Count all the celebrities with the word "xian" in their names in the world.

Empress Xiao Xianchun (17 12 February 22nd ~1March 748 1 1), fuchs. Born and raised in Huangqi, Manchuria, Qianlong was originally a queen, the daughter of Li Rongbao, a first-class benefactor, and his brother was Fu Heng, a university student. Born into an official family. Kangxi was born on February 22, 5 1 year (17 12), one year younger than Emperor Qianlong. On July 18, the fifth year of Yongzheng, he was married by Sejong and became a imperial concubine. In the sixth year of Yongzheng, he gave birth to the eldest daughter of the emperor, and in the eighth year of Yongzheng, he gave birth to the second son of the emperor, Yong Lian, and the Crown Prince Duan Hui, and in the ninth year of Yongzheng, he gave birth to the third daughter of the emperor, Gu Lun and Princess Jing. On the fourth day of December in the second year of Qianlong, a coronation ceremony was held for her. In the 11th year of Gan Long, Yong Cong's seventh son was born. In the 13th year of Gan Long (1748), he toured the east with the coachman in the first month. On March 1 1, at the age of 37, he died on a boat trip to Texas. In the seventeenth year of Qianlong (1752)/kloc-0 was placed in Shengshuiyu underground palace on October 27th. Qiaocheng: filial piety, honesty, honesty, honesty, honesty. Mu Ren Hui Hui Palace Kang Shunfu, Queen Tianchang Shengchun.

Hou Hsiao-hsien: When it comes to Taiwanese new movies, Hou Hsiao-hsien is an unavoidable figure. As a cadre of the New Wave Film Movement in Taiwan Province Province, he stood at the forefront of film reform, holding his arms high and shouting. But the shadow of business has been dragging behind for a long time, which makes him have to experience the pain and sadness brought by movies.

From 65438 to 0983, Hou Xiaoxian's My Son's Big Doll officially kicked off the new wave film movement in Taiwan Province Province, and opened the personalized writing style of the films in Taiwan Province Province. With the opening remarks, there are, Chen, and others ... A group of directors with strong Taiwan Province island consciousness and independent style surfaced.

198 1 year, the new wave film movement in Taiwan Province was in its infancy, and Hou Xiaoxian met Yang Dechang, another director of the new wave film movement. At that time, he and Chen sat in the cafe every day, waiting for the film to fall out of the sky. After a period of time, Hou Xiaoxian watched the western movie master films brought back by Yang Dechang from abroad and got to know pasolini and Ferini. Together with Zhu Tianwen, he learned about Shen Congwen's autobiography and Hu Lancheng's "Five Laws of Nature". From then on, he kept his camera still step by step, gained a point of view step by step, made this point of view a way of looking at it from a distance, quietly and objectively, and fixed this lens language into his own style step by step.

Before 1983 "My Son's Big Doll", Hou Xiaoxian also filmed "The Wind Cabinet Man". As a dividing point of Hou Xiaoxian's film creation, The Man in Hazama jade Cabin is completely different from Hou Xiaoxian. According to Hou Hsiao-hsien himself, through The Man from the Wind Cabin, he had a "new understanding" of the film and thought it was another language. From the first shot of the film, Hou Xiaoxian announced his change, a simple actor, recalling the lost time, and the catharsis and confusion of youth.