How to deal with the dark side and bright side of sketching still life fruit?

How to deal with the dark side and bright side of sketching still life fruit? Five common problems of art students sketching still life are also concerned by art students. I believe that many art students want to master five common problems of art students sketching still life. We must not study blindly, we must cultivate keen observation ability and application ability, and we must also have the professional quality and accomplishment of art students. So let's learn five common problems of art students sketching still life together.

For many students, sketching has always been a headache. I always find it difficult to sketch still life, but I don't know what the problem is. Actually, that's because you haven't mastered the skills yet. The following are five common problems that art students encounter when sketching still life.

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Sketching still life also needs a certain sense of rhythm, and sketching with rhythm can make you write like a god.

Give full play to the characteristics of pencil color control, grasp the characteristics of different objects, reflect the texture of objects, and complete a perfect work.

Five problems in sketching still life;

1, paste

Refers to the vague expression of light and dark tones, regardless of reality. The main reason is the in-depth analysis and understanding of the relationship between body structure and tone, so there is ambiguity when describing light and dark tones, and the ambiguity of tone affects the expression of the relationship between black, white and gray of body structure. The figure below shows the clear relationship between physical outline, reality and black, white and gray.

2. Floating

Refers to paying attention to the surface effect without substance. The main reason is that the overall meaning of the picture is weak. There is both an understanding of body structure and a grasp of light perception. Dealing with flashy gimmicks with details is also an important reason for "floating". (The picture below is concise and tense, and the object shaping is profound and complete).

Step 3: Gray

Of a dull picture. Like a thin layer of "gray" on the cover, the contrast between light and shade is not strong and illusory. The main reason is that the proportion of light and dark tones is not properly grasped, or the middle tone level is complex and important, or the inherent color of the object image is not compared, which weakens the relationship between black, white and gray in the picture. The inherent color of the porcelain bottle in the picture opens the relationship between the brightness and space of the object in the picture.

4. Dirty

The main reason is the confusion of hue relationship, or focusing on light and shade and description, ignoring the shaping of the body and the relationship between light and shade. Poor skills, lack of basic skills, and the basic skills of controlling handwriting lines are also the reasons for "dirty". The rubbings combined with the fine lines in the picture below make the picture detailed and clean.

5. Board

Refers to the painting is dull, rigid, lack of vitality. The picture is divided into two parts without the owner, so there is no way to distinguish it and there is no artistic treatment. The main reason is the lack of modeling language and modeling skills. (The following figure chooses the angle that is basically opposite to the composition. The black, white and gray blocks are arranged in an orderly way, and the texture description is in place).

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