Traditional Culture Encyclopedia - Photography major - Can you help me write a review of "Sunny Days"? Urgent request. About 1500 words.
Can you help me write a review of "Sunny Days"? Urgent request. About 1500 words.
This is my personal favorite domestic movie, and I personally think it is the best youth or romance movie in China so far.
It is not arbitrary to position this film as a youth film or a romance film. Jiang Wen and Wang Shuo are not actually telling the story of the Cultural Revolution in this film, but about their own youth and love during the Cultural Revolution. "Sunshine" The title of the film "Splendid Days" itself speaks for itself - no one would think that that particular era was really a sunny time, but the statue of the great leader that we need to look up to at the beginning of the film also seems to be pointing us with his giant finger. : "...the world is yours and ours. But in the final analysis, it is yours. You young people are like the sun at eight or nine o'clock in the morning...", because for this group of children, there is no parental discipline or teacher. The Cultural Revolution, which only contained beer, Lao Mo, cigarettes, martial arts, and internal reference movies, was just a period of time for them to get into trouble. This endless freedom seemed to the children to be the sunniest life. Echoing this, at the end of the movie, the color of the film changed from color to black and white. Perhaps Jiang Wen believed that the days of the Cultural Revolution should be the most colorful time in Ma Xiaojun's life, as well as the most wanton life. In comparison, even though he drives a Cadillac now, he has lost the brilliant color of the past.
Since it is a youth film, love is of course indispensable. The lock-picking scene actually hints at Ma Xiaojun’s curiosity when love has just begun to sprout, so of course the first lock he picked should be It was a drawer with locked condoms, and the exploration triggered by curiosity got out of hand, until I met Milan, or to be precise, I met Milan’s photos. In the classic scene of playing with a telescope, Ma Xiaojun made the first brilliant discovery of the opposite sex in his life, so the photos of Milan he saw at that time were actually in color. However, people who experienced that era should remember that there were no Color photos were still a luxury product that had just appeared until the early 1980s. Therefore, as the mystery of Milan gradually disappeared, her photos also lost their luster in Ma Xiaojun’s eyes and became the original black and white. When he was crazy about Milan, Ma Xiaojun also heard about Milan's "deeds" from his companions, but his good impression of Milan made him ignore those rumors at all. However, the ambiguous relationship between Milan and Liu Yi bitterly caused a crowd of people waiting in the swimming pool. Being jealous of Milan's competition caused all his good impressions of Milan to be broken again and again. The final kick that kicked Milan into the swimming pool clearly expressed Ma Xiaojun's disdain and disgust for her at this moment.
Another plot that corresponds to this is: when Milan first appeared, in Ma Xiaojun’s eyes, she walked so lightly, was mysterious and unfathomable, and was unattainable. However, towards the end of the movie, Milan climbed In the scene where she goes to the swimming pool to show off her figure, the audience will notice that from Ma Xiaojun's perspective, Milan climbs up into the swimming pool so awkwardly. From the camera angle that seems to be Ma Xiaojun's eyes scrutinizing her, the audience will also feel the same way about her as he does. So fat, this is so different from the memory of the first time she met Milan when she was thousands of miles away wearing sunglasses. In the past, Ma Xiaojun could get close to Milan only because she asked him to pour water to wash her hair or use water to wash her hair. The bicycle took her to the farm, and after all the mystery about the opposite sex she had fallen in love with disappeared, Ma Xiaojun finally got rid of the long-suppressed feelings and rushed into Milan's house, tearing off the string that she had long wanted to break. The key chain tied around Milan's ankle, and the semi-nude scene of Milan that was later deleted from the domestic theatrical release, showed Ma Xiaojun's youthful impulses that he longed to vent, and also witnessed him and the girl walking on the rooftop with a hazy feeling of love. The breakup of young Ma Xiaojun.
Just like the sunshine during the Cultural Revolution was so bright that it was unreal in that specific era, the only rainy scene in the film also seemed so unreal in the warm tones of the entire film, perhaps because Unreal, so Ma Xiaojun’s unreal fantasies became reality in this scene. In this scene in the rain, Ma Xiaojun unexpectedly changed from his usual caution and loudly called Milan’s name. When Milan asked him, “What’s wrong with you?” , he did not hesitate to say the words that have been lingering in his heart for the only time in the film in front of her - "I like you!", and Milan also stayed with him as he wished. Hugging each other, this is the only comforting hug in the entire film, but it is so unreal, because this rain is a rain that seems so unreal on the brightest day... Milan after the rain and the sky clears The reality that he was still flirting with Liu Yiku proved that his fantasy was really just wishful thinking. The scene of fighting Liu Yiku at the birthday party was just an unsuccessful ambition in Ma Xiaojun's mind! In fact, there has never been such tender rain, such bright sunshine, and such magnificent and intense youth!
