Traditional Culture Encyclopedia - Photography major - Hannah in The English Patient

Hannah in The English Patient

The English Patient is a film that describes the love story in the background of World War II. Although this film takes love as the main theme, it also describes the collision and feelings between people of different occupations and experiences under the historical background of war. I think the most wonderful and exquisite part of the film lies in the latter. Everyone in the play has experienced the trauma of war and is suffering from unnecessary blows and pains, but what everyone gives back under the immersion of pain is actually. My favorite is nurse Hannah. Personally, I think this is the most successful and wonderful part of film characterization. Maybe the love story in the movie is too old-fashioned, but I'm not very interested in the hero and heroine.

The first scene of this film is for Hannah. Her busy figure shuttled between the hospital bed and the wounded. Facing the soldiers who are suffering and longing for love, her face is full of gratified smiles and hopeful eyes, like a brilliant sunflower on the battlefield, spreading everyone's hopes and beautiful dreams for life. Suddenly got the news of her fiance's death, she stood there crying in shock and collapse, completely ignoring the sudden bombing of the enemy at the same time, and her concerned comrades threw her to the ground. She was still crying like a child on the muddy ground, completely ignoring the mud on her face, and her innocent and pure heart began to shine. Later, on the way to transfer personnel, her good friend and sister, who had just talked and laughed with her, was suddenly killed by thunder. Repeated blows made her wonder if she was an ominous person, and heavy pain began to violently impact her fortress of sunshine. However, she is very calm and calm. The hero is badly burned and is not suitable for wandering on the road. She took a fancy to a castle that was destroyed by gunfire but still had some rooms. As a nurse, she wants to stay and take care of him alone, which is more like finding a quiet place to lick her pain.

She severely cut off her hair, busied herself without saying a word, sorted out books, climbed up and down, washed herself with cold water, and gave injections to patients ... as if trying to bid farewell to the pain of the past, she often collapsed and shed tears in the confrontation with the pain. Different from the dignified and sweet in the past, the busyness is mixed with escape, panic and stubborn hope. A simple little floral skirt, running up and down barefoot, was very busy and began to plow and grow vegetables on the ground under the ruins. It went to steal the sparrows in the garden and prepare meals for the patients. No matter how scarce the materials are, they are done meticulously, reading and telling stories for patients, moving the body to the window for patients who can't move in bed, letting him bathe in the sun, looking at the scenery outside and peeling plums for him to eat. Everyone praised the plum fragrance, and the photography of the film was great. The lens gives a close-up of plum meat being sent into the patient's mouth, and the light shines on the meat crystal clear, as if it were the luster of life and the hope of life. Hannah still likes to walk around barefoot and run around, which explains Hannah's sincere attitude and courage to face life and her infinite yearning for love and life. Hannah couldn't help playing the piano buried in the collapsed wall. Hannah stood on the ruins, very vivid in the melody. When nervous deminers rushed in and warned her not to play, the piano was often the place where mines were buried, and she even humorously said whether Bach (German) should play or not. The film gave Hannah several scenes to wash her face and hair. The pure sound of water indicates the hope of a new life. Although Hannah's hair is messy and her heart is full of thorns, her smooth face shows her pure and tenacious soul.

Throughout the film, Hannah is like an angel. Her tenacious and flexible breath quietly washed away the haze of war, and her weak body contains exuberant vitality, like a silent and powerful cry, telling people that loving life is the most powerful force in the world. Her heart is as pure as a child and as broad as the virgin. She is a bright rainbow in The English Patient.