Gao Hong's personal account

Besides literature, I also like photography and calligraphy. His calligraphy works won the third prize in the first National Private Entrepreneur Painting and Calligraphy Competition. The paper "Shallow Understanding of Purple Sand Pottery Carving Art" won the second prize of the second outstanding scientific and technological paper in Shaanxi Province; "High-efficiency and energy-saving liquefied gas prism kiln" project won the third prize of major scientific and technological achievements progress of Shaanxi Provincial People's Government; The black pottery "Baifu Bottle" won the excellent prize in the "First Shaanxi Tourism Souvenir Design Competition", and its works were collected by Shaanxi Provincial Tourism Bureau; Banpo Pottery Bottle won the silver prize in the first China Tourist Souvenir Design Competition; The editor-in-chief of a large enterprise magazine won the first prize of the Third Joint Exhibition of Enterprise Magazine jointly organized by china enterprise confederation, China Entrepreneurs Association, Peking University and Tsinghua University. I won the best editor-in-chief award. The paper "On the Role of Internal Journals in Enterprises" won the first prize in the national internal periodical works appraisal. He has been selected for many times into China Thinker Treasure House, China Contemporary Scholars Dictionary, China Construction Library and other large dictionaries.

Works review

Looking at Gao Hong with pirated books.

Text/Wang Yanchun

It is always indecent to associate Gao Hong with pirated books. However, walking on the book beach in Xi 'an, I have to admit that the name Gao Hong has become a popular money-making capital for vendors.

I remember the night before the book "Heavy House" was signed for sale, some friends and I made a special trip to Xi 'an, and we were surprised to find that the book had been listed in several book beaches such as the Bell Tower and the railway station. This year, another masterpiece of Gao Hong, the father of farmers, was published, which coincided with my inspection in Beijing, Hebei and Mongolia provinces, and I also saw a scene consistent with Xi 'an in the Woods. The speed of pirated books is unimaginable.

Because I know Gao Hong, I have more careful copywriting in the literary circle. As long as I see his articles and comments, I will collect them all, inadvertently collecting comments from nearly 50 well-known newspapers and periodicals across the country:

"The novel" The Farmer's Father "is as aggressive and thought-provoking as the oil painting" Father ",which has the same effect. The author painted a magnificent picture of the historical evolution and social changes in rural areas since 1950s, and created an image of an industrious, kind, simple and tenacious old farmer, which was praised by many readers as "another epic drama of rural life in Shaanxi after Bailuyuan". (Niu Yushun, "Farmer's Father Walk All the Way", Weifang Evening News, June 5438+10/October 30, 2008)

"It can be said that through Gao Hong's novel" Farmer's Father ",what we know is a contemporary writer who has reached perfection from the linguistic level to the logical level, from the depth of understanding to the breadth of expression, from the concept of lines to the machine interest of lines (breakthrough in local writing, Hainan Daily, April 23, 2009-bestseller observation. Novel Review, No.4, 2009, by He Ping). After reading The Heavy House, Li Xing, a judge and critic of Mao Dun Literature Award, titled it "A vivid description of the real life in rural China", which shows the author's life accumulation and extraordinary artistic accomplishment, and is a masterpiece with a heavy atmosphere. "This is another important theme about northern Shaanxi and rural areas after Lu Yao's Ordinary World, which shows the intersection of cities and rural areas." Zhao Xi, vice chairman of Shaanxi Writers Association and a famous writer, said: "The heavy house really makes me feel depressed and heavy in reading. The harsh "truth" and the farmers living in Huangni village, and a series of rural stories of blood and tears caused by it, moved me and worried me. This is a very serious and moving creation, without much carving. I deeply respect and congratulate the young Gao Hong for his frank writing and artistic exploration in The Heavy House. " (Heavy House-Images and Miniatures of Farmers' Life in Northern Shaanxi-Novel Review, No.3, 2009); Professor Ai, a critic, believes that "The Heavy House" "in fact, the extreme material poverty and the unremitting spiritual pursuit constitute the great tension between the two characters, and also become the basic internal motivation of the novel narrative. At the same time, it is precisely this point that the writer Gao Hong holds a realistic narrative mentality paradigm in the narrative vision, and shows this tendency in the novel structure, the perspective of characters and the internal conflicts of characters. " (The Light in a Gloomy Day —— Comment on Gao Hong's novel The Heavy House, Novel Review, No.3, 2009)