Gu Changwei's photography skills are put into full play at the end of the film - Ma Xiaojun is kicked out of the swimming pool. His helplessness in the water also symbolizes his isolation. This is a very stream of consciousness. The lens of the film expresses the feeling of suffocation very well, but the slight sinking and alienation revealed in the lens seems to express his sense of playfulness, perhaps echoing the triumphant Ma Xiaojun driving the luxury cars at the end of the film. The sense of accomplishment you feel when your childhood friend is down and out!
Finally, when Ma Xiaojun walked sadly on the roof, and when he rode his beloved Milan on the forest path in the orange sunshine of the sunset, the background music played was Maas. The intermezzo in Carney's opera "Cavalier Rusticana", this classical music from foreign operas is so harmonious with the love during the Chinese Cultural Revolution that the first "Raging Bull" to quote this intermezzo On the contrary, I think it is not suitable for this piece of music.
"Sunny Days" has a strong complex of heroism and idealism. The film uses the "Cultural Revolution" as its theme but uses the title "Sunny Days", which is thought-provoking! This is the personal memory of the "Cultural Revolution" of a child in a military compound, mixed with Wang Shuo's memory and Jiang Wen's personal experience. It is a bitter look back at "public ownership" and "purity and purity". In the current era of dross and lack of ideals and conscience, it has ironic and cautionary significance.
Every place with windows and doors, and every place where sunlight can pass through, is filled with strong sunlight that can melt everything, and brilliant sunlight that can penetrate everything. The outline of people blurred under the sunshine, intensifying the pain of youthful bursts. The high temperature caressed us and sent away our turbulent and passionate youth in the sunny summer. The children in the compound are very scoundrel-like. Their sudden youth is violent, smoking, drinking, and women are popping like skin that has been sunburned for a long time. We cannot say that their youth and nature are dirty, because the same Having experienced the confusion and waste of youth, their hearts are like their white buttocks, reflecting the dazzling light under the light from the window and the beam of the flashlight. They treat their youth cruelly like they laugh at the fool at the gate of the compound, habitually and ironically. Spending repeated but different days with unknowing injuries (repetitive: the wasted youth of Mahou and a group of people; different: daily fresh interactions between Mahou and Milan), the turmoil of youth and sexual impulse make Mahou At the other end of the long telescope, we found the beautiful, smiling, colorful Milan wearing a red swimsuit. This simple detail tells us that in fact, the subsequent stories about Mahou and Milan were all made up by him. A beautiful and gorgeous dream of an enthusiastic adolescent boy. Ma Hou's peeping into secrets created his selective memory and Platonic one-sided spiritual love. In the dizzying world, he discovered the beautiful Mi Lan and began to fantasize about everything, like a cat on a hot iron roof. He kept walking, looking for the only comfort of his youth. His final attack on Mi Lan (I embellish his behavior because I understand his youth) was the last effort of this adolescent cat. The hands extended by Liu Yiku's group of people are not salvation, and Ma Hou's youth can only come to a successful end under the pain of oppression. Under the bright sunshine, everything has no escape. All the so-called friendship and so-called love are just the pain of growing up, just like the brick that a monkey slaps on others. We have to accept that it is not Responsible for your own mistakes. A condom in flight and the ignorant smile of the monkey are like a beautiful festival of his youth. The boy who talks so much about sex doesn't know what it is. Just like the violence he did to Mi Lan in the end, it was just a budding impulse. A sign of ignorance, and he never knows what to commemorate his youth. This is the mood that comes out of watching the movie. Suddenly I thought of my youth again. People say that youth cannot be wasted. I don’t know how to take it seriously. Everyone has their own different life. I also said that if I send away my youth this summer, the beautiful plot will be gone forever. The lack of sadness is false, but I have no tears. Growing up will eventually bring you the experience of growing up. I see the world with my eyes, even if the world is not in color.
I will still stand on my hill and watch slowly until the sun rises in the sky...
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