't keep up with the subject, let alone the angle of the lens and mirror. Ski photographer's technical level must be at least equal to or even higher than that of the subject, in order to shoot particularly wonderful movements.