Li Jianjun, a critic, thinks that "Gao Hong has a simple and profound bottom feeling like the earth, the author has a good ethical consciousness and a sound view of human nature, and his artistic sense is quite good". The Heavy House is a "simple and heavy work", "another kind of low-level writing" and "more cognitive value in the sociological sense" (another kind of low-level writing, The Great Wall, No.8, 2008; Contemporary Fiction, No.8, 2009; Hainan Daily, May 2, 20091-bestseller observation). The editor-in-chief of Times Literature and Art Publishing House interprets The Farmer's Father with the theme of The Poetic Love of the Farmer's Father: "With the joint recommendation of famous writers Chen, Cao Naiqian and, it was presented as a gift for the 30th anniversary of China's reform and opening up, which made us awe-inspiring." (Contemporary Fiction, No.8, 2009; Novel Review (No.3, 2009).

Liang Xiangyang, a professor and critic of the Chinese Department of Yan 'an University, said: "This novel can even be regarded as a history book and sociology book that records the difficult life of the lower classes in China before and after the new period, and can also be used as a desk reading for historians and sociologists to study the specific historical period of contemporary China society." Writer Chen believes that "this is a novel that closely follows the current life development, vividly and truly describes the current rural life form in northern Shaanxi, which has aroused strong response and concern from readers". A talented young writer has emerged in Shaanxi. "(recommended by heavy house). Jia Pingwa, chairman of the Shaanxi Writers Association, believes that "Gao Hong is a writer with outstanding literary achievements in our province, and his works are also quite influential in China. I am also a rare purple sand ceramic talent. Shaanxi Literature, No.2, 2009.

Gao Jianqun, vice chairman of Shaanxi Writers Association, said: "Although the world is impetuous and full of falsetto and lip-synching, there are still some sober corners and a large number of sober people. This book (heavy house) written in blood and tears touched them. I once said: I groped in the hearts of countless people and found a cold heart. I am very touched to see the comments of these netizens now. There is sincerity and simple human feelings in this world. " "I am very happy to see that the literary Shaanxi army has a new face. Our generation is getting old, and I hope others will come later. " Gao Jianqun, July 22nd, 2007: The next batch of gourmets will be received at this banquet.

Writer Yang Huanting commented: I said that Gao Hong's novel "The Plateau of Blood" is a good work, not only referring to the usual breakthrough points of analysis such as structure, language and narrative style, but focusing on his face-to-face and presentation of the true artistic spirituality of human nature, and paying attention to his complex, three-dimensional and dynamic writing of human nature in a multi-color background, which not only makes the main characters in the work become Hegel's non-repetitive "this". More importantly, through the compatibility, contrast and conflict between the life state with human nature as the basic core and the background of the times, the artistic images written by writers have a sense of relief in aesthetic sense, which guides us to interpret the interweaving of "diachronic state" and "* * * tense" of each character's poems from a three-dimensional perspective. This is precisely the quality that some rural narrative works do not have at present. (Human Relief on Multicolor Background, Culture and Art Newspaper, June 20th, 20 10. Novel Review, No.4, 2009)

"Writers have a strong accumulation of life in northern Shaanxi. The book depicts many customs and charming scenery in northern Shaanxi, and the author has artistic accomplishment different from other writers. Therefore, this novel not only depicts a colorful picture of life in northern Shaanxi based on self-life, but also writes the spirit of the people in northern Shaanxi-the indomitable spirit of life, the spirit of never yielding to fate and the persistent spirit of love. " (anxious: looking for happiness-on the ideological implication of the novel The Heavy House, No.3, 2009) "It is not only a story of ups and downs, but also a rich flavor of life on the Loess Plateau, a trip to paradise that has been repeatedly recited, a vivid and beautiful literary language, a portrayal of grandma and mom, and so on. (Chen Zhitao's tolerance casts the spirit of great love-thoughts on reading Gao Hong's novel "Bloody Plateau", Shaanxi Literature No.2, 2010; Culture and art newspaper 20 10 may 2. Novel Review, No.4, 2009)

