Photographic composition rule

Lead: Let's take a look at the rules that need to be learned in composition.

Before I plunged into the world of photography, I never considered or studied photographic composition. I thought all I had to do was shoot. If I want to take a photo that reflects real life, I can't imagine saying to a person who runs to the bus. Excuse me, can you stand in the third position? I don't care about composition at all.

But when I started setting the camera without thinking about intuition, the situation was different. I suddenly had enough time. I don't need to adapt the subject to me when shooting. I can move myself properly and capture the picture at the moment when the composition naturally forms. If you, like me, haven't thought about composition, here are some rules to help you get on the road. Naturally, rules are meant to be broken. But you can't break them unless you master them. Here are four important and easy-to-use rules, without which I can't even take pictures:

Trinity rule

This is probably the most well-known composition rule among photographers. Some digital SLR cameras can even display three-point grid lines in the viewfinder. This rule means that in a painting, the subject should be on a straight line that is equally divided. For example, according to this rule, the horizon should not be located in the center of the picture, but in one third.

Odd number rule

The odd number rule means that when the subject in the picture is odd, the picture is more moving visually. For example, if you want to shoot more than one person, don't shoot two people, shoot three people, five people and seven people. Of course, this is a stupid idea for wedding photography, right? But whenever possible, if you take more than just commemorative photos of real life, remember the odd number rule. Research shows that people prefer strange themes when looking at photos.

Space law

I mixed this rule with the dichotomy. You may naturally apply the space law, but you don't notice that it is a composition law. This rule means that in order to express the sense of movement, explain the background of the picture, and make the picture feel extended, it needs to be in the picture? Leave blank? . For example, if you photograph a runner, leave some space in front of him. Don't put all the space behind him, it won't help the audience imagine that he is running forward.

If you want to take a picture of a woman smiling at something that is not in the picture, leave room in the direction where she smiles. This will make the audience curious, what is outside the picture? What is she laughing at? It's natural that I mix this rule with the dichotomy. These objects should be located in one third of the picture.

visual angle

Angle of view is the most basic composition rule, as simple as pressing the shutter. You are your audience. Your camera is their eyes. If you shoot a dog at eye level, your audience will see the dog at eye level. If you shoot a dog from a lower position, your audience will also see the dog from a lower position. If you pat a dog from a height, it will give the audience a feeling of overlooking.