Film Review of Subway in Spring

The whole movie is like an essay, with a unique narrative style, multiple perspectives, a lot of flashbacks, and jumping without being rigid. The narrative of the characters divorced from the story situation seems to draw lessons from the artistic techniques of Beijing opera, which is novel and unique. In the seemingly rambling narrative, the main line of emotional development is very clear, and the narrative can be traced. This film is very exquisite. The characters of He Xu are quite consistent with the film, and the pictures and music are more exquisite (Southern Metropolis Daily).

There are no ups and downs in this film, but the exquisiteness of the film still gives people a feeling of empathy. Including small depression, small inferiority, small escape, small jealousy, small empathy and small emotional pain, it shows people all kinds of small but eventually accumulated subtle contradictions, which can cause huge psychological conflicts. At the same time, the film also has its idealized side, tiger and Xiaohui, Jianbin and Lichuan, and their good relationship builds the overall warm and romantic tone (Sina Entertainment Review).

In the film, the director continues his exquisite picture characteristics, and some small details are worth remembering, such as the repeated bathtub scene very similar to the original sin, the little cockroach who wants to climb to the wedding photo, including the love between the chef and the nutrition breakfast salesman, and the love between the studio clerk and the dumb boy, which may be to form a reflection on Jianbin Xiaohui's story (Netease Entertainment Review).

The sensitivity and delicacy of Xu created the vivid and natural Jianbin and Xiaohui in the film. In the film, Xu's performance has obviously faded the youth of some girls, adding a bit of mature charm, and his grasp of the characters' emotions is also very delicate and layered. Geng Le also found the introverted and sensitive side of his life in this film. When meeting Xu, people saw the endless entanglements in youth, love and life (Southern Network Review). The pace of the film is too slow, and there are no twists and turns and suspense in the plot setting, which makes the audience lose their patience in watching movies; In the narrative, there are always some people who are willing but can't do it (Netease Entertainment Review).

In the film, three pairs of men and women of three age groups face the same communication difficulties in emotion, but the methods to solve the crisis are unremarkable. The film interprets the emotional crisis of urbanites, but in the film, its relationship with reality is detached, more like a delicate sample. The relationship between characters and reality is oil and water. They float in the real environment, but there is no rooted soil, so they do not have touching power (Southern Metropolis Daily Review).