"In this warm and cold early summer, with a little melancholy and a little joy, we sent off Feng's Village and ushered in Gao Hong's Blood Plateau. This work is an expression of women's fate, a profound portrayal of the ups and downs of fate, and a slow exposition of historical vicissitudes; This is an aria, a belief in heaven, and a symphonic poem praising motherhood-treat others with a tolerant and kind heart and live with a tough and brave heart; Struggle with suffering, struggle with fate ... This is the spiritual wealth left by my grandmother and mother to the author, and it is also the life inspiration brought by the author. " Feng, vice chairman of Shaanxi Writers Association, said, "As I said, China writers can't escape the fate of epic and legend. Epic and legend are not the conscious pursuit of all China writers. There are many reasons why China writers focus on epics and legends, so I don't need to discuss them here. I mean, Gao Hong's Hot Blood Plateau can also be classified in this way. Of course, reaching an epic height is also a great achievement. The purpose of pursuing epic in plateau of blood is clear, and the work lasted for more than half a century, with a great time span. The main characters in Gao Hong's works are legendary, flesh and blood, and they are all living' this one'. " (Gao Hong's artistic pursuit —— Reading Gao Hong's novels "Bloody Plateau", "Shaanxi Daily", "Culture and Art Newspaper" and "Shaanxi Literary World") "The knights of Shaanxi literature, such as Lu Yao, Jia Pingwa, Chen and others, carried the banner of crusade and blew the horn of Shaanxi army, making Shaanxi literati and Shaanxi literature look around China, and their once brilliant light has not faded. (Lu Wanhong's "Later Rider") "The author painted a historical picture of the suffering of ordinary mothers with realistic brushstrokes; Meticulous brushwork shows the diverse styles of ordinary human nature, three-dimensional and vivid, and the brushwork is clean and not sloppy. ..... There are too many human factors hidden in my mother's tortuous life course, which is undoubtedly an attack and criticism of political pathology in a specific period. " (Shan Lan's Magnets of Destiny Strange Life —— Reading Gao Hong's novel Plateau of Blood)

"Loyal inheritance, orderly pursuit, a broad sense of history, and the injection of dignity consciousness in the most modern sense are bound to be the final conversion of Gao Hong's simple local writing. Although many of our ancestors who were born in and returned to the local area under Gao Hong's pen may never read his chapters through generous or affectionate gaze, I believe that their descendants will definitely see similar words full of sympathy and warmth. And full of gratitude in the strictest sense ... "("The Distribution of Clear Porridge in the Ming Dynasty: Gao Hong's Stubbornness ") After" Heavy House and the Father of Farmers ",Gao Hong presented us with an extremely wonderful realistic masterpiece-the bloody plateau. On the basis of inheriting the magnificent realistic style of Liu Qing's History of Entrepreneurship and Lu Yao's Ordinary World, this work pays more attention to the irresistible fate of ordinary people in the era and social background. Under the pressure of this irresistible force of fate, they have suffered too much human suffering with their tenacious will to survive. The beauty and ugliness of ordinary people's souls are displayed under the traction of the times and social trends. This interweaving change of beauty and ugliness seems to tell the world an invisible concept of self-salvation. Therefore, The Bloody Plateau goes beyond the scope of ordinary realistic novels to a certain extent, thus showing the specific situation of China people in a specific era in a three-dimensional way, and there is no lack of spiritual pen and ink, which often inadvertently shows the beauty and ugliness of human nature incisively and vividly, making people want to cry. The sculptures of the characters in the works are multi-angle, which reflect meaningful light under the collision of history and reality, so that readers can examine the changing state of their souls in the times and social context from various angles with the help of the novel text. "(Wu Haibo's Elegy to Redeem the Soul —— Comment on Gao Hong's novel" Plateau of Blood ")

There are many comments on Gao Hong. Periodicals such as Novel Review and Contemporary Literary World all published Gao Hong's critical albums, and many newspaper supplements also published critical articles. Xi TV's "Artists and Arts" column recently made an exclusive interview with Gao Hong. Culture and Art Newspaper published Gao Hong's photo and article title-"Thick and Simple Product Gao Hong" on the front page, and then concentrated on the second and tenth editions.

Gao Hong's creation is not born, but the result of hard work. The poor life experience and bumpy life from childhood have accumulated his rich extraordinary experience and laid his dream of achieving literature in the future. He is a leader who is unwilling to be poor and backward and stands up against fate. He reproduced the past and the past with tenacious perseverance and pure language, and the language was very affinity. "He pinned his pursuit of writing, some kind of calm and condensation that swept away the moth's eyebrows." "Gao Hong is obviously not a producer of fast food literature. He put his personal style, expression, richness and fuzziness in his novel writing. " Peace is a breakthrough in local writing. Fiction Review (No.4, 2009) truly writes about what everyone has experienced, which is exactly what everyone wants to say but can't express. This is the mystery of literature, the bridge to spiritual communication, and the real mystery of authors and readers.