What are the comprehensive artistic features of movies?

The characters played by actors are the most important elements in the story and the content. The film performance is carried out under two specific conditions. (1) Actors are exposed to completely real or simulated real life situations, thus putting forward life-oriented requirements for performances. Life-oriented performance is not without design and sense of form. The secret is that the design does not show traces, and the sense of form should have a unique sense of film. (2) The film performance is not facing the audience, but the camera, and the creation of the actors becomes a fragmented, non-sequential and varied performance form at any time.

For an experienced actor, the highest state he pursues is freedom in the above limitations: although one of his emotions was divided many times during the live shooting, the shots seemed to be seamless in one go; Although the camera often limits the range of his expressions and movements, he still makes us feel the camera freely.

Chaplin, with his endless gimmicks, funny performances and his original image of Charlot, a tramp wearing a broken hat, wearing big shoes, holding a thin cane and walking like a penguin, has brought endless laughter to the audience from generation to generation. However, behind this kind of laughter lies the loneliness and desolation of life. His comedies pay attention to the fate of "little people", and integrate the humanitarian spirit and social critical factors into it, creating an insurmountable peak of world comedies. American film historian Louis? Jokobs said, "Talking about Charley? Chaplin also talks about movies. " "There is no one like Charley in American film history? Like Chaplin, he has become such a cherished figure in the world. " In 1923, Chaplin created his own Charlie? Chaplin Film Company became the first truly independent producer in Hollywood. He is a producer, screenwriter, director, actor and composer, and has produced the most outstanding works in his life: A Parisian Woman (1923), The Gold Rush (1925), Circus (1928), City Lights (1931) and Modern Times (1936). In 1972, he returned to Hollywood. At the Oscar ceremony, he accepted the artistic achievement award for his "immeasurable contribution to the film art in this century".