Traditional Culture Encyclopedia - Photography major - How to take a good picture of the reservoir?
How to take a good picture of the reservoir?
Interesting shooting theme
What's interesting about this picture? Water, try to bring the environment into the picture. It can be a tall building in a city, a beautiful corridor, a reflection in the water or a reflection of a bridge. Shooting point and composition are very important. When the viewer gives the impression that the photo was taken on water, the shooting point is very interesting. You can shoot from the bridge or from the cruise ship, and you can change the shooting point and perspective. Look for lines and diagonal lines that create tension in the picture. Don't shoot from the front, try to shoot a little from a certain angle to show the perspective. If sundries are nailed to the shore, they can be removed by raising the shooting point near the water surface. If you want to shoot waves, make sure they are tilted a little along the photo, not towards the observer.
Shooting skill
When shooting water bodies, all the rules of landscape photography apply. Generally speaking, larger depth of field (that is, f 13 and higher aperture value) looks better. If you are shooting a reflection, it is worth trying to shoot in the backlight. The best shooting time is sunrise and sunset. For landscape photography, when the weather changes, the boundary weather conditions are ideal. It is much more likely to catch the ball successfully at this time.
You can get interesting results by shooting with a low-speed shutter. Here, you need a tripod and a remote control.
It is difficult for many novice photographers to determine the exposure when shooting water, sky and land. In landscape photography, it is important to understand that the water or sun in the sky is usually much brighter than the land. Determine the important part of the picture and measure it. In this case, the land or water surface will be exposed normally, the sky will be overexposed or exposed normally, and the land or water surface will be underexposed.
Shoot in RAW format, and then correct the incorrect exposure in post-processing. You can shoot two identical frames at the same time, but the exposure is different (in frame 1, measure the light part of the image, and in two places-in the dark). In the editor, you can combine these frames. Another option is neutral gray gradient filter (ND). Half of this filter is black (usually 2-4 exposures) and the other half is transparent. Therefore, the darkened part will coincide with the bright part of the landscape. Traditional circular filters (such as B+W, Marumi, etc. ) has a disadvantage; You can't control the darkened boundaries. It's in the middle. And the horizon should not enter the middle of the frame. This problem can be solved by a square filter. This filter can rotate and move relative to the lens.
When the water in the pond is clean enough, a polarizing filter should be used. If the depth is shallow, the water is clear and the bottom is clean, the development degree of water can be improved. If the water is dirty and turbid, it will appear unnaturally dark or even dirtier when a polarizing filter is used.
Many people think that a wide-angle lens with fixed focal length is most suitable for landscape photography. Compared with zoom lenses, such lenses are usually sharper and have a larger aperture. However, in landscape photography, photographers often face the problem of not being close to or far from motivation. Therefore, the zoom lens is more widely used. The best focal length of the landscape is about 35mm (Quan Huafu). But it all depends on motivation and terrain. You can also use a telephoto lens with a focal length of 70 to 200 mm to shoot landscapes. We must not forget that the greater the focal length of the lens, the narrower the field of vision. Therefore, when using this kind of lens, the lens must be put aside, and the depth of field (clearly depicted spatial depth) of the telephoto lens is small, so the imaging will be very flat.
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