What is the Italian New Realistic Film?

Italian neo-realistic film refers to the realistic film movement that began in Italy in the 1940s, which is of great significance to the world film aesthetics and film shooting practice, and has become the most important film phenomenon of western films in this period.

Italy's outstanding film artists stood up from the ruins after the long fascist rule, and they tried their best to raise funds and films to make movies. They are as creative and exploratory as European film artists after the First World War, regardless of tradition.

Aesthetic features of Italian neo-realism;

The formation of Italian neo-realism aesthetic features is influenced by many artistic forms such as literature, painting and music, which not only comes from Italy's long history and culture, but also comes from the erosion of artistic ideas in other countries.

First of all, Italy's own artistic tradition cannot be ignored. From Dante, Boccaccio, Renaissance to Caravaggio and Canova in Baroque Period; /kloc-In the late 9th century, Virga and opera artists such as Mascagni and Puccini who accepted his ideas, realism has a very long history and a profound cultural foundation in Italy.

Secondly, the directors of French "poetic realism" films in the 1930s also had a great influence on the creators of new realism: De Sica and Rossini both publicly expressed their admiration for rene claire; Visconti was an assistant to jean renoir's short film Partie de campagne (1936).

Antonioni also participated in the setting work of Marcel Carné's Night Visitor (1942). Umberto Barbaro even compared Vikanti's sink with Le Quai des Brumes (1938) in his comments.