Traditional Culture Encyclopedia - Photography major - Character experience, budd schulberg.
Character experience, budd schulberg.
Schulberg was deeply influenced by his mother Tina. In the early 1930s, Tina came back from Moscow and brought many Soviet short stories to her son. Therefore, Schulzberg is familiar with Gorky's "Mother" and "Enemy", describing the workers' movement and shaping the image of workers with fighting spirit; He is familiar with Isaac Babel's The Red Cavalry. He recalled: "In the middle of the night, I turned on the light and studied hard. I hope that one day, my works can be included in similar anthologies. "
Budd schulberg 17 years old began to write propaganda for Paramount, touting some rising stars. But budd schulberg, who has been in contact with Hollywood for many years, has become an out-and-out rebel of Hollywood's aesthetic orientation and commercial production mode. After receiving an education at Dartmouth College, he started as a screenplay reader and then became a screenplay writer. 1937, join the * * * production party. 1939, the producer asked him to reflect the party's teachings in a novel and quit the party. 194 1 year, 27-year-old Schulberg made his debut with the novel How Sammy Becomes an Official, which tells the story of how a boy who works as a handyman in a newspaper in new york climbed to the throne of a Hollywood film company by stealing, lying and cheating. Because there are many plots in the novel that allude to Hollywood tycoon Louis Meyer, who flew into a rage and threatened to expel Schulberg. Fortunately, Schulberg's father, B.P. Schulberg, was in a high position at that time. Because of his intercession, Louis Meyer did not pursue it. However, this novel made young Schulberg a blockbuster, especially because he knew so much inside information that even though he was curious and fascinated by Hollywood, he had to be regarded as a "traitor". Many years later, when talking about the prototype in the first novel, Schulberg hit the nail on the head and pointed out: "What I outlined is not a person, but a way of behavior."
After the outbreak of World War II, Schulberg worked in the strategic service extinction office, the predecessor of the CIA. In his spare time, he writes short stories and shoots documentaries related to war. He was the first person to enter Auschwitz concentration camp and record the tragedy with a video camera. After the war, he collected evidence for the Nuremberg trial and won the Army Medal of Honor. When the works of leni riefenstahl, Hitler's female photographer, were shown in the International Court of Justice, Schulberg testified in court and compared the Nazis in the film, pointing out that her Victory of Will was helping Hitler to publicize Nazi activities. "I am in this trial, as a manager. I went to Renee Rivenstar with an arrest warrant, and she screamed when she saw it. I comforted her that the court would not try her, and she was just a witness. " Schulberg is eloquent and obviously proud of this task.
In the early 1950s, the United States was filled with white terror. Senator McCarthy incited a nationwide anti-McCarthyism movement. He hyped up the invasion of the * * * production party into the government and the media, prompting the establishment of a "non-American investigation Committee" (referring to the so-called activities against American interests), collecting blacklists, and inciting the literary and art circles and government departments to expose each other. Many celebrities were persecuted, such as comedian Charlie Chaplin and Oppenheimer, the father of the atomic bomb, who were accused of leaking secrets to the Soviet Union. 1952, Schulberg's party member identity, the producer of * * *, was exposed. He volunteered to testify in the "non-American investigation Committee" and cooperated with him to provide a list of friends of the * * * party who shared his interests. Since then, Schulberg has been alienated from others. In fact, Schulberg has been out of the party for nearly ten years. He explained that 1934, he personally went to Moscow to meet the progressive writers such as Babel. However, ten years later, all these people "vanished", and Babel was even charged with espionage and was shot at 1940.
During the period of 1948, a report in The New York Sun exposed the miserable living conditions of the bottom-level workers in the United States by telling the story of new york dockers being exploited by their bosses, which attracted Schulberg's attention. Elijah Kazan, a Hollywood director who directed A Streetcar Named Desire, intends to direct a film with this theme in response to the accusation that his friend Arthur Miller betrayed his friend because he was interrogated by the "McCarthyism" camp "Non-American Sports Investigation Committee". Elias Kazan originally wanted arthur miller to write a script, but the latter refused because of persecution by McCarthyists led by big studios. Kazan had to ask Schulberg for help. Schulberg was born in a wealthy family, and of course he didn't know the sufferings of the people, let alone the living conditions of dockers. He first met a Catholic priest and got some data about trade union corruption. Then, he spent a year hanging out in the dock bar, drinking with his workmates all night, collecting information and writing plays. "I only listen in the bar, don't say. I drink the beer mixed with whisky and mix with the workers. " Finally written into a script. Starring Marlon Brando, karl malden and others, Marlon Brando plays Terry as a stevedore in The Code. He used to be a professional boxer, and he was a bloody errand boy of the dock trade union leader. Terry was chased by the gang because he was suspected of murder. The dockers finally woke up and struggled with various forces. From this film, we can get a glimpse of the corruption of American trade unions in the early 1950s. "The Storm of the Wharf" 1954 was released, and won eight awards including best film, best director, best story script and best actor in the 27th Oscar. Since then, Schulberg and Kazan have collaborated on "Dream of Climbing the Dragon", which tells the story of grassroots stars trapped in the political quagmire and has also won favorable comments.
1947, Schulberg published a novel about the miserable life of a boxer, The Ring Shadow. 1955, this novel was put on the screen and became the "swan song" of the tough guy humphrey bogart. In 1960s, Schulberg's interest shifted to writing sports articles, which was closely related to boxing champion Ali. In his later years, he still likes to talk about politics. Schulberg's favorite memory is that he was at the scene when Robert Kennedy, the younger brother of former President John F. Kennedy, was assassinated. 1968. On the same day, Robert won the Democratic primary in California and became the party's presidential candidate. Schulberg and a group of writers attended a celebration dinner at the Ambassador Hotel in Los Angeles. He stood opposite Robert, and the gunman shot at him. "I can see clearly that the murderer is short." "Robert has no formal escort. Edgar Hoover, director of the FBI, didn't send anyone to protect Robert because he had a problem with Kennedy. Even the mayor at that time hated Robert. Only some amateur guards, such as football player Ross Greer, came out to act as Rob's bodyguards. Schulberg recalled that after Rob was shot, a group of them returned to Rob's hotel room. Greer was very sad and blamed himself, thinking it was all his fault. " Greer lay in bed, his eyes turning white. Schulberg said. [3] 197 1 year, he founded the Frederick Douglass center for creative arts in new york, and the film Memoirs of the Prince of Hollywood described his boyhood in a film center in the United States. He died at home in 2009.
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